TCGS Concerts 1995/1996

Scott Tennant: 9/22/95 Chrysler Museum Theater; 9/23/95 Williamsburg Regional Library

Photo

Guitarist Scott Tennant is undoubtably one of today's leading young American virtuosos. Since becoming the first American ever to be awarded the Tokyo International Guitar Competition in 1989, and his silver-medal performances in both the 1988 Concours International de Guitare of Radio France in Paris, and the 1984 Toronto Competition, his reputation as a brilliant performer has been established world wide.

Regardless of the musical genre, Scott's unique gift of bringing a stylistic freshness to the music has earned him widespread critical acclaim. His powerful interpretations of the great Spanish composers, particularly the music of Joaquin Rodrigo, have made him a concert hall favorite the world over.

Scott Tennant is a founding member of the L. A. Guitar Quartet, with which he concertizes extensively much of the year, while still maintaining his solo concert schedule.

PROGRAM

A Galliard John Dowland
Pavin: Semper Dowland, semper dolens
A Fancy

Suite in E Major, BWV 1006a J. S. Bach
    Prelude
    Loure
    Gavotte en Rondeau
    Menuet 1 & 2
    Bourée
    Gigue

INTERMISSION

Six Balkan Miniatures Dusan Bogdanovic
    Jutarnje Kolo (Morning Dance)
    Zalopokjka (Lament)
    Makedonsko kolo (Macedonian Dance)
    Vranjanka
    Siroko (Wide Song)
    Sitni Vez (Tiny-knit Dance)

Invocacion y Danza Joaquín Rodrigo

Selections from "Por los Campos de España" Joaquín Rodrigo
    En los Trigales
    En Tierras de Jerez
    Junto al Generalife
    Entre Olivares


Margarita Escarpa: 9/27/95 Virginia Beach Center for the Arts

Photo

Margarita Escarpa began her studies at the Real Conservatorio Superior de Musica de Madrid under the tutelage of some of Spain's most renowned teachers. Here she received the Premio Extradinorio Fin de Casiero, the highest honor possible.

As an active competitor, she has won top honors in several major competitions, such as:

Margarita presently concertizes throughout Europe and is a Guitar Professor at the Conservatorio Superior de Vigo in Spain. She has recorded two compact discs for Spanish National Radio: "Rne" and "Opera Tres," and also now records for Naxos and GHA.

PROGRAM

Tombeau sur la mort de M. Le Conte D. Logy

Sonata No. 1, BWV 101 (violin) J. S. Bach
    Adagio
    Fuga
    Siciliana
    Presto

INTERMISSION

Invocation and Dance J. Rodrigo

Reverie, Op. 19 G. Rigondi

Variations Capricieuses d'Apres Paganini W. Lendle

Cuban Landscape with Bells L. Brouwer


Ronn McFarlane: 11/17/95 Chrysler Museum Theater; 11/18/95 Williamsburg Regional Library

Photo

Born in 1953 in West Virginia and raised in Maryland, Ronn McFarlane developed an interest in plucked string instruments at an early age. In his teens he taught himself to play on what he describes as "a cranky $16 steel string guitar". Mr. McFarlane's initial musical experience was eclectic, combining performance of blues, rock and popular music on electric guitar with classical guitar studies. Leaving popular music, he graduated with honors from Shenandoah Conservatory and continued his study of classical guitar at Peabody Conservatory, before turning his full attention to the lute in 1978. On the lute his principal teachers and musical influences have been Roger Harmon, Paul O'Dette and Pat O'Brien.

In addition to pursuing his solo career, Ronn McFarlane is a member of the early music ensemble Baltimore Consort. He records exclusively for Dorian Recordings and has recorded three discs of solo lute music, three lute-song albums with Julianne Baird and Frederick Urrey, and six ensemble recordings with the Baltimore Consort.

PROGRAM

Bonny Sweet Boy Anonymous (16th Century England)
Kemp's Jig
Packington's Pound
Go From My Window
Watkins Ale

Branle Gay Jean-Baptiste Besard (1603)

Branles de Village Robert Ballard (pub 1611)

I Never Knew I Loved Thee Anonymous (Rowallen Lute Book c. 1620)
Corne Yards
Gypsies Lilt
A Scots Tune

Draw Near Me and Love Me Anonymous (Pickering Lute Book c. 1616)
A Scots Tune

The Scottish Huntsupe Anonymous (Stralock Lute Book)
I Long for the Wedding
I Long for the Virginite
The Canaries
Canarios

INTERMISSION

Ballo detto il Cone Orlando Simone Molinaro (pub. 1599)
Saltarello

Passemeze Adrian le Roy (c. 1520-1598)

Ein Welsher Tantz Wascha Mesa Hans Newsidler (1536)

Greensleeves Anonymous (Ballet Lute Book c. 1590)

Greensleeves Anonymous (Thysisus Lute Book c. 1600)

Greensleeves Francis Cutting c. 1595)

King of Denmark Galliard John Dowland (1563-1626)
A Fancy


Manuel Barrueco: 01/26/96 Virginia Beach Center for the Arts

Photo

Manuel Barrueco's astounding versatility extends from his quietly commanding performances of the works of old Spanish masters, Bach and Mozart, to his work with jazz greats Chick Corea and Keith Jarrett. You may recognize him from his appearance in the Lexus television commercial - a gig he earned from his popular recitals and orchestral engagements

A native of Santiago, Cuba, Manuel immigrated to the United States with his parents in 1967, just before the exits were sealed. He began his musical career by playing Latin-American tunes by ear. His career has spiraled upwards ever since, with accomplishments including being the first guitarist to perform with the Boston Symphony under the baton of Seiji Oszawa, and accolades including "Simply and consistently - awesome" as reported by the Los Angeles Times.

An exclusive recording artist for Angel/EMI, Mr. Barrueco's latest recording features Beatles arrangements performed with the London Symphony. In addition to his performing career, Manuel Barrueco is also on the faculty of the Peabody Conservatory of Music of the Johns Hopkins University. Of his Peabody life he says, "I enjoy teaching tremendously. Teaching keeps me in touch and keeps me learning, I try to give my students what I would like to have them give me: honest feedback and honest appraisal.

PROGRAM

Sonata in G Minor, BWV 1001 J.S. Bach (1685-1750)

Sonata in E Major, K.380, L.23 D. Scarlatti (1685-1757)
Sonata in A Major, K.380, L.23
Sonata in A Major, K.209, L.428

"La Catedral"Barrios (1885-1944)
    Preludio
    Andante Religioso
    Allegro Solemne

INTERMISSION

Choros No. 1 H. Villa-Lobos (1887-1959)
Five Preludes
Tres Piezas Españolas


Julian Gray and Ronald Pearl: 03/08/96 Chrysler Museum Theater; 03/09/96 Williamsburg Regional Library

Photo

During the past 12 years, Julian Gray and Ronald Pearl have established themselves as one of the leading American guitar duos, performing to audience and critical acclaim in London, New York, San Francisco, Washington, D.C, St. Louis, and on tours throughout the United States and Canada. They have been invited to perform for many of the most prestigious guitar gatherings in the U.S, including the Guitar Foundation of America and the Second American Guitar Congress. The Duo has been featured on National Public Radio's Performance Today program and on many radio and television broadcasts nationwide.

The Gray and Pearl Duo's recordings on the Dorian label - The Magic Circle and Baroque Inventions - have met with critical acclaim. "A stunning collection ... exquisite, emotionally powerful ... breathtaking" (Guitar Player). "Great classical masters" "Their playing is bright, crisp and ebulliant ... They use their virtuosity to put some serious fun and sparkle back into baroque on the guitar" (American Record Guide).

Each summer, Gray and Pearl perform and direct the Guitar Ensemble Seminar at the National Guitar Summer Workshop in New Milford, Connecticut. Julian Gray is on faculties of the Peabody Conservatory of the Johns Hopkins University and Essex Community College, both in Baltimore. Ronald Pearl teaches at Loyola College in Baltimore and Frederick Community College in Frederick, Maryland.

PROGRAM

Three Sonatas Domenico Scarlatti (1685-1757)
    K.33
    K.213
    K.137

Two Intermezzi Johannes Brahms (1833-1897)
    Op. 76, No. 7
    Op. 118, No. 2

Chaconne in G Major Georg Friedrich Handel (1685-1759)

INTERMISSION

Mountain Moor Stephen Funk Pearson (b. 1952)

Intrada and Sarabande William Bland (b. 1947)

Sonata Andina Jaime Zenamon (b. 1953)
    Vivo
    Lento
    Bien Animado


Badi Assad: 04/05/96 Williamsburg Regional Library; 04/06/96 Chrysler Museum Theater

Photo

At 29 years old, Badi has already proven herself to be amongst the most innovative guitarists/musicians today. Born in São Paulo, Brazil, she began to study guitar at the age of 14 under the tutelage of the father, Jorge Assad, and her brothers, Sergio and Odair Assad - the world renown Duo Assad. As a singer, she was inspired by the talent of her mother, Angelina Assad.

In 1984, as a guitar player, Badi won the Concurso Jovens Instrumentistas in Rio de Janeiro. She went on to study guitar at the Conservatory in Rio in 1985. Soon, however, Badi reached an artistic crossroad. For six months, she locked herself in her room and began experimenting with her voice, with mouth percussion, and with the guitar to create a new sound.

Badi went on to write Antagonismus in 1988, a solo work where she performed as guitarist, singer, actress and dancer. In 1989, she recorded her first record, Dança dos Tons. In the next few years, Badi performed in numerous important festivals with artists such as Hermeto Pascoal, Milton Nacimento, Pat Metheny, Françoise-Emmanuelle Denis, Mike Stern, Dori Caymmi, Sergio and Odair Assad and others. In 1994 she released her first CD with Chesky Records, Solo. Her 1995 release of Rhythms has already garnered critical acclaim as one of the most important recordings in classical and jazz this year.

Today, Badi continues to explore new possibilities with her unbounded creative pulse, and with this energy, imagination and artistry, she forever surprises us with another touch from the heart.

PROGRAM

Palhaçco Egberto Gismonti

Pulo do Gato Paulo Bellinati

A Gandaia das Ondas & Beppo Lenine & Ralph Towner

O Choro de Juliana Marco Pereira

Pau Brasil Paulo Steinberg

Rhythms Sergio & Badi Assad

Song for Badi Kevin Callahan

Joana Francesa Chico Buarque

Quase um Funk pra Badi & Virus José Miguel Wisnik

INTERMISSION

Tamoimoe Marcos Ferreira

Assum Preto & Estudo No. 1 Luiz Gonzaga & Villa-Lobos

A Bela e a Fera Edu Lobo & Chico Buarque

Vrap Marco Ferreira

Moods Shelia Zagury

Solais Badi Assad


Michael Lorimer: 05/10/96 Nauticus Theater, Norfolk; 05/11/96 Williamsburg Regional Library

Photo Michael Lorimer, a favorite protégé of Andrés Segovia, caught the eye of American audiences in the early 1970's through tours arranged by the great impresario Sol Hurok. His popularity soon extended beyond the shores of America. The first American guitarist invited to perform in the USSR, he concertized there in 1975 and 1977 on two extensive tours. He has appeared in Israel, Cuba, throughout Europe, on most North American recital series, with the St. Paul Chamber Orchestra and Orpheus, with Kronos, and with the orchestras of Atlanta, Baltimore, Indianapolis, Louisville, New Orleans and San Francisco.

While an enthusiastic exponent of new music and of traditional classics, Michael is also the first world-class guitarist to regularly feature the baroque guitar in recital. Twenty years ago, long before the present vogue in original instruments, Lorimer was a pioneer bringing attention to the seventeenth- and eighteenth-century predecessor to the modern instrument. By the mid-1970's one London critic said "If Lorimer is not the best baroque guitarist in the world at present, the competition has still to present itself." In 1987, Michael Lorimer brought to light a milestone of the guitar repertoire, the best surviving collection for any instrument of early eighteenth-century Spanish dance music, when he published a detailed study and facsimile of the Saldívar Codex Nº 4, a large, hitherto anonymous manuscript from a private collection in Mexico, and identified it as the companion volume to the British Library manuscript Pasacalles y Obras (1732), a legacy of Santiago de Murcia.

In addition to concerts, Michael Lorimer gives master classes at North American universities and conservatories from coast to coast. He is an engaging spokesman in demand for experimental programs in arts presentation. During the academic years 1980-1982, he was Distinguished Professor of Music at the University of North Carolina, Wilmington. His most recently released recording Remembranza (distributed by Windham Hill) is a tribute to Andrés Segovia.

PROGRAM

Fantasia Sevillana and Danzas (1920-1930) Joaquin Turina (1882-1949)

Postcards from Spain (1996) Thea Musgrave
    Cantador
    Starlight on Compostela (Santiago de Compostela)
    Trovador (Segovia)
    Reflecting Pools in the Alhambra (Granada)
    Windmills (Sonsuegra)

Mallorca Isaac Albéniz
    Zambra Ganadina
    Sevilla

INTERMISSION

Suite in C Major (1671) Francisco Corbetta (c. 1615-1681)
    Prelude
    Caprice de Chaconne
    Gigue
    Menuet
    Autre Chaconne

Guitar Solos (TBA) Heitor Villa-Lobos (1887-1959)


Orquesta de Guitarras Universidad de Costa Rica:

06/13/96 Virginia Beach Center for the Arts; 06/14/96 VCU Performing Arts Center, Richmond

Photo The Orquesta de Guitarras was founded in 1982 by Professor Luis Zumbado. The orchestra is composed of the best professional players, students and professors, who gather rich European and Hispanic-American music to celebrate the tradition of the guitar. The orchestra performs music ranging from Arcangelo Corelli to Bela Bartok, and Carlos Payes to Daniel Pisarro.

Acclaimed for its numerous performances in national and international arenas, the Orquesta de Guitarras has been the inspiration for the founding of other guitar orchestras from Tidewater, Virginia to Paris, France. The cohesive playing and outstanding technique of the players, in combination with a diverse and exciting repertoire, offer a feast for the ears. It is ensemble playing at its best.

Artistic Director Luis Zumbado is professor at the School of Music at the University of Costa Rica. He is a graduate of the Costella Conservatory of the Royal Conservatory of Music in Madrid, Spain, and has performed in Europe, the Americas and Asia. He is the founder and artistic director of the annual International Guitar Festival in Costa Rica.

PROGRAM

Tres piezas costarricenses arreglo: Mario Ulloa
    Pampa Jesús Bonilla
    Ensueño Daniel Pizarro
    Tardes de Alajuela Ernesto Alfaro

Tres piezas sudamericanas arreglo: Gerardo Duarte
    Canción - Vals peruano - Polca parguaya Jorge Cardoso

Sombras Carlos Brito
    Solo: Humberto Vargas arreglo: Manfred Ramirez

La leyenda del beso Reveriano Soutullo

Danza ritual del fuego Manuel de Falla

INTERMISSION

El manicero Moises Simons
Solos: Freddy Meléndez Percusión
    Randall Nájera bajo
    Mario Solera guitarra

Copacabana-Desafinado B. Riveiro - A. C. Jobin

Centroaméica Istmeña Autores varios centroaméricanos

Pájaro campana Recop. Félix Pérez Cardozo

La Bikina Alexandro F. Roth

Alma Llanera Pedro Elías Campos

Al viento Manolo Sanlúcar
Solos: Manfred Ramírez, Guido Sánchez



Home