
Spencer Nott-Bower: 9/23/94 Chrysler Museum Theater;
9/24/94 Williamsburg Regional Library

Jill Nott-Bower, actress and vocalist, and Robert Spencer, lutenist and vocalist, presented the
program Eliza, Triumphans, celebrating the life and times of Elizabeth I. The duo did not rest
with a concert of period music. Rather, they transported us to the time and presented us with
an understanding of the music. We would be pleased to hear more concerts presented in this
fashion.
Come O'er the Bourn, Bessy - the "lion's cub" was born 1533 and crowned in 1559. The Spanish ambassador reports Henry VIII's disappointment at the birth of a daughter instead of a son.
| Lute: The Queen's Almain | Anon |
| Having been accused of treason, the 21-year old Elizabeth pleads her | |
| innocence to her sister, Queen Mary Tudor, but is taken to the Tower. | |
| SONG: Eliza is the fairest Queen | Edward Johnson |
| The ballad "Come o'er the bourn, Bessy" records the symbolic marriage | |
| of Elizabeth to her country "Merrie England" - Elizabeth crowned, 1559. | |
| LUTE: Queen Elizabeth's Galliard | John Dowland |
| SONG: Say, Love, if ever thou didst find | John Dowland |
| A battle of wits with the Spanish ambassador. Elizabeth's insinuating | |
| verse, "No crooked leg" | |
| LUTE: The Spanish Pavan | Francis Pilkington |
Of Many Was I Sought - Courtships 1559-82. Elizabeth's regard for Robert Dudley, who is personified in John Ly]y's play, Endymion.
| LUTE: Bonny Sweet Robin (Dudley's nickname) | Anon |
| The Spanish ambassador reports gossip about the suitors. | |
| SONG: Quel espoir de guerir? | Pierre Guedron |
| Elizabeth flirts with the Duc d'Alençon for political gain and promises of marriage. She eventually pays him off to avoid it. |
|
| LUTE: The Frog Galliard (Alençon's Nickname) | John Dowland |
| SONG: Now, O now (on Alençon's departure) | John Dowland |
| Elizabeth's poem "I grieve, and dare not show my discontent" expresses the conflict between her nostalgia for Alençon's company and the need for political discretion. |
|
| SONG: But could thy fiery poisoned dart | John Dowland |
THE DAUGHTER OF DEBATE - Mary, Queen of Scots, executed 1587 aged 45. Elizabeth playfully tests James Melville's diplomacy.
| LUTE: Gaillard la Reine d'Ecose | Estienne du Tertre |
| Elizabeth's poem "The dread of future foes" expresses her anger at the threat of Mary, Queen of Scots, the "daughter of debate," who, after her short-lived marriage to Bothwell (the murderer of her previous husband, Damley), was forced to abdicate the Scottish throne. She fled into England, where she was held prisoner for 19 years, the focus of Catholic plots to depose Elizabeth. Robert Melville pleads unsuccessfully for Mary's life. Elizabeth hesitates to sign the death-warrant but eventually does so. |
|
| SONG: The noble famous Queen (elegy for Mary) | William Byrd |
IN THE MIDST AND HEAT OF BATTLE - the Spanish Armada 1588
| SONG: The Armada Ballad | tune: Hansken |
| The Spanish Armada imminent - Peele's poem "Were every ship..." expresses the Queen's invincibility - Elizabeth commissions Charles Howard as Lord High Admiral - Drake urges her to increase her forces - her scornful accusation that King Philip of Spain started the war - Leicester restrains her from putting herself in danger. |
|
| LUTE: The Battle Galliard | John Dowland |
| Elizabeth's speech to the troops at Tilburi. |
THE OUEEN DOTH FISH FOR MEN'S SOULS - sovereign and subject The Queen "doth fish for men's souls" (Christopher Hatton) - Elizabeth obliges the University of Cambridge with her Latin, 1564.
| SONG: Those eyes that set my fancy on a fire | Anon |
| Harington's epigram and an anecdote of Dr. Tye, the composer. | |
| LUTE: The Queen's Galliard | Edward Pierce |
| Six or seven galliards in a morning. | |
| LUTE: The Queen's Galliard | John Dowland |
MY WILD HORSE - The Earl of Essex, executed 1601 aged 33. Elizabeth makes a gift to the 19-year old Earl - the Earl writes to her in 1590.
| LUTE: The Earl of Essex Galliard | John Dowland |
| In 1599 Essex is sent to quell the rebellion in Ireland - his military and diplomatic mistakes - his letter "From a mind delighting..." |
|
| SONG: Can she excuse? (poem by Essex) | John Dowland |
| Essex parleys with Tyrone and suddenly returns to London against the Queen's orders - his sonnet "To plead my faith" - he is kept under house arrest and deprived of his income. |
|
| SONG: Was I so base? (poem by Essex) | John Dowland |
| His growing discontent in Spenser's poem "Full little knowest thou" (from 'Mother Hubbard's Tale') - his rebellion and execution - last words from the scaffold. |
|
| LUTE: The Earl of Essex Galliard | John Dowland |
LIKE A RIPE APPLE FROM THE TREE - Elizabeth died 1603. Her last speech to Parliament, aged 68 - Spencer's "Her words were like a stream of honey" describes the effect.
| SONG: Though you were young | Thomas Campion |
| Elizabeth's poem "When I was fair and young" - her illness and death, "easily, like a ripe apple from the tree." |
|
| LUTE: Melancholy Galliard | John Dowland |
A Festival of Strings
October 20, 1994, Chrysler Museum Theater
Marc Teicholz, a classical guitarist, is a native of Berkeley with a degree in music from Yale
School of Music and a law degree from Boalt Hall. He was awarded first prize in the 1989
Seventh International Guitar Competition sponsored by the Guitar Foundation of America. He
has performed in major cities throughout the United States and Canada, and has appeared as
a concerto soloist with orchestras in California and Spain. Mr. Teicholz teaches guitar at
the San Francisco Conservatory of Music and conducts master classes throughout the
country.
Guillermo Rios studied flamenco guitar in Spain and spent six years performing in flamenco clubs (tablaos) in Madrid. From the clubs came offers to join Spanish dance companies, many of which toured throughout the world. Mr. Rios has been a featured soloist and lead accompanist with every major Spanish dance company in the United States. He has performed numerous solo guitar concerts in Spain, Canada and the U.S., including New York's Carnegie Recital Hall. He has recorded two full-length albums titled Sol y Sombra and Soul of Spain, containing many of his own compositions as well as traditional flamenco selections. Mr. Rios received a 1991 Ford Foundation Composition Grant which was the first such grant ever awarded to a flamenco artist.
Emanuil Sheynkman was educated at the Moussorgsky Institute and the Rimsky Korsakov Conservatory in Leningrad, where he majored in Russian instruments, arranging and conducting. He has conducted Russian symphony and film orchestras, arranged music for Hollywood film scores and was commissioned by the Canadian Brass to create major orchestra works for them. He has appeared as recitalist and soloist with orchestras throughout the USSR, Eastern Europe, Asia and the United States. His discography includes over 20 recordings of major repertoire for both the mandolin and balalaika.
Richard Patterson, concert guitarist, enjoys an active international career as a
collaborative artist performing with the Ware-Patterson Duo and Dvoika! Mr. Patterson is a
featured artist on 14 recordings and has received critical acclaim for his original
compositions and arrangements for commercial radio and television. Educated at UC Santa
Cruz, San Francisco State University and the Oscar Espla Conservatory of Music in Spain,
he currently heads the guitar department at the College of Notre Dame in California. He is
producer of the D'Addario Foundation for the Performing Arts Guitar series and also
produces a series for guitar at the Bach Dancing & Dynamite Society.
| A Festival of Strings | |
| Ventolera Del Sur (Southern Wind) | G. Rios |
| Marc Teicholz | |
| A Fancy | J. Dowland |
| Grand Solo (Introduction & Allegro), Op. 14 | F. Sor |
| Por Ti Mi Corazon | M. Ponce |
| Asturias (Leyenda) | I. Albéniz |
| Emanuil Sheynkman - Richard Patterson | |
| Czardas | Traditional |
| Theme from Deer Hunter | |
| Nennella Mia (Canzone Napoletana) | Arr. M. Bacci |
| Nutcracker (paraphrase: arr. Sheynkman) | P. Tchaikovsky |
INTERMISSION
| Guillermo Rios | |
| Luna Mora (Moorish Moon) | G. Rios |
| La Bahia de Cadiz (The Bay of Cadiz) | |
| El Amanecer (Sunrise) | |
| Fiesta Gitana (Gypsy Fiesta) | |
| Emanuil Sheynkman - Richard Patterson | |
| Trepak (arr. Dobrokhtov) | Traditional |
| Two Russian Folk Songs (arr. Shalov) | Traditional |
| Do Not Sadden Me My Love | |
| It Happened in Olkhovka Village | |
| A Festival of Strings | |
| Russian Carnival | V. Gavrilin |
Kevin Gallagher
December 3, 1994, Williamsburg Regional Library; December 4, 1994, Virginia Beach Center for the Arts
Winning the 1994 American String Teacher's Association, the 1993 Guitar Foundation of
America, and the 1993 Artists International competitions, as well as being the only guitarist
chosen from the Julliard School to participate in the 1993 Affiliate Artists Residency
Program, Kevin Gallagher is a young artist on
the rise in the world of classical guitar.
Mr. Gallagher has had a wide range of performing and teaching experience. In October of 1993, Gallagher played his New York City debut to a standing ovation at Weill Hall in Carnegie Hall, and in April of 1993 traveled to Costa Rica and Nicaragua to represent the Julliard School in the US University Performing Artists series. In addition to giving master classes, Mr. Gallagher made several television appearances and performed to critical acclaim at both countries' National Theaters. During the summer, he was an assistant to Sharon Isbin at the Aspen Summer Music School. In August 1993, he performed at the Museum of Modern Art festival in New York, and on the WNYC radio program "Around New York."
Born and raised in Saddle Brook, New Jersey, Kevin began studying guitar at the comparatively late age of 14. His appetite for music lead him to study various styles throughout his high school years, including jazz, rock, and American finger style guitar. Kevin attended a local state college where, unable to gain entrance into the jazz program, began studying classical guitar. After two years in the classical program he transferred to the University of Wisconsin-Milwaukee/Wisconsin Conservatory of Music cooperative program to study with guitarist Benjamin Verdery, where he earned his Bachelor of Music degree. Kevin is currently pursuing his Masters degree at the Julliard School, where he studies with Sharon Isbin.
Kevin Gallagher recently finished recording his debut album, "New
Interpretations." The album includes virtuoso works by Legnani, Bach, Bachelor and
Britten, and can be obtained through Willow Shade Classics, P.O. Box 143, South Union,
Kentucky 42283.
| Prelude | Manuel Ponce |
| Violin Sonata in C Major | J. S. Bach |
| Adagio | |
| Fuga | |
| Largo | |
| Allegro Assai | |
| Cordoba | Isaac Albéniz |
INTERMISSION
| Monsieur's Almain | Daniel Batchelor |
| Nocturnal, Op. 70 | Benjamin Britten |
| Musingly | |
| Very Agitated | |
| Restless | |
| March Like | |
| Dreaming | |
| Gently Rocking | |
| Passacagli | |
| Five Caprices | Luigi Legnani |
Ortiz & Zumbado
Jan 27, 1995, Virginia Beach Center for the Arts; Jan 28, 1995, Williamsburg Regional Library
Born in San Jose, Costa Rica, they began their studies in the Castella Conservatory in Costa Rica.
They went on to study at the Royal Conservatory in Madrid, Spain, with Maestros
Valentin Bielsa, Demetrio Ballesteros and Jorge Cardoso. Upon graduating, they received
the highest grade in guitar granted by the conservatory.
They have performed, as soloists and as a duo, in important events and numerous concert halls in Europe as well as in North, Central and South America. As invited artists, they have performed with the National Symphony of Costa Rica, Iberamerican Guitars, the University of Costa Rica Symphony and the National Symphony of Honduras.
Their main interest is performing and disseminating Latin American music, especially by
Costa Rican composers, some of whom have dedicated works to this duo. Their repertoire
includes a large number of arrangements of popular and traditional music.
| Dos Canciones Costarricenses | |
| Caña dulce | José D. Zúñiga |
| Parrandera | Ulpiano Duarte |
| La Cuartelera (samba) | Eduardo Falú |
| Dos Piezas | Agustín Barrios |
| Zapateado Caribe | |
| Danza Paraguaya | |
| Pampa (waltz) | Jesús Bonilla |
| Milonga | Jorge Cardoso |
| Dos Piezas Brazileiras | Celso Machado |
| Bolinhas de Qeijo | |
| Xarango do Vovo |
INTERMISSION
| Nostalgia en la Pampa (waltz) | Ulpiano Duarte |
| Alfonsina y el Mar (samba) | Ariel Ramirez |
| Estampas | Pablo Ortíz |
| Danza | |
| Parrandera | |
| Bolero | |
| Pasillo | |
| Calipso | Edin Solis |
| Dos tangos popularos Argentinos | |
| El Choolo | |
| La Cumparsita |
Nicola Hall
Feb 24, 1995, Chrysler Museum Theater; Feb 25, 1995, Williamsburg Regional Library
Now just 25 years old, Nicola Hall has already
established herself as one of the most
exceptional musical talents of her generation. A student at Chethams School of Music, and
later at the Royal Northern College of Music, she now studies with John Williams. She was
a top prize winner at the Polish International Competition in 1986 and at the Toronto
Competition in 1987. Hall was also the recipient of the Royal Overseas League's Gold Medal
in 1989, the first guitarist to win this award in the competition's history. In addition
to performing within the United Kingdom, Nicola Hall has given concerts at the Lufthansa
Festival of Baroque Music, the Concertgebouw in Amsterdam in 1990, and performed
for the Segovia Society in Madrid in 1991.
Hall made her Italian debut in Milan in May, 1992, and in the same month made a tour of Japan which prompted an immediate re-engagement in 1994. Since then she has appeared at the Schleswig-Holstein Festival in Germany, appeared in concerts with the London Mozart Players and the Royal Scottish Orchestra, and given a world premiere of a guitar concerto by Michael Torke. Nicola Hall's desire to extend the repertoire for the guitar has led to the composition by her of a number of transcriptions which form a regular part of her concert programs. Her repertoire also includes many contemporary compositions, including works by Britten, Tippett, and - most notably - Stephen Dodgson's Partita No. 4, written for Ms. Hall and premiered by her at the Cheltenham International Festival in 1990.
Nicola Hall records exclusively for Decca International. Her first recital disc, Virtuoso
Guitar Transcriptions, was released in December 1991 to great critical acclaim. A
recording of concerti by Tedesco, Paganini and Sarasate, with Andrew Litton and the London
Mozart Players, and a second recital disc were released in 1994.
| Four Dances from Terpsichore | Michael Praetorius |
| Courante I | |
| Courante II | |
| Ballet | |
| La Volta | |
| Fantasie | Sylvius Leopold Weiss |
| Sonatina in A | Frederico Moreno Torroba |
| Bagatelles No. 2 and 3 | William Walton |
INTERMISSION
| Tres Apuntes | Leo Brouwer |
| Hungarian Fantasy, Op. 65, No. 1 | Johann K. Mertz |
| En los Trigales | Joaquín Rodrigo |
| Granada | Isaac Albéniz |
| Caprice, Op. 1, No. 24 | Nicolo Paganini |
Ufonia
Apr 7, 1995, Chrysler Museum Theater; Apr 8, 1995, Williamsburg Regional Library
Founded during the recording of Benjamin Verdery's Some Towns & Cities
(Newport Classic, 1991) Ufonia brings together
the diverse musical backgrounds of
classical guitarist BENJAMIN VERDERY, flutist KEITH UNDERWOOD, double bassist HARVIE
SWARTZ, oboist VICKI BODNER and percussionist JOHN MARSHALL.
In 1989 Benjamin Verdery began composing works for the classical guitar as well as for the work he was doing at that time with vibraphonist Craig Peyton. In 1991 he brought all his composing together for Some Towns and Cities, a musical travelogue of Benjamin's impressions and feelings on some towns and cities in America. Guest artists for the recording included John Williams, Paco Peña, Leo Kottke, Craig Peyton and those musicians who have since become Ufonia.
"The thing about the group is we're all really close friends," Verdery says. We've played music for such a long time. I'm just honored that they enjoy making my music." This kind of harmony, in addition to its musical versatility, has allowed the group to strike out onto a variety of new musical horizons.
Is Ufonia contemporary classical, jazz, pop, world or out of this world? Ufonia
is a bit of each with five exceptional musicians at the helm. Audiences choose their own
label(s) and leave Ufonia performances wishing for more music, whatever the label.
| Tucson | |
| Miami | |
| Dan & Peg | |
| Always | Guitar and Percussion |
| L.A. | |
| Seattle | |
INTERMISSION
| Capitola | |
| Chicago | |
| Milwaukee | Solo Guitar |
| Miriam | |
| Dennis | |
| Voices in the Pajamo Valley | |
| Ground Hog Day | |
| Ellis Island |
All music written by Benjamin Verdery and Ufonia.