Though it is the fastest-growing religion in the world, Islam remains shrouded in ignorance and fear for much of the West. In No god but God, Reza Aslan, an internationally acclaimed scholar of religions, explains this faith in all its beauty and complexity. Beginning with a vivid account of the social and religious milieu in which the Prophet Muhammad forged his message, Aslan paints a portrait of the first Muslim community as a radical experiment in religious pluralism and social egalitarianism. He demonstrates how, after the Prophet’s death, his successors attempted to interpret his message for future generations–an overwhelming task that fractured the Muslim community into competing sects. Finally, Aslan examines how, in the shadow of European colonialism, Muslims developed conflicting strategies to reconcile traditional Islamic values with the realities of the modern world, thus launching what Aslan terms the Islamic Reformation. Timely and persuasive, No god but God is an elegantly written account of a magnificent yet misunderstood faith.

" is a good translation of a very great book.

" Athanasius stood contra mundum for the Trinitarian doctrine ' and undefiled,' when it looked as if all the civilized world was slipping back from Christianity into the religion of Arius, into one of those '' synthetic religions which are so strongly recommended today and which then, as now, included among their devotees many highly cultivated clergymen. The glory of St Athanasius is that he did not move with the times; it is his reward that he now remains when those times, like all others, have passed away.

" I first opened De Incarnatione I soon discovered by a very simple test that I was reading a masterpiece, for only a mastermind could have written so deeply on such a subject with such classical simplicity" - C. S. Lewis, from the Introduction

On the Incarnation is part of the POPULAR PATRISTIC SERIES.

"God is our home but many of us have strayed from our native land.
The venerable authors of these Spiritual Classics are expert guides—
may we follow their directions home." —Archbishop Desmond Tutu

Writing in the last years of the fourth century a.d., Saint Augustine of Hippo created what is at once the first true autobiography in Western literature and among the most sophisticated yet accessible theological arguments in the history of Christianity. With extraordinary candor and psychological acumen, Augustine recounts his passage from a life of sensuality, Manichaean superstition, and empty careerism to a genuine spiritual awakening, and he articulates views on marriage, morality, and faith that have shaped our discourse ever since. The Confessions allows us to appreciate both the startling modernity of Augustine's insights and the imperishable poetry of his voice. With a new Preface by MacArthur Fellow Patricia Hampl,
author of Virgin Time and A Romantic Education.

In the annals of spirituality, certain books stand out both for their historical importance and for their continued relevance. The Vintage Spiritual Classics series offers the greatest of these works in authoritative new editions, with specially commissioned essays by noted contemporary commentators. Filled with eloquence and fresh insight, encouragement and solace, Vintage Spiritual Classics are incomparable resources for all readers who seek a more substantive understanding of mankind's relation to the divine.

A translation of De Civitate Dei.

What matters is not so much that Žižek is endorsing a demythologized, disenchanted Christianity without transcendence, as that he is offering in the end (despite what he sometimes claims) a heterodox version of Christian belief.
—John Milbank

To put it even more bluntly, my claim is that it is Milbank who is effectively guilty of heterodoxy, ultimately of a regression to paganism: in my atheism, I am more Christian than Milbank.
—Slavoj Žižek

In this corner, philosopher Slavoj Žižek, who represents the critical-materialist stance against religion's illusions; in the other corner, "radical orthodox" theologian John Milbank, an influential and provocative thinker who argues that theology is the only foundation upon which knowledge, politics, and ethics can stand. In The Monstrosity of Christ, Žižek and Milbank go head to head for three rounds, employing an impressive arsenal of moves to advance their positions and press their respective advantages. By the closing bell, they have proven themselves worthy adversaries—and have also shown that faith and reason are not simply and intractably opposed.

Žižek has long been interested in the emancipatory potential offered by Christian theology. And Milbank, seeing global capitalism as the new century's greatest ethical challenge, has pushed his own ontology in more political and materialist directions. Their debate in The Monstrosity of Christ concerns nothing less than the future of religion, secularity, and political hope in light of a monsterful event—God becoming human. For the first time since Žižek's turn toward theology, we have a true debate between an atheist and a theologian about the very meaning of theology, Christ, the Church, the Holy Ghost, universality, and the foundations of logic. The result goes far beyond the popularized atheist/theist point/counterpoint of recent books by Christopher Hitchens, Richard Dawkins, and others.

Žižek begins, and Milbank answers, countering dialectics with "paradox." The debate centers on the nature of and relation between paradox and parallax, between analogy and dialectics, between transcendent glory and liberation.

Short Circuits series, edited by Slavoj Žižek

In this bold and provocative work, French philosopher Alain Badiou proposes a startling reinterpretation of St. Paul. For Badiou, Paul is neither the venerable saint embalmed by Christian tradition, nor the venomous priest execrated by philosophers like Nietzsche: he is instead a profoundly original and still revolutionary thinker whose invention of Christianity weaves truth and subjectivity together in a way that continues to be relevant for us today.

In this work, Badiou argues that Paul delineates a new figure of the subject: the bearer of a universal truth that simultaneously shatters the strictures of Judaic Law and the conventions of the Greek Logos. Badiou shows that the Pauline figure of the subject still harbors a genuinely revolutionary potential today: the subject is that which refuses to submit to the order of the world as we know it and struggles for a new one instead.