Problems with projector brightness
"This projector is just too bright" - not
something you hear too often at VLOBLIVE gigs! So is there anything you can do,
short of shelling out more cash, to improve the problem of projected live video
being too dark.
Before we dive into discussions of
brightness, remember that it's not necessarily about brightness, but actually
more about contrast ratio between white and black. Sometimes a brighter
projector can have a poorer contrast ratio and look
worse! For something like words or
powerpoint, you can really boost the contrast on the projector to get it nice
and bright, but when you do that, anything that is more subtle, like video,
looses all the detail in the shadows and darker
areas. It's almost impossible to get a good
balance when you only have one set of controls. You either end up with dull
graphics and OK video, or bright graphics and invisible video!!
The good news is that there ARE things you can
do to improve this situation, without necessarily spending LOTS more money on
new projectors etc. Some are obvious, while others may not
be.Here are some
suggestions:1. Setting up the video
projectors properly always helps. This doesn't mean ramming the contrast and
brightness up to max, as some people
believe.I have an article on this subject on
my live video website here
:Notice, this may mean sacrificing
some of the 'brilliant white' from graphics etc, in order to save the
video.2. You need to check whether you
have your video 'gain structure' set up properly. This involves checking the
signal levels along the path from source to projector to ensure that when you
think you are sending 'white' to the projector, what it receives really is
white, not light gray. Same for black levels - if you only give the projector
dark gray instead of black, you can't blame it when the contrast ratio is
squeezed! Often scan converters or long
cables etc, can affect this. Send me a system wiring diagram and I will tell you
whether this is likely to be a problem. Best way to do this is with a waveform
monitor, or with a DV cam and a laptop with a DV in firewire port. (There is
free software you can use to give you a 'virtual' waveform
monitor)3. You need to confirm that
your sources (especially the cameras) are giving the brightest signals possible.
Again are they sending 'gray' rather than white? Is their black level set
properly? What is their gamma set to? Can you boost the exposure on the camera?
Or add more gain?4. You need to do
EVERYTHING possible to keep stray ambient light off your screen. This may mean
adding window blinds, fitting barn doors on lights, moving light fixtures,
turning some lights off etc etc.5. The
choice of screen material and colour matters a lot. I don't think you have any
screens at all downstairs do you? Again, the lack of a black border, and the
matt white wall may not be the best solution. Strangely a mid gray coloured
screen material can actually give a better perceived contrast than a white one,
especially for low contrast ratio projectors. And apparently putting a black
border round the image (as most screens have) makes it look higher
contrast.6. It may help to add a 'Proc
Amp' box or video enhancer box to boost the darker parts of the video. This is
like a standalone 'contrast and brightness' control box that lets you adjust the
video signal prior to sending it to the projector. This can sometimes give a
better balance between the graphics and the
video.7. Can you consider making the
main screen smaller? Remember that brightness drops by the square of the area to
be covered, so screen size makes a big
difference.8. I know it may be
impossible, but moving the projector closer to the screen is always going to
help.
Posted: Fri - July 16, 2004 at 07:09 AM |
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This site contains my personal views, ideas, tips, tricks and rants about doing live video, IMAG or graphics at live events on a very low budget. They are published as I get time, in a style closely approximating a weblog. Dave C.
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My name is Dave Chalmers and I live in Edinburgh in Scotland, UK. My background is in Electronics, but for 10 years I have been helping to put on live video at events in central Scotland in my spare time. Through the course of these events, nearly all on very constrained budgets, I have learned a few things about what works and what doesn't. While I would not claim to be able to give you all the answers, I can at least help you avoid some of the mistakes.
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Published On: Jul 06, 2006 11:37 PM
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