DVD as a format for live video playback - an analysis.
As more and more computer based video editing
systems gain the ability to burn video to DVD, I can see this becoming the most
common format for the delivery of 'home-made' playback video for live
events. This has some good consequences and
some unexpected side-effects. Read on for how to get the best of the DVD format
at a VLOBLIVE event.
DVD playback of pre-recorded video inserts for
live events. Got to be a good thing right? I mean, it's easy to make them, they
are interactive, high quality, etc. etc. etc. What's not to
like?Well let's consider the pros and cons
of this format:Good
things:- now cheap to 'author' and
blank media inexpensive- Potential for
higher quality video and audio - more
convenient physical format (easier to carry/post
etc.)- easier cueing of multiple items on
same disc- menu
system- support for multi-channel
audio- possible to pause and get good still
image- possible to loop endlessly between
A-B points and not wear anything
outBad
things:- confusion about format
compatibility between writers (plus vs dash
etc.)- codecs sensitive to 'out of spec'
video- video quality can be seriously
compromised by over-zealous compression-
it's REALLY easy to burn a disc in the wrong video format (PAL or
NTSC)- careless handling can render discs
unreadable (especially recordable ones)-
variable delay after hitting 'play' makes cue-ing a bit
random- menu can get in the way of fast back
to back playouts- consumer features (like
OSD) can get in the wayAs you can see
most of the bad things are more to do with how the format is used, rather than
inherent limitations, and can easily be worked around with some effort. Here are
my suggestions, based mostly on personal experience, of how to get the best from
recordable DVD as a playback format.
Preparation
tips:-
burn to -RW or +RW first as 'tester'
disc.This isn't a specific live tip, but
it's still a good idea. To avoid making lots of coasters, I suggest always doing
your FIRST burn to a DVD-RW or DVD+RW disc. This way, if you miss something, or
it doesn't work as you expected, then you can erase and re-burn till you get it
right. I do, however, recommend doing the 'master' burn to a -R or +R disk, as
they have better player compatibility and are more
robust.- use minimum
compression possibleMost clips will be
MUCH shorter than the capacity of the DVD, so you want to use the best possible
quality setting in whatever encoding software you are using.
Minimum compression = fastest
allowable datarate = best quality
video.In iDVD on
a mac the settings are a bit confusing, but you want 'best quality' not 'best
performance' in the encoder settings section of the preferences, which means
turning off background rendering.(the reason
is that with background rendering iDVD doesn't know exactly how much video you
have still to put on the disc, so is conservative about compression settings. If
you wait to encode until you have everything in place, it can do a better job at
chosing a compression setting that best fits your video
duration)If you have a more
sophisticated DVD authoring tool like DVD Studio Pro from Apple you can really tweak
the compression settings, but be careful as there IS a maximum data-rate beyond
which most DVD players will choke at decompressing the MPEG2 video. Apple
recommend a maximum of 8Mbps to ensure playback without dropping frames on all
DVD players.-
make useful
menusA DVD for live playback is no place
for fancy animated menus. The key here is information and ease of navigation.
Use the menu to clearly identify the disc, the clips and any relevant info to
each clip (length, in and out details, audio details etc.) Make it REALLY quick
to know which clip is which and to select
it.Also make the menu background
unobtrusive, so just in case you ever drop out to the menu when live, you don't
get laughed at too much.-
add
countdownsTo cope with the variable time
from pressing 'select' on a menu and getting video, I suggest that you add a
short (3 sec) countdown to black immediately before the start of each clip so
you know EXACTLY when to press pause (on the black bit!) to cue the clip. This
may sound like a backward step, but remember you have to fade up your video
mixer on this clip, so this way you can fade up on pause, press play and never
miss the first second of the clip.You can
find an example countdown here
- add
trailing blackYou REALLY want to do this
so that if you are a bit slow fading out at the end of the clip you don't jump
back to the menu while still live on screen. Yes I've done that. It's not
nice.-
add fade ins and fade outs to audio and
videoYou always get a more elegant start
and end by adding even a very short (0.5 sec) fade in or fade out to the video.
You will also get thanked by your audio engineer if you fade in any audio that
is coming in halfway through (i.e doesn't have a clean
start)-
use broadcast safe
filterIf your NLE software allows it
(like Final Cut Pro) then apply a broadcast safe filter across all the video
clips. This ensures that luminance and chrominance (brightness and colour) are
kept within legal values and so don't upset the compression to MPEG2. This is
especially relevant for clips filmed on comsumer DV cameras that tend to
over-egg the colour considerably.I have seen
problems with iMovie and iDVD in the past with very colourful parts of a scene
turning purple as the values are
clipped.-
consider making 'nose to tail' video
segmentsthe ideal DVD for live work
would be one that worked like a pro CD player. It played a track then went into
pause, waiting for you to press play for the next track, then pause again
etc.You could make a special script on DVDSP
to daisy-chain all the clips so that they play one after the other with just a
'holding' page in between. I've still to try this (just got DVDSP) but it looks
very useful.Usage
tips:-
look after
discsDVD-Rs are quite susceptible to
scratches and dust - much more so than normal CDs or even commercial
DVDs.Buy a brand name blank media (not
no-name cheap rubbish) and look after them and keep them in their cases when not
in use. Consider having a 'place' where DVDs are kept during a live show. Put
them down on their backs (sensitive side up) to avoid scratching the surface. If
you have to wipe dust off use a lens brush or spectacle cloth and NEVER wipe
round in circles - always straight lines radially. In theory the error
correction can cope with momentary blips but not long drop-outs caused by
scratches that track around the disc.-
make a backup and ask for
backupsAlways burn a spare DVD. Keep it
in a different place, and don't use it unless you have
to.This may sound paranoid, but I've had
several DVD-Rs just decide not to work during a live gig, and especially if
others are not so careful about choice of blank media
etc.-
buy a suitable player
See my suggestions here for features to look for to make your life
easier for live event playback.
Posted: Wed - June 29, 2005 at 08:03 AM |
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This site contains my personal views, ideas, tips, tricks and rants about doing live video, IMAG or graphics at live events on a very low budget. They are published as I get time, in a style closely approximating a weblog. Dave C.
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My name is Dave Chalmers and I live in Edinburgh in Scotland, UK. My background is in Electronics, but for 10 years I have been helping to put on live video at events in central Scotland in my spare time. Through the course of these events, nearly all on very constrained budgets, I have learned a few things about what works and what doesn't. While I would not claim to be able to give you all the answers, I can at least help you avoid some of the mistakes.
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Published On: Jul 06, 2006 11:37 PM
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