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Life in the Silo
DRM is a nuisance, but so is inaccuracy.
Doc Searls' most recent piece on VRM/CRM/DRM (My initials are DMR, so I feel as though I'm obliged to be a part of this.) includes this paragraph that purports to describe the limitations of music files purchased through the iTunes music store:
Right now the "relationship" between Joe and Apple is one by which Apple cripples the goods it sells to Joe, and then cripples Joe's freedoms to do what he wants with those goods. In the former case, the tunes Joe buys are not plain old MP3 or AAC files, but AAC files with extra junk that limits their ability to be copied or used by a computer other than Joe's, or the iPod that copies from Joe's iTunes library. If Joe wants to create an MP3 CD to play in the car he's renting, or if he wants to put his iTunes collection on an external storage device to play through his home audio system, suddenly the iTunes he bought won't copy or play. Those activities are beyond the reach of Joe's DRM chain. He's being "managed".
The songs Apple sells through the iTunes music store don't belong to Apple Computer, Inc. They belong to the companies that produce them. In order to license their music, in order to have an iTunes Music Store, the music companies require that some barriers be erected to make it difficult to easily share these files on a wide scale.
We can have a discussion about whether Apple has bowed to the wishes of the music companies at the expense of its customers, but it must be noted that the limitations imposed by the DRM embedded in iTunes music are not what Doc Searls makes them out to be.
AAC files with extra junk that limits their ability to be copied or used by a computer other than Joe's. You can copy the files as much as you'd like, they're just like any other data file. So if you want to back your collection up to another HD or to a DVD, you're under no constraint to stop you from doing so. Unlike certain copy-protected CDs Sony and others recently tried to foist off on people.
"Used by a computer other than Joe's?" You can authorize up to five different computers to play the songs you purchase from the iTunes Music Store. Now, I'm not a rich man, so this seems like a fairly reasonable number to me. I have four Macs here in my condo, two of which I seldom use, though all are currently authorized. I have a neighbor whose Mac can see my music collection, and I've authorized that computer to play my purchased music. I can deauthorize any or all of my computers at any time. Is five not enough? For some people, perhaps not. But I think they're a small minority. Is it small enough a number to merit being characterized as "crippling?" I don't think so. And you can have your collection on as many iPods as you want.
If Joe wants to create an MP3 CD to play in the car he's renting, or if he wants to put his iTunes collection on an external storage device to play through his home audio system, suddenly the iTunes he bought won't copy or play.
Not accurate. If I want to create an MP3 CD, I have to go through some extra steps. I can burn the iTunes tracks to a CD and then re-rip them to MP3 format in iTunes. That could take a long time if you wanted to put a few hundred tracks on a CD in your rental car. Another alternative might be to use an audio capture utility like Rogue Amoeba's Audio Hijack or Ambrosia's Wiretap Pro to intercept the digital stream (If I understand how these utilities work, they access the digital data sent to the digital-to-audio converter. I could be wrong. But they do work.) of a playlist as it plays, and reencode it back to MP3. Probably a little more technical than most people are comfortable with, and you would have to go back and enter all your track titles and artists and so forth, but it's doable.
But I think I recently read something to the effect that up to 80% of new cars today come with some form of iPod integration, even if it's only an input jack in the front panel of the car's entertainment system. So why not just bring along your iPod Shuffle and plug that in?
To play your music through your home audio system, you have no fewer than three alternatives: You can either add another computer, like a Mini, to your entertainment center and authorize it to play your purchased music. You can integrate an iPod into your home audio system, and there are products that are designed specifically for this purpose. Remember when you had to buy a CD player to, you know, play CDs on your home audio system? Or you can buy an Airport Express and wirelessly stream your music from your authorized machine to your home audio system.
"Suddenly the iTunes he bought won't copy or play." Not accurate. Those activities are not beyond the reach of the DRM chain.
This isn't to argue that DRM is a good thing or bad thing, but it is a fact of life; and because the iTunes Music Store is the biggest vendor of DRM music, Doc deliberately mischaracterizes the effects of the DRM in order to make a rather lame point about how DRM makes life inconvenient, and how some form of VRM would be so much more, er, convenient.
The fact is, my enjoyment of music is much more convenient today, DRM and all, than it ever was before. Would I prefer files that I could manipulate without going through an occasional hassle? Sure. But let's keep some perspective here. I've bought more music through the iTMS in the last few years than I have in the previous two decades. And I've been listening to and enjoying more music since the advent of iTunes and the iPod than at any other time in my life.
Somehow, I suspect there are more pressing problems in the world than a lack of convenience. But there you go.
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