Wed - June 14, 2006

Woody Allen's Windsor


Or another case of fetish typeface

I am not a movie typography buff, really, although I posted in the past about Kubrick's fetish for Futura Extra Bold.

But my most recent —Hey, what's that typeface? episode happened a couple of days ago, after I bought Woody Allen's Deconstructing Harry (from Carturesti) and while playing it I was suddenly stroked by the obvious similarity between many of his opening/closing titles: white typography on black background, something I only held in the back of my head before. So I thought —How about some screenshots to document this relentless style consystency?

So I dug up my movies (okay, some are borrowed) and took some screenshots where the titles complied to the consistency rule:

Everything You Always Wanted to Know About Sex (But Were Afraid to Ask) (1972) doesn't comply so I took no screenshot,

Love and Death (1975), doesn't comply so I took no screenshot,

Woody Allen -- Annie Hall (1977)
Annie Hall (1977),

Woody Allen -- Manhattan (1979)
Manhattan (1979) doesn't have an opening title — except the famous monologue and a "Manhattan" neon building signage — but its closing credits comply to the rule,

Woody Allen -- A Midsummer Night's Sex Comedy (1982)
A Midsummer Night's Sex Comedy (1982),

Woody Allen -- Zelig (1983)
Zelig (1983),

Woody Allen -- September (1987)
September (1987),

Manhattan Murder Mystery (1993) complies but is a region 1 disk and I cannot play it in my PowerBook in order to take the screenshot (I'll add it later, when I'll figure how),

Woody Allen -- Mighty Aphrodite (1995)
Mighty Aphrodite (1995), although set on two lines instead of a single one, this is also compliant,

Woody Allen -- Deconstructing Harry (1997)
Deconstructing Harry (1997),

Woody Allen -- Celebrity (1998)
Celebrity (1998),

Woody Allen -- Anything Else (2003)
Anything Else (2003) and

Woody Allen -- Melinda and Melinda (2004)
Melinda and Melinda (2004).

And screenshots I took, only to discover afterwards that others did the exact same thing before. But still, my effort is not totally useless because my list adds up to Contact Sheet's list, completing it further.

The typeface, as I also found out, is pretty renowned for that: Windsor-EF Elongated.

◊ ◊ ◊

Later edit: Only a couple of hours after this post got online, the mystery of Woody Allen's typeface of choice is solved by this amazing story posted by Randy J. Hunt in the comments:

I'm currently taking a typeface design course with Ed Benguiat, and just last night he described a time when he would have breakfast at the same New Jersey diner every morning. Among the other that would dine there was Woody Allen. On one occasion, referring to Benguiat as a "printer," Allen asked him what a good typeface was. Benguiat had an affinity for Windsor and suggested it to him that morning. He's used it in every film since.

Sometimes blogs are a wonderful thing — and this is a really small planet.

Posted Wed - June 14, 2006 at 12:30 PM
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