Sailor Style:


                  Marvic grins cheekily at Stephen.  Lauren seductively throws back her head.  Charlie looks wistfully out to sea, his arm affectionately draped over Alex's shoulder.  Nearby, Kevin plays with the devils of temptation.

                  John McRae's Sailor style is a series of staged "documentary" photogrpahs recording a pocket of recent Mediterraniean history, focussing on  the universal theme of flirtaion.  In images that resemble stills from a 1950's Technicolor movie, an ambivalent fable slowly emerges.  Dressed in crisp white unidorms and jaunty caps, or stripped to the waist to show off tanned muscles, McRae's sailors become figures of desire.  They are boldly erotic, unpredictable and slightly vulnerable.  These are the mariners of Cocteau and Genet: sea-dogs on the razor's edge.

                  The atmosphere in these photographs is full of hope.  There is the expectation of new freedom, a mood that was prevalent in Malta immediately after the Second World War.  In the summer of 2003, having spent two months based in Valletta, the Maltese capital, McRae set up a series of photographic shoots in the city, on the piers of the Grand Harbour and at the dry docks at Marsa.  Five good -looking Maltese youths wear sailors' uniforms, and Lauren is transformed into a classical femme fatale, with crimson lips, a 1950's red dress and a scarlet past.

                  The first scenes are photographed on Strait Street, in an area known as "The Gut", a narrow lane in Valletta where during the war, sailors would meet in the bars, dance-halls and brothels.  Then, as now, it was a place for beer, cigarettes, lewdness and brawls.  In McRae's images, broken neon signs and stray cats provide a timeless background for the pursuit of "dangerous liaisons".  During the shoot, an old lady came up to McRae to tell him that Lauren closely resembled one of the local whores who used to work in Strait Street.  Apparently, she even wore a similar red dress.  Meanwhile, McRae reinvents the myth of the sailor as the angel of free-spirited youth.  His models are passionate and tender, bewitched by the legends of the island of Malta, a place where Saint Paul was shipwrecked and where Caravaggio sought temporary refuge.  Posing in the ports and lane ways of Malta, McrRae's models show that this spirit of adventure lives on.

                  Jonathan Turner, Rome, 2003