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		<lastBuildDate>Mon, 31 Dec 2007 17:16:04 +0100</lastBuildDate>
		<title>Fluxus</title>
		<itunes:author>Walter Cianciusi</itunes:author>
		<link>http://www.waltercianciusi.com</link>
		<generator>Podcast Maker v1.3.6 - http://www.lemonzdream.com/podcastmaker</generator>
		<description><![CDATA[Fluxus (from to flow) is an art movement noted for the blending of different artistic disciplines, primarily visual art but also music and literature. Fluxus was loosely organized in 1962 by George Maciunas (1931-78), a Lithuanian-American artist who had moved to Germany to escape his creditors, along with his fellow Lithuanian and personal friend, Almus Salcius. Besides America and Europe, Fluxus also took root in Japan.
Among its associates were Joseph Beuys, Dick Higgins, Nam June Paik and Yoko Ono who explored media ranging from performance art to poetry to experimental music to film. They took the stance of opposition to the ideas of tradition and professionalism in the arts of their time, the Fluxus group shifted the emphasis from what an artist makes to the artists personality, actions, and opinions. Throughout the 1960s and 70s (their most active period) they staged action events, engaged in politics and public speaking, and produced sculptural works featuring unconventional materials. Their radically untraditional works included, for example, the video art of Nam June Paik and the performance art of Beuys. The often playful style of Fluxus artists led to their being considered by some little more than a group of pranksters in their early years. Fluxus has also been compared to Dada and aspects of Pop Art and is seen as the starting point of mail art.
Most notorious are the Fluxus performance pieces or Event Scores such as George Brechts Drip Music. Fluxus artists differentiate Event Scores from happenings which they called Flux Events. Whereas Happenings were meant to blur the lines between performer and audience, performance and reality, Fluxus performances were sometimes one-liners and sight gags. The performances sought to elevate the banal and dissemble the high culture of serious music and art.
Marcel Duchamp and John Cage were highly influential to Fluxus.]]></description>
		<itunes:subtitle>The Anti-Art Channel.</itunes:subtitle>
		<itunes:summary>Fluxus (from to flow) is an art movement noted for the blending of different artistic disciplines, primarily visual art but also music and literature. Fluxus was loosely organized in 1962 by George Maciunas (1931-78), a Lithuanian-American artist who had moved to Germany to escape his creditors, along with his fellow Lithuanian and personal friend, Almus Salcius. Besides America and Europe, Fluxus also took root in Japan.
Among its associates were Joseph Beuys, Dick Higgins, Nam June Paik and Yoko Ono who explored media ranging from performance art to poetry to experimental music to film. They took the stance of opposition to the ideas of tradition and professionalism in the arts of their time, the Fluxus group shifted the emphasis from what an artist makes to the artists personality, actions, and opinions. Throughout the 1960s and 70s (their most active period) they staged action events, engaged in politics and public speaking, and produced sculptural works featuring unconventional materials. Their radically untraditional works included, for example, the video art of Nam June Paik and the performance art of Beuys. The often playful style of Fluxus artists led to their being considered by some little more than a group of pranksters in their early years. Fluxus has also been compared to Dada and aspects of Pop Art and is seen as the starting point of mail art.
Most notorious are the Fluxus performance pieces or Event Scores such as George Brechts Drip Music. Fluxus artists differentiate Event Scores from happenings which they called Flux Events. Whereas Happenings were meant to blur the lines between performer and audience, performance and reality, Fluxus performances were sometimes one-liners and sight gags. The performances sought to elevate the banal and dissemble the high culture of serious music and art.
Marcel Duchamp and John Cage were highly influential to Fluxus.</itunes:summary>
		<language>en-us</language>
		<copyright>Copyright ©2006 Walter Cianciusi</copyright>
		<itunes:owner>
			<itunes:name>Walter Cianciusi</itunes:name>
			<itunes:email>info@waltercianciusi.com</itunes:email>
		</itunes:owner>
		<image>
			<url>http://homepage.mac.com/cianciusi/pettigrew3_144.jpg</url>
			<title>Fluxus</title>
			<link>http://www.waltercianciusi.com</link>
			<width>144</width>
			<height>102</height>
		</image>
		<itunes:image href="http://homepage.mac.com/cianciusi/pettigrew3.jpg" />
		<category>Performing Arts</category>
		<itunes:category text="Arts">
			<itunes:category text="Performing Arts" />
		</itunes:category>
		<itunes:keywords>Fluxus</itunes:keywords>
		<itunes:explicit>no</itunes:explicit>
		<item>
			<title>It Was A Very Bad Year</title>
			<itunes:author>Matthew Rose</itunes:author>
			<description><![CDATA[MODE D'EMPLOI / INSTRUCTIONS

1. DOWNLOAD THE PDF FILE (544 KB) TO YOUR COMPUTER.

2. PRINT THE PDF AT YOUR HOME OR OFFICE.

3. FOLD THE PAGE LENGTHWISE, THEN FOLD INTO HALF TO CREATE A SHORTER PAGE, THEN FOLD INTO HALF AGAIN. THE PAGES SHOULD BE FRAMED BY THE CREASES YOU'VE JUST MADE.

4. FLATTEN OUT ON A TABLE.

5. WITH AN XACTO KNIFE SLICE A LINE THROUGH THE MIDDLE OF THE PAGE, SO THAT YOU ARE DIVIDING THE MIDDLE FOUR PAGES (RECTANGLES) IN HALF. 

6. REFOLD THE PAGE INTO A 4-POINTED "STAR." THIS CAN BE TRICKY.  BE PATIENT. TRY PUSHING IT TOGETHER SO THAT THE MIDDLE PAGES STICK UP IN THE AIR, THEN, FOLD THE BACK PAGES DOWN.  THIS WILL GIVE YOU THE FOUR-POINT STAR.  THE BOOK SHOULD COME TOGETHER EASILY FROM THERE.

7. YOU SHOULD NOW BE ABLE TO READ THE BOOK FROM COVER TO COVER.

8. SEND ME AN E MAIL AND LET ME KNOW WHAT YOU THINK.]]></description>
			<itunes:subtitle>A Print It To Yourself, Free, Downloadable Art Book By Matthew Rose</itunes:subtitle>
			<itunes:summary>MODE D&apos;EMPLOI / INSTRUCTIONS

1. DOWNLOAD THE PDF FILE (544 KB) TO YOUR COMPUTER.

2. PRINT THE PDF AT YOUR HOME OR OFFICE.

3. FOLD THE PAGE LENGTHWISE, THEN FOLD INTO HALF TO CREATE A SHORTER PAGE, THEN FOLD INTO HALF AGAIN. THE PAGES SHOULD BE FRAMED BY THE CREASES YOU&apos;VE JUST MADE.

4. FLATTEN OUT ON A TABLE.

5. WITH AN XACTO KNIFE SLICE A LINE THROUGH THE MIDDLE OF THE PAGE, SO THAT YOU ARE DIVIDING THE MIDDLE FOUR PAGES (RECTANGLES) IN HALF. 

6. REFOLD THE PAGE INTO A 4-POINTED &quot;STAR.&quot; THIS CAN BE TRICKY.  BE PATIENT. TRY PUSHING IT TOGETHER SO THAT THE MIDDLE PAGES STICK UP IN THE AIR, THEN, FOLD THE BACK PAGES DOWN.  THIS WILL GIVE YOU THE FOUR-POINT STAR.  THE BOOK SHOULD COME TOGETHER EASILY FROM THERE.

7. YOU SHOULD NOW BE ABLE TO READ THE BOOK FROM COVER TO COVER.

8. SEND ME AN E MAIL AND LET ME KNOW WHAT YOU THINK.</itunes:summary>
			<enclosure type="application/pdf" url="http://homepage.mac.com/cianciusi/ITWASAVERYBADYEAR.pdf" length="586315" />
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			<pubDate>Mon, 31 Dec 2007 17:09:27 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Diddley Daddy</title>
			<itunes:author>Walter Cianciusi</itunes:author>
			<description><![CDATA[A Classic by Bo Diddley]]></description>
			<itunes:subtitle>A Transcription by Walter Cianciusi</itunes:subtitle>
			<itunes:summary>A Classic by Bo Diddley</itunes:summary>
			<enclosure type="application/pdf" url="http://homepage.mac.com/cianciusi/diddley.pdf" length="112097" />
			<guid>http://homepage.mac.com/cianciusi/diddley.pdf</guid>
			<pubDate>Thu, 27 Dec 2007 16:02:57 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>FoC</title>
			<itunes:author>Nico Vassilakis</itunes:author>
			<description><![CDATA[Video Poetry by Nico Vassilakis]]></description>
			<itunes:subtitle>Video Poetry by Nico Vassilakis</itunes:subtitle>
			<itunes:summary>Video Poetry by Nico Vassilakis</itunes:summary>
			<enclosure type="video/mp4" url="http://homepage.mac.com/cianciusi/vassilakis.mp4" length="10239793" />
			<guid>http://homepage.mac.com/cianciusi/vassilakis.mp4</guid>
			<pubDate>Sun, 23 Dec 2007 07:54:32 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:02:54</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Ben Patterson Tells Fluxus Stories (From 1962 To 2002)</title>
			<itunes:author>Ben Patterson</itunes:author>
			<description><![CDATA[SCHOLARLY NOTES:

On 14,03,02 Sabine Felker and Gerhard Westerrath recorded this interview with me, in my kitchen, in Wiesbaden, Germany, Wandersmannstr. 2B.

My decision to use "Ein Heldenleben" by Richard Strauss, as "background music" happened several months later.

Ben Patterson	31,07.02]]></description>
			<itunes:subtitle>Recorded Live In His Kitchen</itunes:subtitle>
			<itunes:summary>SCHOLARLY NOTES:

On 14,03,02 Sabine Felker and Gerhard Westerrath recorded this interview with me, in my kitchen, in Wiesbaden, Germany, Wandersmannstr. 2B.

My decision to use &quot;Ein Heldenleben&quot; by Richard Strauss, as &quot;background music&quot; happened several months later.

Ben Patterson	31,07.02</itunes:summary>
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			<guid>http://homepage.mac.com/cianciusi/Patterson.m4a</guid>
			<pubDate>Wed, 12 Dec 2007 15:19:20 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:45:36</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Opus 74 Version II (1966)</title>
			<itunes:author>Eric Andersen</itunes:author>
			<description><![CDATA[A short masterpiece by Eric Andersen.]]></description>
			<itunes:subtitle>Flux Film 19</itunes:subtitle>
			<itunes:summary>A short masterpiece by Eric Andersen.</itunes:summary>
			<enclosure type="video/mp4" url="http://homepage.mac.com/cianciusi/Andersen.mp4" length="13142044" />
			<guid>http://homepage.mac.com/cianciusi/Andersen.mp4</guid>
			<pubDate>Thu, 22 Nov 2007 08:16:01 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:40</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Lose An Elephant Find A Needle</title>
			<itunes:author>Nick Tobier</itunes:author>
			<description><![CDATA[A paper presented during the Conference on Events and Event Structures, Design Research Center, Danmarks Designskole, Copenhagen, Denmark, May 24-26, 2007.  ]]></description>
			<itunes:subtitle>Nick Tobier</itunes:subtitle>
			<itunes:summary>A paper presented during the Conference on Events and Event Structures, Design Research Center, Danmarks Designskole, Copenhagen, Denmark, May 24-26, 2007.  </itunes:summary>
			<enclosure type="application/pdf" url="http://homepage.mac.com/cianciusi/TobierElephantEvent.pdf" length="1580719" />
			<guid>http://homepage.mac.com/cianciusi/TobierElephantEvent.pdf</guid>
			<pubDate>Sun, 09 Sep 2007 08:13:29 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>HJCVGrimmelshausen</title>
			<itunes:author>Asylum Lunaticum</itunes:author>
			<description><![CDATA[http://www.asylum-lunaticum.de]]></description>
			<itunes:subtitle>Asylum Lunaticum</itunes:subtitle>
			<itunes:summary>http://www.asylum-lunaticum.de</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/HJCVGrimmelshausen-1.mp3" length="764186" />
			<guid>http://homepage.mac.com/cianciusi/HJCVGrimmelshausen-1.mp3</guid>
			<pubDate>Thu, 09 Aug 2007 14:28:47 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:48</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Carras-Revich</title>
			<itunes:author>Nicolas Carras, Allan Revich</itunes:author>
			<description><![CDATA[An audio collaboration from Allan Revich and Nicolas Carras]]></description>
			<itunes:subtitle>An audio collaboration from Allan Revich and Nicolas Carras</itunes:subtitle>
			<itunes:summary>An audio collaboration from Allan Revich and Nicolas Carras</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/carras-revich.mp3" length="1002237" />
			<guid>http://homepage.mac.com/cianciusi/carras-revich.mp3</guid>
			<pubDate>Sat, 07 Jul 2007 09:05:16 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:02</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Fluxus Events As Max/MSP Algorithms</title>
			<itunes:author>Walter Cianciusi</itunes:author>
			<description><![CDATA[A paper presented during the Conference on Events and Event Structures, Design Research Center, Danmarks Designskole, Copenhagen, Denmark, May 24-26, 2007.  ]]></description>
			<itunes:subtitle>Walter Cianciusi</itunes:subtitle>
			<itunes:summary>A paper presented during the Conference on Events and Event Structures, Design Research Center, Danmarks Designskole, Copenhagen, Denmark, May 24-26, 2007.  </itunes:summary>
			<enclosure type="application/pdf" url="http://homepage.mac.com/cianciusi/Cianciusi%20%28Final%20Draft%29.pdf" length="649211" />
			<guid>http://homepage.mac.com/cianciusi/Cianciusi%20%28Final%20Draft%29.pdf</guid>
			<pubDate>Sat, 30 Jun 2007 14:26:32 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>This is not a Paper</title>
			<itunes:author>Philip Auslander</itunes:author>
			<description><![CDATA[A paper/performance presented during the Conference on Events and Event Structures, Design Research Center, Danmarks Designskole, Copenhagen, Denmark, May 24-26, 2007.  ]]></description>
			<itunes:subtitle>Philip Auslander</itunes:subtitle>
			<itunes:summary>A paper/performance presented during the Conference on Events and Event Structures, Design Research Center, Danmarks Designskole, Copenhagen, Denmark, May 24-26, 2007.  </itunes:summary>
			<enclosure type="application/pdf" url="http://homepage.mac.com/cianciusi/thisisnotapaper.pdf" length="211118" />
			<guid>http://homepage.mac.com/cianciusi/thisisnotapaper.pdf</guid>
			<pubDate>Fri, 29 Jun 2007 12:51:45 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Naming the Event </title>
			<itunes:author>Ina Blom</itunes:author>
			<description><![CDATA[A paper presented during the Conference on Events and Event Structures, Design Research Center, Danmarks Designskole, Copenhagen, Denmark, May 24-26, 2007.  ]]></description>
			<itunes:subtitle>Ina Blom</itunes:subtitle>
			<itunes:summary>A paper presented during the Conference on Events and Event Structures, Design Research Center, Danmarks Designskole, Copenhagen, Denmark, May 24-26, 2007.  </itunes:summary>
			<enclosure type="application/pdf" url="http://homepage.mac.com/cianciusi/Blom%202007%20Naming%20the%20Event%20.pdf" length="369556" />
			<guid>http://homepage.mac.com/cianciusi/Blom%202007%20Naming%20the%20Event%20.pdf</guid>
			<pubDate>Sun, 24 Jun 2007 20:46:23 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Scrale With S Gard...</title>
			<itunes:author>Rzep</itunes:author>
			<description><![CDATA[Made with Sonic Foundry ACID 4]]></description>
			<itunes:subtitle>Rzep Sound</itunes:subtitle>
			<itunes:summary>Made with Sonic Foundry ACID 4</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/full_d49e616e546ae9ed73f08414d030cb0a.mp3" length="473864" />
			<guid>http://homepage.mac.com/cianciusi/full_d49e616e546ae9ed73f08414d030cb0a.mp3</guid>
			<pubDate>Sat, 14 Apr 2007 07:26:01 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:59</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Taka Tunes XII</title>
			<itunes:author>Brad Brace</itunes:author>
			<description><![CDATA[Sound Design 2007: Taka Tales from Narikel Jingira Island, Bangladesh
(Art Exhibition with Installed Audio, Tea and free Taka Tunes CDs)

Scene: extensive, evocative audio field-recordings from a concrete Bangladeshi guesthouse looking back on a thatched bamboo village by the Bay of Bengal, with an exhibit of particularly well-used, framed two-taka banknotes.]]></description>
			<itunes:subtitle>Brad Brace</itunes:subtitle>
			<itunes:summary>Sound Design 2007: Taka Tales from Narikel Jingira Island, Bangladesh
(Art Exhibition with Installed Audio, Tea and free Taka Tunes CDs)

Scene: extensive, evocative audio field-recordings from a concrete Bangladeshi guesthouse looking back on a thatched bamboo village by the Bay of Bengal, with an exhibit of particularly well-used, framed two-taka banknotes.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/tt12.mp3" length="899197" />
			<guid>http://homepage.mac.com/cianciusi/tt12.mp3</guid>
			<pubDate>Sat, 07 Apr 2007 15:19:31 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:27</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Taka Tunes X</title>
			<itunes:author>Brad Brace</itunes:author>
			<description><![CDATA[Sound Design 2007: Taka Tales from Narikel Jingira Island, Bangladesh
(Art Exhibition with Installed Audio, Tea and free Taka Tunes CDs)

Scene: extensive, evocative audio field-recordings from a concrete Bangladeshi guesthouse looking back on a thatched bamboo village by the Bay of Bengal, with an exhibit of particularly well-used, framed two-taka banknotes.]]></description>
			<itunes:subtitle>Brad Brace</itunes:subtitle>
			<itunes:summary>Sound Design 2007: Taka Tales from Narikel Jingira Island, Bangladesh
(Art Exhibition with Installed Audio, Tea and free Taka Tunes CDs)

Scene: extensive, evocative audio field-recordings from a concrete Bangladeshi guesthouse looking back on a thatched bamboo village by the Bay of Bengal, with an exhibit of particularly well-used, framed two-taka banknotes.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/tt10.mp3" length="1410865" />
			<guid>http://homepage.mac.com/cianciusi/tt10.mp3</guid>
			<pubDate>Sun, 01 Apr 2007 16:26:21 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:43</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Taka Tunes VIII</title>
			<itunes:author>Brad Brace</itunes:author>
			<description><![CDATA[Sound Design 2007: Taka Tales from Narikel Jingira Island, Bangladesh
(Art Exhibition with Installed Audio, Tea and free Taka Tunes CDs)

Scene: extensive, evocative audio field-recordings from a concrete Bangladeshi guesthouse looking back on a thatched bamboo village by the Bay of Bengal, with an exhibit of particularly well-used, framed two-taka banknotes.]]></description>
			<itunes:subtitle>Brad Brace</itunes:subtitle>
			<itunes:summary>Sound Design 2007: Taka Tales from Narikel Jingira Island, Bangladesh
(Art Exhibition with Installed Audio, Tea and free Taka Tunes CDs)

Scene: extensive, evocative audio field-recordings from a concrete Bangladeshi guesthouse looking back on a thatched bamboo village by the Bay of Bengal, with an exhibit of particularly well-used, framed two-taka banknotes.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/tt8.mp3" length="1849479" />
			<guid>http://homepage.mac.com/cianciusi/tt8.mp3</guid>
			<pubDate>Sat, 31 Mar 2007 07:45:30 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:57</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Taka Tunes V</title>
			<itunes:author>Brad Brace</itunes:author>
			<description><![CDATA[Sound Design 2007: Taka Tales from Narikel Jingira Island, Bangladesh
(Art Exhibition with Installed Audio, Tea and free Taka Tunes CDs)

Scene: extensive, evocative audio field-recordings from a concrete Bangladeshi guesthouse looking back on a thatched bamboo village by the Bay of Bengal, with an exhibit of particularly well-used, framed two-taka banknotes.]]></description>
			<itunes:subtitle>Brad Brace</itunes:subtitle>
			<itunes:summary>Sound Design 2007: Taka Tales from Narikel Jingira Island, Bangladesh
(Art Exhibition with Installed Audio, Tea and free Taka Tunes CDs)

Scene: extensive, evocative audio field-recordings from a concrete Bangladeshi guesthouse looking back on a thatched bamboo village by the Bay of Bengal, with an exhibit of particularly well-used, framed two-taka banknotes.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/tt5.mp3" length="1283606" />
			<guid>http://homepage.mac.com/cianciusi/tt5.mp3</guid>
			<pubDate>Sun, 25 Mar 2007 08:48:26 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:39</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Taka Tunes I</title>
			<itunes:author>Brad Brace</itunes:author>
			<description><![CDATA[Sound Design 2007: Taka Tales from Narikel Jingira Island, Bangladesh
(Art Exhibition with Installed Audio, Tea and free Taka Tunes CDs)

Scene: extensive, evocative audio field-recordings from a concrete Bangladeshi guesthouse looking back on a thatched bamboo village by the Bay of Bengal, with an exhibit of particularly well-used, framed two-taka banknotes.]]></description>
			<itunes:subtitle>Brad Brace</itunes:subtitle>
			<itunes:summary>Sound Design 2007: Taka Tales from Narikel Jingira Island, Bangladesh
(Art Exhibition with Installed Audio, Tea and free Taka Tunes CDs)

Scene: extensive, evocative audio field-recordings from a concrete Bangladeshi guesthouse looking back on a thatched bamboo village by the Bay of Bengal, with an exhibit of particularly well-used, framed two-taka banknotes.</itunes:summary>
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			<pubDate>Sat, 24 Mar 2007 17:47:18 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:34</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Fluxus Blues Harp Blues</title>
			<itunes:author>Allan Revich</itunes:author>
			<description><![CDATA[Fluxus is an attitude. It is not a movement or a style.
Fluxus should be simple. The art is small, the texts are short, and the performances are brief.
Fluxus should be fun. If it isn't fun, it isn't Fluxus
]]></description>
			<itunes:subtitle>Allan Revich</itunes:subtitle>
			<itunes:summary>Fluxus is an attitude. It is not a movement or a style.
Fluxus should be simple. The art is small, the texts are short, and the performances are brief.
Fluxus should be fun. If it isn&apos;t fun, it isn&apos;t Fluxus
</itunes:summary>
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			<pubDate>Sat, 17 Mar 2007 07:49:57 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>The Art of Storàge</title>
			<itunes:author>Jung Fluxus</itunes:author>
			<description><![CDATA[Copyright © Mark Bloch, 2006. Anti-Dada Division. All rights reserved. All wrongs reversed. Distributed July 13, 2006 in honor of the many friends visiting for the Dada show at MOMA.]]></description>
			<itunes:subtitle>Panmag International Magazine Number 53</itunes:subtitle>
			<itunes:summary>Copyright © Mark Bloch, 2006. Anti-Dada Division. All rights reserved. All wrongs reversed. Distributed July 13, 2006 in honor of the many friends visiting for the Dada show at MOMA.</itunes:summary>
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			<pubDate>Thu, 22 Feb 2007 13:32:54 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Opposite, an effigy--of</title>
			<itunes:author>David-Baptiste Chirot</itunes:author>
			<description><![CDATA[A new poem by David-Baptiste Chirot]]></description>
			<itunes:subtitle>A new poem by David-Baptiste Chirot</itunes:subtitle>
			<itunes:summary>A new poem by David-Baptiste Chirot</itunes:summary>
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			<pubDate>Wed, 21 Feb 2007 09:43:15 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Voice Piece for La Monte Young</title>
			<itunes:author>Emmett Williams</itunes:author>
			<description><![CDATA[Emmett Williams was born April 4th, 1925, in Greenville, South Carolina, grew up in Virginia, and lived in Europe from 1949 to 1966. He studied poetry with John Crowe Ransom at Kenyon College, took courses in anthropology at the University of Paris, and was an assistant to the ethnologist Paul Radin in Lugano, Switzerland. He collaborated with Daniel Spoerri and Claus Bremer in the Darmstadt circle of concrete poetry, dynamic theater, etc., from 1957 to 1959. In the early sixties he was European coordinator of Fluxus, and a founding member of the Domaine Poetique in Paris. His close friendship and collaboration with Robert Filliou resulted in many co-productions and co-inventions. His publications include konkretionen, Krefeld 1958; ja, es war noch da, an opera, first printed in nota, Munich 1960; poesie et cetera americaine, an anthology of action poetry, Paris 1963; 13 variations on 6 words of gertrude stein, Galerie der Spiegel, Cologne 1965; rotapoems, variations on a poem from Diter Rot's lyrical collection Scheisse, Edition Hansjorg Mayer, Stuttgart 1966, and sweethearts, a long erotic concrete poem cycle, Stuttgart 1967. His theater essays have appeared in Das Neue Forum, Berner Blatter, Ulmer Theater and other European magazines. Williams translated and reanecdoted Daniel Spoerri's Topographie Anecdotee du Hasard (An Anecdoted Topography of Chance), collaborated with Claes Oldenburg on Store Days, and edited An Anthology of Concrete Poetry, all published by the Something Else Press, New York. His latest work, a boy and a bird, is a long "building" poem, constructed of shifting linguistic relationships. 
(Great Bear Biography, written in 1966) ]]></description>
			<itunes:subtitle>Emmett Williams 1925-2007</itunes:subtitle>
			<itunes:summary>Emmett Williams was born April 4th, 1925, in Greenville, South Carolina, grew up in Virginia, and lived in Europe from 1949 to 1966. He studied poetry with John Crowe Ransom at Kenyon College, took courses in anthropology at the University of Paris, and was an assistant to the ethnologist Paul Radin in Lugano, Switzerland. He collaborated with Daniel Spoerri and Claus Bremer in the Darmstadt circle of concrete poetry, dynamic theater, etc., from 1957 to 1959. In the early sixties he was European coordinator of Fluxus, and a founding member of the Domaine Poetique in Paris. His close friendship and collaboration with Robert Filliou resulted in many co-productions and co-inventions. His publications include konkretionen, Krefeld 1958; ja, es war noch da, an opera, first printed in nota, Munich 1960; poesie et cetera americaine, an anthology of action poetry, Paris 1963; 13 variations on 6 words of gertrude stein, Galerie der Spiegel, Cologne 1965; rotapoems, variations on a poem from Diter Rot&apos;s lyrical collection Scheisse, Edition Hansjorg Mayer, Stuttgart 1966, and sweethearts, a long erotic concrete poem cycle, Stuttgart 1967. His theater essays have appeared in Das Neue Forum, Berner Blatter, Ulmer Theater and other European magazines. Williams translated and reanecdoted Daniel Spoerri&apos;s Topographie Anecdotee du Hasard (An Anecdoted Topography of Chance), collaborated with Claes Oldenburg on Store Days, and edited An Anthology of Concrete Poetry, all published by the Something Else Press, New York. His latest work, a boy and a bird, is a long &quot;building&quot; poem, constructed of shifting linguistic relationships. 
(Great Bear Biography, written in 1966) </itunes:summary>
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			<pubDate>Fri, 16 Feb 2007 15:50:07 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:02</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Throat Song Mixdown</title>
			<itunes:author>Allan Revich</itunes:author>
			<description><![CDATA[Allan Revich]]></description>
			<itunes:subtitle>Allan Revich</itunes:subtitle>
			<itunes:summary>Allan Revich</itunes:summary>
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			<pubDate>Sun, 04 Feb 2007 07:50:52 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Word Salad (1pm on Feb 1st, 2007)</title>
			<itunes:author>mIEKAL aND</itunes:author>
			<description><![CDATA[Now playing on WSUM / UW-Madison Student Radio

Today’s guest on Paul Alan's WORDSALAD: mIEKAL aND

"I was happy to have in the studio today mIEKAL aND, whose work I’ve  
known about for a long time. mIEKAL publishes Xexoxial Editions and  
Joglars Crossmedia Beliefware, writes poetry and prose, and composes  
and performs music. We spoke about epic poems, spam poetry, visual  
poetry, and the Mail Art movement, among other things."

Paul Alan

]]></description>
			<itunes:subtitle>mIEKAL aND on WSUM</itunes:subtitle>
			<itunes:summary>Now playing on WSUM / UW-Madison Student Radio

Today’s guest on Paul Alan&apos;s WORDSALAD: mIEKAL aND

&quot;I was happy to have in the studio today mIEKAL aND, whose work I’ve  
known about for a long time. mIEKAL publishes Xexoxial Editions and  
Joglars Crossmedia Beliefware, writes poetry and prose, and composes  
and performs music. We spoke about epic poems, spam poetry, visual  
poetry, and the Mail Art movement, among other things.&quot;

Paul Alan

</itunes:summary>
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			<pubDate>Sat, 03 Feb 2007 07:59:23 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Jonas&apos; COOP Speech</title>
			<itunes:author>Jonas Mekas</itunes:author>
			<description><![CDATA[Jonas’ Independence Speech at the Anniversary of the Filmmaker’s Cooperative
4 min. 25 sec.

From the diaries

This was filmed on July 1, 2004.]]></description>
			<itunes:subtitle>A film by Jonas Mekas</itunes:subtitle>
			<itunes:summary>Jonas’ Independence Speech at the Anniversary of the Filmmaker’s Cooperative
4 min. 25 sec.

From the diaries

This was filmed on July 1, 2004.</itunes:summary>
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			<pubDate>Tue, 23 Jan 2007 12:27:52 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Warhol and Maciunas</title>
			<itunes:author>Jonas Mekas</itunes:author>
			<description><![CDATA[Warhol and Maciunas
3 min. 12 sec.

Consists of images of the Andy Warhol show at the Whitney Museum in May of 1971. It also includes a George Maciunas dumpling party on 80 Wooster Street, Soho, on June 29, 1971. George Maciunas, Andy Warhol, John Lennon, and Yoko Ono are pictured.

Sound: Jonas Mekas comments on the relationship between Warhol and Maciunas, and Pop and Fluxus.
]]></description>
			<itunes:subtitle>A film by Jonas Mekas</itunes:subtitle>
			<itunes:summary>Warhol and Maciunas
3 min. 12 sec.

Consists of images of the Andy Warhol show at the Whitney Museum in May of 1971. It also includes a George Maciunas dumpling party on 80 Wooster Street, Soho, on June 29, 1971. George Maciunas, Andy Warhol, John Lennon, and Yoko Ono are pictured.

Sound: Jonas Mekas comments on the relationship between Warhol and Maciunas, and Pop and Fluxus.
</itunes:summary>
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			<pubDate>Mon, 22 Jan 2007 07:39:50 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Time Samples</title>
			<itunes:author>Alison Knowles</itunes:author>
			<description><![CDATA[Time Samples is an exhibition of the recent work of Alison Knowles featuring a large collection of found objects and paper sculptures, which are made and then reoriented conceptually, first by the artist and ultimately through the participation of many collaborators. As the title Time Samples suggests, these sculptural works are fragments from the world shaped by layers of temporality: the time and place in which they were found, the moment of their recasting toward new formal and physical orientations, the instance of a viewer seeing something in them that calls to mind a title, and so on. When Knowles had finished her work on each piece – work of assemblage, of encasing in paper pulp, of subtraction or alteration – she invited friends and other artists to “elaborate” them by offering titles. In several cases she has titled objects herself with excerpts from the strata of her previous production (her artist’s books, old prints, etc.) and from dictionaries, literature, even the radio. The titles and the objects themselves carry the quality of musical scoring, that is, the potential for ever-new interpretations. In the Time Samples the temporal layering is continuous. It extends even into the moment that viewers of the present exhibition recognize their own, purely subjective formal and metaphorical analogies for the objects. 
]]></description>
			<itunes:subtitle>Alison Knowles</itunes:subtitle>
			<itunes:summary>Time Samples is an exhibition of the recent work of Alison Knowles featuring a large collection of found objects and paper sculptures, which are made and then reoriented conceptually, first by the artist and ultimately through the participation of many collaborators. As the title Time Samples suggests, these sculptural works are fragments from the world shaped by layers of temporality: the time and place in which they were found, the moment of their recasting toward new formal and physical orientations, the instance of a viewer seeing something in them that calls to mind a title, and so on. When Knowles had finished her work on each piece – work of assemblage, of encasing in paper pulp, of subtraction or alteration – she invited friends and other artists to “elaborate” them by offering titles. In several cases she has titled objects herself with excerpts from the strata of her previous production (her artist’s books, old prints, etc.) and from dictionaries, literature, even the radio. The titles and the objects themselves carry the quality of musical scoring, that is, the potential for ever-new interpretations. In the Time Samples the temporal layering is continuous. It extends even into the moment that viewers of the present exhibition recognize their own, purely subjective formal and metaphorical analogies for the objects. 
</itunes:summary>
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			<pubDate>Sun, 21 Jan 2007 08:41:46 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>10 Images by Allan Revich</title>
			<itunes:author>Allan Revich</itunes:author>
			<description><![CDATA[A Red Circle With Nothing In It]]></description>
			<itunes:subtitle>A Red Circle With Nothing In It</itunes:subtitle>
			<itunes:summary>A Red Circle With Nothing In It</itunes:summary>
			<enclosure type="application/pdf" url="http://homepage.mac.com/cianciusi/Revich.pdf" length="657779" />
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			<pubDate>Sat, 20 Jan 2007 08:16:52 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Catalogue Le Tas D&apos;Esprits</title>
			<itunes:author>Ben Vautier</itunes:author>
			<description><![CDATA[VOICI LE PROJET D’INTENTION POUR L’EXPOSITION-MANIFESTATION INTITULéE
 
LE « TAS D’ESPRITS »
 
REPONSE A LA QUESTION :
OU EN EST L’ART APRÉS DADA ?
QUELLES SONT LES LIMITES DE L’ART ?
 
A PARIS DANS LE QUARTIER
ST GERMAIN
 
LES 21-22-23 SEPTEMBRE  2006
 
AVEC EXPOSITIONS
CONCERT
VIE ART
DEBAT
ETC
 
CONTACT 
BEN TEL (0492099307)
CLAVEZ (0610486754)

POURQUOI LE  « TAS D’ESPRITS »  ?
 
Parce que moi, et d’autres, croyons sincèrement à la nécessité, après Dada, Cage, Duchamp et Fluxus de faire en 2006, le point
où en est l’art ? qu’est-ce que  l’art ?  
quelles sont les limites de l’art ?
l’importance de la non importance ? etc.,
alors pour y répondre
nous avons décidé de proposer « LE TAS D’ESPRITS » 
 
POURQUOI L’AVOIR INTITULE « LE TAS d’esprits » ?
 
le titre : « le tas d’esprits » est issu d’un jeu de mots entre Name June Paik « Fluxus est un état d’esprit » et Charles Dreyfus qui surenchérit avec : « LES TAS D’ESPRITS ».
 
QUE CONTIENT ET NE CONTIENT PAS LE « TAS  D’ESPRITS » 
sur le plan œuvre ?
le « TAS  D’ESPRITS » ne contient pas l’œuvre esthétisante ou décorative qui se suffit à elle-même
en revanche  le « TAS D’ESPRITS »  contient une attitude envers l’art , une interrogation sur le tout possible issu de Duchamp, du Futurisme, de Cage,
l’art qui se contredit, 
l’art qui se mange la queue,
l’art qui n’est pas art,
la vérité est art
l’art qui se demande qu’est-ce que l’art
l’anti- art art
 
LE « TAS D’ESPRITS » EST-IL IMPORTANT ?
 
Oui parce que ce sera l’occasion
de réunir dans une même manifestation et de montrer le travail d’individus
qui ne cherchent pas à créer des œuvres
dans un but d’esthétisme décoratif mais dont le travail contient une suite au « tout est art » de Dada  un travail de doute.
Pour plus de précision, 
je dirais que le « TAS D’ESPRITS  » aimerait montrer, couvrir l’ensemble des  mouvements du passé tels Dada et le Futurisme ainsi que  des mouvements plus actuels tels :
Fluxus (art et vie). A ce propos bien que le « TAS D’ESPRITS  » ne soit pas une exposition Fluxus, Fluxus sera présent et pour ceux qui ne connaissent pas Fluxus,
Fluxus c’est la prétention de tout changer en montrant rien dans tout
Fluxus c’est boire un verre d’eau,
Fluxus essaie de dire merde à l’art et n’y arrive pas
La Pansémiotique, avec leurs mots coïncidences, qui croient que Dieu est Mickey,
la Créatique Lettriste, à condition qu’elle ne se borne pas à exclure les autres,
La performance (gestes)
le Situationnisme  (
et même cette partie du Nouveau Réalisme, qui a théorisé les limites de l’art (poubelles, monochromes, vide plein etc)
le groupe Untel etc.
et surtout les travaux de beaucoup d’individus d’un peu partout dans le monde.
 
Le « TAS D’ESPRITS » contient donc
D’une part :
une épine dorsale théorique, qui se pose toutes les questions sur les limites de l’art après Dada,
et d’autre part,
des individus dont l’œuvre reflète de l’Art Attitude – le Non Art – le divertissement etc
 
 
LES DATES ?
 
QUAND CETTE MANIFESTATION  « LE TAS d’ESPRITS » AURA-t-ELLE lieu ?
 
Nous proposons que cette manifestation se concentre à partir des 14 -15-et 16 septembre
et dure le temps des expositions en cours
Un vernissage commun aura lieu le 14 septembre à partir de 18 heures dans tous les espaces et galeries en même temps,
le public les visitera les uns après les autres. A cette fin, nous imprimerons un programme et un plan du quartier avec le parcours à suivre.
 
LE LIEU ?
 
POURQUOI LE QUARTIER SAINT GERMAIN ?
 
Parce que ce quartier est vivant,
Parce qu’il y règne un état d’esprit convivial
C’est le seul quartier à Paris où d’un trottoir à l’autre,
l’art non seulement se parle, mais se vit, se boit, se mange 
Ceci étant, bien le Quartier Saint Germain reste l’épine dorsale géographique
la manifestation du « TAS  D’ESPRITS"
ayant, par sa nature même, une vocation internationale
pourra enregistrer (mail art, internet etc )des manifestations et réponses à sa question,
et donc s’ouvrir sur le monde entier.


]]></description>
			<itunes:subtitle>Ben Vautier &amp; Bertrand Clavez</itunes:subtitle>
			<itunes:summary>VOICI LE PROJET D’INTENTION POUR L’EXPOSITION-MANIFESTATION INTITULéE
 
LE « TAS D’ESPRITS »
 
REPONSE A LA QUESTION :
OU EN EST L’ART APRÉS DADA ?
QUELLES SONT LES LIMITES DE L’ART ?
 
A PARIS DANS LE QUARTIER
ST GERMAIN
 
LES 21-22-23 SEPTEMBRE  2006
 
AVEC EXPOSITIONS
CONCERT
VIE ART
DEBAT
ETC
 
CONTACT 
BEN TEL (0492099307)
CLAVEZ (0610486754)

POURQUOI LE  « TAS D’ESPRITS »  ?
 
Parce que moi, et d’autres, croyons sincèrement à la nécessité, après Dada, Cage, Duchamp et Fluxus de faire en 2006, le point
où en est l’art ? qu’est-ce que  l’art ?  
quelles sont les limites de l’art ?
l’importance de la non importance ? etc.,
alors pour y répondre
nous avons décidé de proposer « LE TAS D’ESPRITS » 
 
POURQUOI L’AVOIR INTITULE « LE TAS d’esprits » ?
 
le titre : « le tas d’esprits » est issu d’un jeu de mots entre Name June Paik « Fluxus est un état d’esprit » et Charles Dreyfus qui surenchérit avec : « LES TAS D’ESPRITS ».
 
QUE CONTIENT ET NE CONTIENT PAS LE « TAS  D’ESPRITS » 
sur le plan œuvre ?
le « TAS  D’ESPRITS » ne contient pas l’œuvre esthétisante ou décorative qui se suffit à elle-même
en revanche  le « TAS D’ESPRITS »  contient une attitude envers l’art , une interrogation sur le tout possible issu de Duchamp, du Futurisme, de Cage,
l’art qui se contredit, 
l’art qui se mange la queue,
l’art qui n’est pas art,
la vérité est art
l’art qui se demande qu’est-ce que l’art
l’anti- art art
 
LE « TAS D’ESPRITS » EST-IL IMPORTANT ?
 
Oui parce que ce sera l’occasion
de réunir dans une même manifestation et de montrer le travail d’individus
qui ne cherchent pas à créer des œuvres
dans un but d’esthétisme décoratif mais dont le travail contient une suite au « tout est art » de Dada  un travail de doute.
Pour plus de précision, 
je dirais que le « TAS D’ESPRITS  » aimerait montrer, couvrir l’ensemble des  mouvements du passé tels Dada et le Futurisme ainsi que  des mouvements plus actuels tels :
Fluxus (art et vie). A ce propos bien que le « TAS D’ESPRITS  » ne soit pas une exposition Fluxus, Fluxus sera présent et pour ceux qui ne connaissent pas Fluxus,
Fluxus c’est la prétention de tout changer en montrant rien dans tout
Fluxus c’est boire un verre d’eau,
Fluxus essaie de dire merde à l’art et n’y arrive pas
La Pansémiotique, avec leurs mots coïncidences, qui croient que Dieu est Mickey,
la Créatique Lettriste, à condition qu’elle ne se borne pas à exclure les autres,
La performance (gestes)
le Situationnisme  (
et même cette partie du Nouveau Réalisme, qui a théorisé les limites de l’art (poubelles, monochromes, vide plein etc)
le groupe Untel etc.
et surtout les travaux de beaucoup d’individus d’un peu partout dans le monde.
 
Le « TAS D’ESPRITS » contient donc
D’une part :
une épine dorsale théorique, qui se pose toutes les questions sur les limites de l’art après Dada,
et d’autre part,
des individus dont l’œuvre reflète de l’Art Attitude – le Non Art – le divertissement etc
 
 
LES DATES ?
 
QUAND CETTE MANIFESTATION  « LE TAS d’ESPRITS » AURA-t-ELLE lieu ?
 
Nous proposons que cette manifestation se concentre à partir des 14 -15-et 16 septembre
et dure le temps des expositions en cours
Un vernissage commun aura lieu le 14 septembre à partir de 18 heures dans tous les espaces et galeries en même temps,
le public les visitera les uns après les autres. A cette fin, nous imprimerons un programme et un plan du quartier avec le parcours à suivre.
 
LE LIEU ?
 
POURQUOI LE QUARTIER SAINT GERMAIN ?
 
Parce que ce quartier est vivant,
Parce qu’il y règne un état d’esprit convivial
C’est le seul quartier à Paris où d’un trottoir à l’autre,
l’art non seulement se parle, mais se vit, se boit, se mange 
Ceci étant, bien le Quartier Saint Germain reste l’épine dorsale géographique
la manifestation du « TAS  D’ESPRITS&quot;
ayant, par sa nature même, une vocation internationale
pourra enregistrer (mail art, internet etc )des manifestations et réponses à sa question,
et donc s’ouvrir sur le monde entier.


</itunes:summary>
			<enclosure type="application/pdf" url="http://homepage.mac.com/cianciusi/CatalogueLeTasDEsprits.pdf" length="3104428" />
			<guid>http://homepage.mac.com/cianciusi/CatalogueLeTasDEsprits.pdf</guid>
			<pubDate>Fri, 19 Jan 2007 07:51:45 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Untitled Audio Work</title>
			<itunes:author>Crispin Webb</itunes:author>
			<description><![CDATA[Crispin J. Webb, 28, of Columbus, Ohio, formerly of Tyler Mountain, suddenly went to be with the Lord on Nov. 23, 2006.

He was born December 12, 1977, and was preceded in death by his infant niece, Kaitlyn E. Brown.

Crispin was a graduate student at Ohio State University in Columbus. This spring he was to receive his MFA degree from Bard College in New York and also from Ohio State University. He was an accomplished artist, having several exhibition pieces of his work sold. He was working for OSU, an artist and several independent website design jobs.

He is survived by his mother, Janet K. Webb of Tyler Mountain; father, Richard J. Webb of Charleston; sister, Heidi K. Brown and her husband, David, of Cincinnati, Ohio; maternal grandparents, William K. "Bill" and Maxine Tustin of Clendenin; paternal grandparents, Mr. and Mrs. T. E. Webb of Fayetteville, N.Y.; and two nieces, Sarah E. Brown and Ashley E. Brown of Cincinnati, Ohio; and numerous friends from around the world who loved him.

Funeral service will be held at 7 p.m. Wednesday, Nov. 29, at Keller Funeral Home, Dunbar, with the Rev. Larry Kale officiating. An additional funeral service will be held at 7 p.m. Thursday at the Mount Vernon Nazarene University Chapel, Mount Vernon Ohio. Burial will be at a later date in Elk Hills Memorial Park.

Friends may call two hours prior to the service Wednesday at Keller Funeral Home, Dunbar.

Crispin gave his heart to Jesus and let the Lord work through him and his artwork. He was always witnessing for the Lord and telling people about salvation and how Jesus could change their lives. He helped people in all aspects of life and he served others.

His greatest desire was for people to be able to go to Mount Vernon Nazarene University and major in art.

The family requests that, in lieu of flowers, donations be made to Mount Vernon Nazarene University, 800 Martinsburg Road, Mount Vernon, Ohio 43050, for the MVNU Art Alumni Memorial Fund for Crispin Webb.

Arrangements are in the care of Keller Funeral Home, Dunbar. ]]></description>
			<itunes:subtitle>Crispin Webb 1977-2006</itunes:subtitle>
			<itunes:summary>Crispin J. Webb, 28, of Columbus, Ohio, formerly of Tyler Mountain, suddenly went to be with the Lord on Nov. 23, 2006.

He was born December 12, 1977, and was preceded in death by his infant niece, Kaitlyn E. Brown.

Crispin was a graduate student at Ohio State University in Columbus. This spring he was to receive his MFA degree from Bard College in New York and also from Ohio State University. He was an accomplished artist, having several exhibition pieces of his work sold. He was working for OSU, an artist and several independent website design jobs.

He is survived by his mother, Janet K. Webb of Tyler Mountain; father, Richard J. Webb of Charleston; sister, Heidi K. Brown and her husband, David, of Cincinnati, Ohio; maternal grandparents, William K. &quot;Bill&quot; and Maxine Tustin of Clendenin; paternal grandparents, Mr. and Mrs. T. E. Webb of Fayetteville, N.Y.; and two nieces, Sarah E. Brown and Ashley E. Brown of Cincinnati, Ohio; and numerous friends from around the world who loved him.

Funeral service will be held at 7 p.m. Wednesday, Nov. 29, at Keller Funeral Home, Dunbar, with the Rev. Larry Kale officiating. An additional funeral service will be held at 7 p.m. Thursday at the Mount Vernon Nazarene University Chapel, Mount Vernon Ohio. Burial will be at a later date in Elk Hills Memorial Park.

Friends may call two hours prior to the service Wednesday at Keller Funeral Home, Dunbar.

Crispin gave his heart to Jesus and let the Lord work through him and his artwork. He was always witnessing for the Lord and telling people about salvation and how Jesus could change their lives. He helped people in all aspects of life and he served others.

His greatest desire was for people to be able to go to Mount Vernon Nazarene University and major in art.

The family requests that, in lieu of flowers, donations be made to Mount Vernon Nazarene University, 800 Martinsburg Road, Mount Vernon, Ohio 43050, for the MVNU Art Alumni Memorial Fund for Crispin Webb.

Arrangements are in the care of Keller Funeral Home, Dunbar. </itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/Untitled.mp3" length="0" />
			<guid>http://homepage.mac.com/cianciusi/Untitled.mp3</guid>
			<pubDate>Fri, 08 Dec 2006 15:15:32 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Poem Zero 108</title>
			<itunes:author>David-Baptiste Chirot</itunes:author>
			<description><![CDATA[A painting by David-Baptiste Chirot]]></description>
			<itunes:subtitle>A painting by David-Baptiste Chirot</itunes:subtitle>
			<itunes:summary>A painting by David-Baptiste Chirot</itunes:summary>
			<enclosure type="application/pdf" url="http://homepage.mac.com/cianciusi/poemzero108.pdf" length="0" />
			<guid>http://homepage.mac.com/cianciusi/poemzero108.pdf</guid>
			<pubDate>Wed, 29 Nov 2006 09:14:01 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>George Maciunas Interview Part VIII</title>
			<itunes:author>George Maciunas</itunes:author>
			<description><![CDATA[William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 8)
7:32
Flux Fest in Seattle...funny science show...habit of collecting pebbles when traveling (custom officials couldn't believe)...anthology of animal droppings...nobody has whale shit...future plans (Berkshire farms, July 4th Festival and parade next summer)...um, ah, it's ah, usually, we ah, um, then we, ah...(toilet flushing)]]></description>
			<itunes:subtitle>KRAB Radio September 1977</itunes:subtitle>
			<itunes:summary>William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 8)
7:32
Flux Fest in Seattle...funny science show...habit of collecting pebbles when traveling (custom officials couldn&apos;t believe)...anthology of animal droppings...nobody has whale shit...future plans (Berkshire farms, July 4th Festival and parade next summer)...um, ah, it&apos;s ah, usually, we ah, um, then we, ah...(toilet flushing)</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/MaciunasVIII.mp3" length="7248665" />
			<guid>http://homepage.mac.com/cianciusi/MaciunasVIII.mp3</guid>
			<pubDate>Wed, 29 Nov 2006 08:31:37 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>George Maciunas Interview Part VII</title>
			<itunes:author>George Maciunas</itunes:author>
			<description><![CDATA[William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 7)
3:37
Berlin Fluxus labyrinth...beach ball in face, play piano to open door, walking music wheel, slippery floor, sticky floor...usually kids like our things or people not expecting art...Canal Street store that never sold anything...now Fluxus has a couple of collectors and museums...not MOMA, "they go for serious stuff"...should have a museum of gags...]]></description>
			<itunes:subtitle>KRAB Radio September 1977</itunes:subtitle>
			<itunes:summary>William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 7)
3:37
Berlin Fluxus labyrinth...beach ball in face, play piano to open door, walking music wheel, slippery floor, sticky floor...usually kids like our things or people not expecting art...Canal Street store that never sold anything...now Fluxus has a couple of collectors and museums...not MOMA, &quot;they go for serious stuff&quot;...should have a museum of gags...</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/MaciunasVII.mp3" length="3474911" />
			<guid>http://homepage.mac.com/cianciusi/MaciunasVII.mp3</guid>
			<pubDate>Wed, 29 Nov 2006 08:31:24 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>George Maciunas Interview Part VI</title>
			<itunes:author>George Maciunas</itunes:author>
			<description><![CDATA[William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 6)
6:28
..."What is Fluxus?"/(sound effects)...1966 show at New York Craft Museum (orchestra playing different paper sounds; Samurai archer shooting arrows into paper curtain/"Kill paper, not people")...the element of humor...ballroom dance piece with Flux workers and sticky tape...New Years party Fluxus food events (funny food, rainbow food, atlas food)...(sound effects)...]]></description>
			<itunes:subtitle>KRAB Radio September 1977</itunes:subtitle>
			<itunes:summary>William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 6)
6:28
...&quot;What is Fluxus?&quot;/(sound effects)...1966 show at New York Craft Museum (orchestra playing different paper sounds; Samurai archer shooting arrows into paper curtain/&quot;Kill paper, not people&quot;)...the element of humor...ballroom dance piece with Flux workers and sticky tape...New Years party Fluxus food events (funny food, rainbow food, atlas food)...(sound effects)...</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/MaciunasVI.mp3" length="6187048" />
			<guid>http://homepage.mac.com/cianciusi/MaciunasVI.mp3</guid>
			<pubDate>Wed, 29 Nov 2006 08:31:10 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>George Maciunas Interview Part V</title>
			<itunes:author>George Maciunas</itunes:author>
			<description><![CDATA[William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 5)
6:33
...Fluxus sports and games..."George could you tell me what Flux is?"/(sound effects)...Fluxus sports (ping pong, soccer on stilts, shot put on roller skates, etc)...preparing sports like Cage prepares a piano...handicap races...do something while running...multi-bike vehicle..."Do you like to get in trouble?"...park permit to clean 1-square yard of sidewalk with toothbrushes...]]></description>
			<itunes:subtitle>KRAB Radio September 1977</itunes:subtitle>
			<itunes:summary>William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 5)
6:33
...Fluxus sports and games...&quot;George could you tell me what Flux is?&quot;/(sound effects)...Fluxus sports (ping pong, soccer on stilts, shot put on roller skates, etc)...preparing sports like Cage prepares a piano...handicap races...do something while running...multi-bike vehicle...&quot;Do you like to get in trouble?&quot;...park permit to clean 1-square yard of sidewalk with toothbrushes...</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/MaciunasV.mp3" length="6280253" />
			<guid>http://homepage.mac.com/cianciusi/MaciunasV.mp3</guid>
			<pubDate>Wed, 29 Nov 2006 08:30:56 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>George Maciunas Interview Part IV</title>
			<itunes:author>George Maciunas</itunes:author>
			<description><![CDATA[William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 4)
6:40
...non-art events, objects, gags..."What exactly is Flux, George?"/(sound effects)...the box for the man who has nothing...Ben Vautier chartered bus events (Nice and New York)...plans for an Italian festival (city chickened out)...do events that fit the city...plans for Seattle bus event (8 people going back and forth with large packages)...]]></description>
			<itunes:subtitle>KRAB Radio September 1977</itunes:subtitle>
			<itunes:summary>William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 4)
6:40
...non-art events, objects, gags...&quot;What exactly is Flux, George?&quot;/(sound effects)...the box for the man who has nothing...Ben Vautier chartered bus events (Nice and New York)...plans for an Italian festival (city chickened out)...do events that fit the city...plans for Seattle bus event (8 people going back and forth with large packages)...</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/MaciunasIV.mp3" length="6379728" />
			<guid>http://homepage.mac.com/cianciusi/MaciunasIV.mp3</guid>
			<pubDate>Wed, 29 Nov 2006 08:30:44 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>George Maciunas Interview Part III</title>
			<itunes:author>George Maciunas</itunes:author>
			<description><![CDATA[William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 3)
8:12
..."George, what is Flux?"/(sound effects)...1913 Futurist performances (20 tickets for the same seat)...pre-fluxus performances by LaMonte Young, Bob Morris, Ben Vautier ...Happenings/"Concerted Action"...Japanese Gutai Group...after 1960 split into two camps (the serious/the humorous)...the Fluxus name attracted the humorous camp...1962 Wiesbaden concert (destroying the piano)...then Copenhagen, Dusseldorf, Amsterdam, Paris, Nice...lock-out in Nice led to street performance...walking across the boulevard and into the ocean wearing bowler hats...]]></description>
			<itunes:subtitle>KRAB Radio September 1977</itunes:subtitle>
			<itunes:summary>William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 3)
8:12
...&quot;George, what is Flux?&quot;/(sound effects)...1913 Futurist performances (20 tickets for the same seat)...pre-fluxus performances by LaMonte Young, Bob Morris, Ben Vautier ...Happenings/&quot;Concerted Action&quot;...Japanese Gutai Group...after 1960 split into two camps (the serious/the humorous)...the Fluxus name attracted the humorous camp...1962 Wiesbaden concert (destroying the piano)...then Copenhagen, Dusseldorf, Amsterdam, Paris, Nice...lock-out in Nice led to street performance...walking across the boulevard and into the ocean wearing bowler hats...</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/MaciunasIII.mp3" length="7857631" />
			<guid>http://homepage.mac.com/cianciusi/MaciunasIII.mp3</guid>
			<pubDate>Wed, 29 Nov 2006 08:30:11 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>George Maciunas Interview Part II</title>
			<itunes:author>George Maciunas</itunes:author>
			<description><![CDATA[William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 2)
7:23
...Fluxus cabinet with drawers...Joe Jones' music boxes...Larry Miller's ceiling fan/wall clock...Hanns Sohm and Jean Brown's Fluxus archives...musical chairs...start of Fluxus in Fall of 1961...influences (John Cage/his students, Buster Keaton, Spike Jones, Futurists, Marcel Duchamp, Dadaists)...Dada and Futurist Performances...Ben Vautier theater shock pieces...]]></description>
			<itunes:subtitle>KRAB Radio September 1977</itunes:subtitle>
			<itunes:summary>William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 2)
7:23
...Fluxus cabinet with drawers...Joe Jones&apos; music boxes...Larry Miller&apos;s ceiling fan/wall clock...Hanns Sohm and Jean Brown&apos;s Fluxus archives...musical chairs...start of Fluxus in Fall of 1961...influences (John Cage/his students, Buster Keaton, Spike Jones, Futurists, Marcel Duchamp, Dadaists)...Dada and Futurist Performances...Ben Vautier theater shock pieces...</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/MaciunasII.mp3" length="10597145" />
			<guid>http://homepage.mac.com/cianciusi/MaciunasII.mp3</guid>
			<pubDate>Wed, 29 Nov 2006 08:29:33 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>George Maciunas Interview Part I</title>
			<itunes:author>George Maciunas</itunes:author>
			<description><![CDATA[William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 1)
8 minutes : 39 seconds
(sound effects)...Genghis Khan and counting slain enemies..."George, what is is Flux?"/(sound effects)...birthday boxes...Fluxus boxes (Ben Vautier, George Brecht/Joseph Cornell)...element of humor...1970 Geoff Hendricks reliquary...Alexandria scientific community and holy water...monasteries manufacturing relics...nails from the cross...]]></description>
			<itunes:subtitle>KRAB Radio September 1977</itunes:subtitle>
			<itunes:summary>William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46.
The entire 55-minute broadcast has been divided here into 8 separate audio clips.

George Maciunas (clip 1)
8 minutes : 39 seconds
(sound effects)...Genghis Khan and counting slain enemies...&quot;George, what is is Flux?&quot;/(sound effects)...birthday boxes...Fluxus boxes (Ben Vautier, George Brecht/Joseph Cornell)...element of humor...1970 Geoff Hendricks reliquary...Alexandria scientific community and holy water...monasteries manufacturing relics...nails from the cross...</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/MaciunasI.mp3" length="12513070" />
			<guid>http://homepage.mac.com/cianciusi/MaciunasI.mp3</guid>
			<pubDate>Tue, 28 Nov 2006 09:51:13 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Musica Espansa III</title>
			<itunes:author>Walter Cianciusi</itunes:author>
			<description><![CDATA[For Trumpet and Live Electronics]]></description>
			<itunes:subtitle>Walter Cianciusi</itunes:subtitle>
			<itunes:summary>For Trumpet and Live Electronics</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/espansaIII.mp3" length="11496458" />
			<guid>http://homepage.mac.com/cianciusi/espansaIII.mp3</guid>
			<pubDate>Sun, 29 Oct 2006 19:49:35 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:12:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Kenya Magic</title>
			<itunes:author>Brad Brace</itunes:author>
			<description><![CDATA[insert for Global Islands Project
http://bbrace.laughingsquid.net/id.html
http://bbrace.net/id.html
]]></description>
			<itunes:subtitle>Brad Brace</itunes:subtitle>
			<itunes:summary>insert for Global Islands Project
http://bbrace.laughingsquid.net/id.html
http://bbrace.net/id.html
</itunes:summary>
			<enclosure type="video/quicktime" url="http://216.70.118.235/movies/kenya-magic0999.mov" length="15439547" />
			<guid>http://216.70.118.235/movies/kenya-magic0999.mov</guid>
			<pubDate>Mon, 23 Oct 2006 06:48:23 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Breathing with Mick</title>
			<itunes:author>Allan Revich</itunes:author>
			<description><![CDATA[Allan Revich]]></description>
			<itunes:subtitle>Allan Revich</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/breathing-with-mick.mp3" length="965948" />
			<guid>http://homepage.mac.com/cianciusi/breathing-with-mick.mp3</guid>
			<pubDate>Sun, 15 Oct 2006 12:11:17 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Cake Robot Master</title>
			<itunes:author>Björn Eriksson</itunes:author>
			<description><![CDATA[one of my favorite poems it's called "Cake" and it was written by Todd Colby, one of the early POEMFONE poets. It's also reproduced here w/o express permission but the work is indeed his, though it echoes my own obsession.....

for those of you that don't know, POEMFONE originated in New York and was basically a Poem of the Day type dealie where people called in and heard the poet reading their latest work. makes me with i lived in NYC during that time because i think it's no longer around.

but here it is:

CAKE

I'm so full of cake
If I ate any more cake
I'd have to vomit first
I could eat a cake a day
Sometimes two three cakes
In a single day

I LOVE CAKE

I can't be any clearer than that

I LOVE CAKE

I could eat every cake in New York City
I can't even go into bakeries anymore
Because I'll eat all the cake
I'll say "Where's the cake?
I love cake
Get me some cake!"

And they'll say
"We know how much you love cake
And we know that you very rarely
Have the money to buy our cake
So you can't come in here because
You can't afford the cake
But you love cake
So get out of here
You can not have any cake
You don't have the money
To buy any of our cake!"

I'll punch some ass for some cake
Gimme all your cake

I WANT CAKE

I WANT YOUR CAKE

GIMME SOME CAKE

I LOVE CAKE]]></description>
			<itunes:subtitle>This is a cover of Todd Colby&apos;s Cake, one of my favorite poems. It&apos;s my contribution for the WFMU project 160 versions of Todd Colby&apos;s Cake. I call it Cake Robot Master. Björn Eriksson 
</itunes:subtitle>
			<itunes:summary>one of my favorite poems it&apos;s called &quot;Cake&quot; and it was written by Todd Colby, one of the early POEMFONE poets. It&apos;s also reproduced here w/o express permission but the work is indeed his, though it echoes my own obsession.....

for those of you that don&apos;t know, POEMFONE originated in New York and was basically a Poem of the Day type dealie where people called in and heard the poet reading their latest work. makes me with i lived in NYC during that time because i think it&apos;s no longer around.

but here it is:

CAKE

I&apos;m so full of cake
If I ate any more cake
I&apos;d have to vomit first
I could eat a cake a day
Sometimes two three cakes
In a single day

I LOVE CAKE

I can&apos;t be any clearer than that

I LOVE CAKE

I could eat every cake in New York City
I can&apos;t even go into bakeries anymore
Because I&apos;ll eat all the cake
I&apos;ll say &quot;Where&apos;s the cake?
I love cake
Get me some cake!&quot;

And they&apos;ll say
&quot;We know how much you love cake
And we know that you very rarely
Have the money to buy our cake
So you can&apos;t come in here because
You can&apos;t afford the cake
But you love cake
So get out of here
You can not have any cake
You don&apos;t have the money
To buy any of our cake!&quot;

I&apos;ll punch some ass for some cake
Gimme all your cake

I WANT CAKE

I WANT YOUR CAKE

GIMME SOME CAKE

I LOVE CAKE</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/Bjorn-Eriksson_cake_robot_master.mp3" length="3254272" />
			<guid>http://homepage.mac.com/cianciusi/Bjorn-Eriksson_cake_robot_master.mp3</guid>
			<pubDate>Sat, 07 Oct 2006 14:55:55 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:02:15</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Fluxoidal One</title>
			<itunes:author>Allan Revich</itunes:author>
			<description><![CDATA[From Kafka's Metamorphosis]]></description>
			<itunes:subtitle>Audio Fluxus Sound Art by Allan Revich</itunes:subtitle>
			<itunes:summary>From Kafka&apos;s Metamorphosis</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/fluxoidal-one.mp3" length="3000494" />
			<guid>http://homepage.mac.com/cianciusi/fluxoidal-one.mp3</guid>
			<pubDate>Thu, 05 Oct 2006 09:39:13 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:03:05</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>PoPo PiPi</title>
			<itunes:author>Allan Revich</itunes:author>
			<description><![CDATA[A Fluxus Free Zone Production ]]></description>
			<itunes:subtitle>A Fluxus Free Zone Production </itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/Popo-pipi.mp3" length="1430400" />
			<guid>http://homepage.mac.com/cianciusi/Popo-pipi.mp3</guid>
			<pubDate>Mon, 18 Sep 2006 14:15:14 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:29</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>zufecduzanewa</title>
			<itunes:author>mIEKAL aND</itunes:author>
			<description><![CDATA[mIEKAL aND]]></description>
			<itunes:subtitle>mIEKAL aND</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/zufecduzanewa.mp3" length="605881" />
			<guid>http://homepage.mac.com/cianciusi/zufecduzanewa.mp3</guid>
			<pubDate>Sat, 16 Sep 2006 14:07:17 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Subterranean Elevator Muzak</title>
			<itunes:author>mIEKAL aND</itunes:author>
			<description><![CDATA[mIEKAL aND]]></description>
			<itunes:subtitle>mIEKAL aND</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/subterranean_elevator_muzak.mp3" length="7512610" />
			<guid>http://homepage.mac.com/cianciusi/subterranean_elevator_muzak.mp3</guid>
			<pubDate>Sat, 16 Sep 2006 14:05:46 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Spiritualist Jihad</title>
			<itunes:author>mIEKAL aND</itunes:author>
			<description><![CDATA[mIEKAL aND]]></description>
			<itunes:subtitle>mIEKAL aND</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/spiritualist_jihad.mp3" length="4276533" />
			<guid>http://homepage.mac.com/cianciusi/spiritualist_jihad.mp3</guid>
			<pubDate>Sat, 16 Sep 2006 13:51:38 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Mind The Gap</title>
			<itunes:author>Walter Cianciusi</itunes:author>
			<description><![CDATA[Premiered at the New York Chelsea Art Museum on August 15, 2006 by the New York Miniaturist Ensemble (nyme.org).]]></description>
			<itunes:subtitle>Walter Cianciusi</itunes:subtitle>
			<itunes:summary>Premiered at the New York Chelsea Art Museum on August 15, 2006 by the New York Miniaturist Ensemble (nyme.org).</itunes:summary>
			<enclosure type="application/pdf" url="http://homepage.mac.com/cianciusi/mind%20the%20gap.pdf" length="12228" />
			<guid>http://homepage.mac.com/cianciusi/mind%20the%20gap.pdf</guid>
			<pubDate>Wed, 16 Aug 2006 09:43:03 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Fluxus Reader </title>
			<itunes:author>Ken Friedman</itunes:author>
			<description><![CDATA[Edited by Ken Friedman]]></description>
			<itunes:subtitle>Edited by Ken Friedman</itunes:subtitle>
			<itunes:summary />
			<enclosure type="application/pdf" url="http://homepage.mac.com/cianciusi/Fluxus%20Reader%20.pdf" length="2122802" />
			<guid>http://homepage.mac.com/cianciusi/Fluxus%20Reader%20.pdf</guid>
			<pubDate>Thu, 20 Jul 2006 10:00:06 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Barbara Bush</title>
			<itunes:author>Id M Theft Able</itunes:author>
			<description><![CDATA[Id M Theft Able]]></description>
			<itunes:subtitle>Id M Theft Able</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/id_m_theft_able-%20barbara_bush.mp3" length="5075238" />
			<guid>http://homepage.mac.com/cianciusi/id_m_theft_able-%20barbara_bush.mp3</guid>
			<pubDate>Tue, 04 Jul 2006 09:46:01 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:05:17</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Mexican Wake Up Call</title>
			<itunes:author>Bibiana Padilla Maltos</itunes:author>
			<description><![CDATA[Bibiana Padilla Maltos]]></description>
			<itunes:subtitle>Bibiana Padilla Maltos</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/carmenmexicanwakeupcall.mp3" length="2123814" />
			<guid>http://homepage.mac.com/cianciusi/carmenmexicanwakeupcall.mp3</guid>
			<pubDate>Thu, 22 Jun 2006 09:47:22 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:02:12</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Them Frogs</title>
			<itunes:author>Steve McLaughlin</itunes:author>
			<description><![CDATA[Thank you the teaching company.]]></description>
			<itunes:subtitle>Thank you the teaching company.</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/Steve_McLaughlin-Them_Frogs.mp3" length="2517437" />
			<guid>http://homepage.mac.com/cianciusi/Steve_McLaughlin-Them_Frogs.mp3</guid>
			<pubDate>Wed, 21 Jun 2006 09:21:16 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:02:34</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>A Red Circle with Nothing in it</title>
			<itunes:author>Allan Revich</itunes:author>
			<description><![CDATA[Allan Revich]]></description>
			<itunes:subtitle>Allan Revich</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/red-circle-nothing.mp3" length="1071713" />
			<guid>http://homepage.mac.com/cianciusi/red-circle-nothing.mp3</guid>
			<pubDate>Mon, 12 Jun 2006 09:26:23 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:06</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Harmguit</title>
			<itunes:author>Buzz Kimball</itunes:author>
			<description><![CDATA[Buzz Kimball]]></description>
			<itunes:subtitle>Buzz Kimball</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/harmguit.mp3" length="3532928" />
			<guid>http://homepage.mac.com/cianciusi/harmguit.mp3</guid>
			<pubDate>Thu, 08 Jun 2006 08:50:12 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:19:37</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>A Love Song</title>
			<itunes:author>Allan Revich</itunes:author>
			<description><![CDATA[Allan Revich]]></description>
			<itunes:subtitle>Allan Revich</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/a-love-song.mp3" length="964764" />
			<guid>http://homepage.mac.com/cianciusi/a-love-song.mp3</guid>
			<pubDate>Sun, 28 May 2006 08:23:27 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Pescador</title>
			<itunes:author>Walter Cianciusi</itunes:author>
			<description><![CDATA[Taken from the JOB_APP CD]]></description>
			<itunes:subtitle>Taken from the JOB_APP CD</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/Pescador.mp3" length="1601220" />
			<guid>http://homepage.mac.com/cianciusi/Pescador.mp3</guid>
			<pubDate>Thu, 25 May 2006 19:13:29 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:39</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Lotus Proalien [why jinks]</title>
			<itunes:author>Rod Stasick</itunes:author>
			<description><![CDATA[Taken from the JOB_APP CD]]></description>
			<itunes:subtitle>Taken from the JOB_APP CD</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/Lotus%20Proalien%20%5Bwhy%20jinks%5D.mp3" length="10747421" />
			<guid>http://homepage.mac.com/cianciusi/Lotus%20Proalien%20%5Bwhy%20jinks%5D.mp3</guid>
			<pubDate>Thu, 25 May 2006 19:13:08 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:11:11</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Lag</title>
			<itunes:author>Nick Potter</itunes:author>
			<description><![CDATA[Taken from the JOB_APP CD]]></description>
			<itunes:subtitle>Taken from the JOB_APP CD</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/Lag.mp3" length="1220460" />
			<guid>http://homepage.mac.com/cianciusi/Lag.mp3</guid>
			<pubDate>Thu, 25 May 2006 19:12:35 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:16</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>How To Cat JMB &gt;/dev/dsp [how...we splatter/we slobber/to fold/to emit/toevael]</title>
			<itunes:author>Kamen Nedev</itunes:author>
			<description><![CDATA[Taken from the JOB_APP CD]]></description>
			<itunes:subtitle>Taken from the JOB_APP CD</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/How%20To%20Cat%20JMB%20__dev_dsp%20%5Bhow...we%20splatter_we%20slobber_to%20fold_to%20emit_toevael%5D.mp3" length="4874677" />
			<guid>http://homepage.mac.com/cianciusi/How%20To%20Cat%20JMB%20__dev_dsp%20%5Bhow...we%20splatter_we%20slobber_to%20fold_to%20emit_toevael%5D.mp3</guid>
			<pubDate>Thu, 25 May 2006 19:11:58 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:05:04</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Reading from &quot;Glue&quot;</title>
			<itunes:author>John M. Bennett</itunes:author>
			<description><![CDATA[Taken from the JOB_APP CD]]></description>
			<itunes:subtitle>Taken from the JOB_APP CD</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/Reading%20from%20_Glue_.mp3" length="9617260" />
			<guid>http://homepage.mac.com/cianciusi/Reading%20from%20_Glue_.mp3</guid>
			<pubDate>Thu, 25 May 2006 19:11:30 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:10:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Rolling &amp; Shunting [rolling/shunt]</title>
			<itunes:author>Alan Bowman</itunes:author>
			<description><![CDATA[Taken from the JOB_APP CD]]></description>
			<itunes:subtitle>Taken from the JOB_APP CD</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/Rolling%20%26%20Shunting%20%5Brolling_shunt%5D.mp3" length="14527027" />
			<guid>http://homepage.mac.com/cianciusi/Rolling%20%26%20Shunting%20%5Brolling_shunt%5D.mp3</guid>
			<pubDate>Thu, 25 May 2006 19:10:11 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:15:07</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Whale Song</title>
			<itunes:author>Donny Who Loved Bowling</itunes:author>
			<description><![CDATA[Donny Who Loved Bowling]]></description>
			<itunes:subtitle>Donny Who Loved Bowling</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/18%20Whale%20Song.mp3" length="628086" />
			<guid>http://homepage.mac.com/cianciusi/18%20Whale%20Song.mp3</guid>
			<pubDate>Sat, 15 Apr 2006 07:58:34 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:31</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Surf to Triptown</title>
			<itunes:author>Kiyotei</itunes:author>
			<description><![CDATA[Imaginary surfing trip to the neon gingerbread house by the ocean.]]></description>
			<itunes:subtitle>Imaginary surfing trip to the neon gingerbread house by the ocean.</itunes:subtitle>
			<itunes:summary />
			<enclosure type="video/mp4" url="http://homepage.mac.com/cianciusi/surftotriptown_6.mp4" length="6464072" />
			<guid>http://homepage.mac.com/cianciusi/surftotriptown_6.mp4</guid>
			<pubDate>Fri, 14 Apr 2006 08:05:12 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:39</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>ad</title>
			<itunes:author>Jukka-Pekka Kervinen</itunes:author>
			<description><![CDATA[Title: ad
Composer: Jukka-Pekka Kervinen
Duration: 3'52"
Sample rate: 22050 kHz
Format: MP3
]]></description>
			<itunes:subtitle>Jukka-Pekka Kervinen</itunes:subtitle>
			<itunes:summary>Title: ad
Composer: Jukka-Pekka Kervinen
Duration: 3&apos;52&quot;
Sample rate: 22050 kHz
Format: MP3
</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/ad_Kervinen_040906.mp3" length="1857354" />
			<guid>http://homepage.mac.com/cianciusi/ad_Kervinen_040906.mp3</guid>
			<pubDate>Mon, 10 Apr 2006 08:37:30 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:03:52</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>No Vision (Billy Molests the Man)</title>
			<itunes:author>Christopher Petkus</itunes:author>
			<description><![CDATA[Cristopher Petkus]]></description>
			<itunes:subtitle>Cristopher Petkus</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/10%20No%20Vision%20%28Billy%20Molests%20the%20Man%29.mp3" length="2668690" />
			<guid>http://homepage.mac.com/cianciusi/10%20No%20Vision%20%28Billy%20Molests%20the%20Man%29.mp3</guid>
			<pubDate>Sun, 09 Apr 2006 13:26:00 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:38</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>From Global Islands Project (Africa Streams)</title>
			<itunes:author>Brad Brace</itunes:author>
			<description><![CDATA[Global Islands Project -- ongoing series of multi-media
pdf-ebooks -- a pastoral, pictorial and phonic elicitation
of island parameters.

http://bbrace.laughingsquid.net/id.html
http://bbrace.net/id.html

Island 1.0 is Ambergris Caye, Belize
Island 2.0 is Koh Si Chang, Thailand
Island 3.0 is Lamu, Kenya

Global Islands Project:

Island 1.0 -> http://bbrace.net/islands/island1/island1.html
or http://bbrace.laughingsquid.net/islands/island1/island1.html
-- over 800 images and hour-long audiotrack -- 69mb -- (acrobat 6)

Island 2.0 -> http://bbrace.net/islands/island2/island2.html
or http://bbrace.laughingsquid.net/islands/island2/island2.html
 -- over 535 images and hour-long audiotrack -- 78mb -- (acrobat 6)

]]></description>
			<itunes:subtitle>Brad Brace</itunes:subtitle>
			<itunes:summary>Global Islands Project -- ongoing series of multi-media
pdf-ebooks -- a pastoral, pictorial and phonic elicitation
of island parameters.

http://bbrace.laughingsquid.net/id.html
http://bbrace.net/id.html

Island 1.0 is Ambergris Caye, Belize
Island 2.0 is Koh Si Chang, Thailand
Island 3.0 is Lamu, Kenya

Global Islands Project:

Island 1.0 -&gt; http://bbrace.net/islands/island1/island1.html
or http://bbrace.laughingsquid.net/islands/island1/island1.html
-- over 800 images and hour-long audiotrack -- 69mb -- (acrobat 6)

Island 2.0 -&gt; http://bbrace.net/islands/island2/island2.html
or http://bbrace.laughingsquid.net/islands/island2/island2.html
 -- over 535 images and hour-long audiotrack -- 78mb -- (acrobat 6)

</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.bbrace.net/lamu21806.mp3" length="17520640" />
			<guid>http://www.bbrace.net/lamu21806.mp3</guid>
			<pubDate>Fri, 07 Apr 2006 07:41:59 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Tapping my Fingernails While Reading Portrait of the Artist</title>
			<itunes:author>Allan Revich</itunes:author>
			<description><![CDATA[Fluxus Audio Art]]></description>
			<itunes:subtitle>Fluxus Audio Art</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/nail-tap-with-james-joyce.mp3" length="1922291" />
			<guid>http://homepage.mac.com/cianciusi/nail-tap-with-james-joyce.mp3</guid>
			<pubDate>Thu, 06 Apr 2006 07:46:19 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:02:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Surreal Field Hand Banjo</title>
			<itunes:author>mIEKAL aND</itunes:author>
			<description><![CDATA[mIEKAL aND]]></description>
			<itunes:subtitle>mIEKAL aND</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/surreal_field_hand_banjo.mp3" length="2572252" />
			<guid>http://homepage.mac.com/cianciusi/surreal_field_hand_banjo.mp3</guid>
			<pubDate>Mon, 03 Apr 2006 07:13:33 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:02:31</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Hs1-10m</title>
			<itunes:author>Buzz Kimball</itunes:author>
			<description><![CDATA[Buzz Kimball]]></description>
			<itunes:subtitle>Buzz Kimball</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/hs1-10m.mp3" length="1808512" />
			<guid>http://homepage.mac.com/cianciusi/hs1-10m.mp3</guid>
			<pubDate>Mon, 03 Apr 2006 07:12:44 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:10:02</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Pod Mashup</title>
			<itunes:author>Kiyotei &amp; the Fluxus All-Stars</itunes:author>
			<description><![CDATA[A mash-up of songs from the Fluxus Podcast - kiyotei.com]]></description>
			<itunes:subtitle>A mash-up of songs from the Fluxus Podcast - kiyotei.com</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/pod_mashup.mp3" length="3456801" />
			<guid>http://homepage.mac.com/cianciusi/pod_mashup.mp3</guid>
			<pubDate>Sun, 02 Apr 2006 07:39:55 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:03:53</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Airports For Films</title>
			<itunes:author>Brad Brace</itunes:author>
			<description><![CDATA[The very first film on my new miniature v-cam.]]></description>
			<itunes:subtitle>Brad Brace</itunes:subtitle>
			<itunes:summary>The very first film on my new miniature v-cam.</itunes:summary>
			<enclosure type="video/mp4" url="http://bbrace.net/VCLP0001.MP4" length="3506176" />
			<guid>http://bbrace.net/VCLP0001.MP4</guid>
			<pubDate>Sun, 02 Apr 2006 07:29:45 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Music For ___</title>
			<itunes:author>Andrew Bunny</itunes:author>
			<description><![CDATA[Film yourself playing one note on any instrument 
(in this case, an E natural on Buchla Marimba Lumina).
Make Quicktime movie of it. Playback in loop mode 316 times. 
Delete file.]]></description>
			<itunes:subtitle>Andrew Bunny</itunes:subtitle>
			<itunes:summary>Film yourself playing one note on any instrument 
(in this case, an E natural on Buchla Marimba Lumina).
Make Quicktime movie of it. Playback in loop mode 316 times. 
Delete file.</itunes:summary>
			<enclosure type="video/quicktime" url="http://homepage.mac.com/cianciusi/marimba.mov" length="417610" />
			<guid>http://homepage.mac.com/cianciusi/marimba.mov</guid>
			<pubDate>Sat, 01 Apr 2006 07:36:38 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:05</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>12 Structures </title>
			<itunes:author>Ken Friedman</itunes:author>
			<description><![CDATA[Ken Friedman]]></description>
			<itunes:subtitle>Ken Friedman</itunes:subtitle>
			<itunes:summary />
			<enclosure type="application/pdf" url="http://homepage.mac.com/cianciusi/Ken%20Friedman%2012%20Structures%20.pdf" length="76140" />
			<guid>http://homepage.mac.com/cianciusi/Ken%20Friedman%2012%20Structures%20.pdf</guid>
			<pubDate>Tue, 28 Mar 2006 08:37:59 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Fluxus Performance Workbook </title>
			<itunes:author>Ken Friedman, Owen Smith, Lauren Sawchyn</itunes:author>
			<description><![CDATA[Edited by Ken Friedman, Owen Smith and Lauren Sawchyn]]></description>
			<itunes:subtitle>Edited by Ken Friedman, Owen Smith and Lauren Sawchyn</itunes:subtitle>
			<itunes:summary />
			<enclosure type="application/pdf" url="http://homepage.mac.com/cianciusi/Fluxus%20Performance%20Workbook%20.pdf" length="321580" />
			<guid>http://homepage.mac.com/cianciusi/Fluxus%20Performance%20Workbook%20.pdf</guid>
			<pubDate>Tue, 28 Mar 2006 07:51:23 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:00</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Travelling Poorly Roasted Wheelbarrow</title>
			<itunes:author>A Chair</itunes:author>
			<description><![CDATA[A Chair]]></description>
			<itunes:subtitle>A Chair</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/A%20Chair%20-%20Travelling%20Poorly%20Roasted%20Wheelbarrow.mp3" length="1312018" />
			<guid>http://homepage.mac.com/cianciusi/A%20Chair%20-%20Travelling%20Poorly%20Roasted%20Wheelbarrow.mp3</guid>
			<pubDate>Mon, 27 Mar 2006 08:54:24 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:21</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Zappa/Steve Allen Reggae Mashup Clip</title>
			<itunes:author>RP Collier</itunes:author>
			<description><![CDATA[I was recently loading a page at youTube of Frank Zappa on the Steve Allen Show 1963 where Zappa plays a bicycle. I was listening to Reggae web radio at the time and the youTube loader let bursts of the Allen show audio come through at intervals that merged with the Reggae. I thought it was interesting and managed to capture the final few minutes using Wiretap. There was no editing or processing involved. I made a cropped version as a smaller file for people with slower modems.
]]></description>
			<itunes:subtitle>Zappa + Reggae Web Radio</itunes:subtitle>
			<itunes:summary>I was recently loading a page at youTube of Frank Zappa on the Steve Allen Show 1963 where Zappa plays a bicycle. I was listening to Reggae web radio at the time and the youTube loader let bursts of the Allen show audio come through at intervals that merged with the Reggae. I thought it was interesting and managed to capture the final few minutes using Wiretap. There was no editing or processing involved. I made a cropped version as a smaller file for people with slower modems.
</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/allenzappamashsm.mp3" length="3558704" />
			<guid>http://homepage.mac.com/cianciusi/allenzappamashsm.mp3</guid>
			<pubDate>Sun, 26 Mar 2006 09:10:16 +0200</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:04:02</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>19-2ET</title>
			<itunes:author>Buzz Kimball</itunes:author>
			<description><![CDATA[Microtonal guitar: 19 tones per octave.]]></description>
			<itunes:subtitle>Microtonal guitar: 19 tones per octave.</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/19-2ET.mp3" length="1337415" />
			<guid>http://homepage.mac.com/cianciusi/19-2ET.mp3</guid>
			<pubDate>Wed, 22 Mar 2006 20:42:34 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:23</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Drugs</title>
			<itunes:author>Creamhorn</itunes:author>
			<description><![CDATA[Cristopher Petkus]]></description>
			<itunes:subtitle>Cristopher Petkus</itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/Drugs.mp3" length="6351982" />
			<guid>http://homepage.mac.com/cianciusi/Drugs.mp3</guid>
			<pubDate>Tue, 21 Mar 2006 17:49:30 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:05:15</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Baptism</title>
			<itunes:author>Crispin Webb</itunes:author>
			<description><![CDATA[Crispin Webb]]></description>
			<itunes:subtitle>Crispin Webb</itunes:subtitle>
			<itunes:summary />
			<enclosure type="video/quicktime" url="http://blip.tv/file/get/Crispin3d-BAPTISM283.mov" length="3257354" />
			<guid>http://blip.tv/file/get/Crispin3d-BAPTISM283.mov</guid>
			<pubDate>Mon, 20 Mar 2006 08:57:31 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:07</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>12 Fluxus Ideas</title>
			<itunes:author>Don Boyd</itunes:author>
			<description><![CDATA[Don Boyd]]></description>
			<itunes:subtitle>Don Boyd</itunes:subtitle>
			<itunes:summary />
			<enclosure type="video/quicktime" url="http://blip.tv/file/get/Crispin3d-DONBOYDVIDEO12IdeasOfFluxus656.mov" length="158120954" />
			<guid>http://blip.tv/file/get/Crispin3d-DONBOYDVIDEO12IdeasOfFluxus656.mov</guid>
			<pubDate>Mon, 20 Mar 2006 08:47:31 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:18:35</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Interview</title>
			<itunes:author>Don Boyd</itunes:author>
			<description><![CDATA[Don Boyd]]></description>
			<itunes:subtitle>Don Boyd</itunes:subtitle>
			<itunes:summary />
			<enclosure type="video/mp4" url="http://blip.tv/file/get/Crispin3d-DONBOYD443.mp4" length="211769517" />
			<guid>http://blip.tv/file/get/Crispin3d-DONBOYD443.mp4</guid>
			<pubDate>Mon, 20 Mar 2006 08:22:28 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:24:57</itunes:duration>
			<itunes:keywords>Fluxus</itunes:keywords>
		</item>
		<item>
			<title>Dreambass</title>
			<itunes:author>Buzz Kimball</itunes:author>
			<description><![CDATA[The dreambass instrument: an odd contraption that was inspired by a dream.]]></description>
			<itunes:subtitle>The dreambass instrument.</itunes:subtitle>
			<itunes:summary>The dreambass instrument: an odd contraption that was inspired by a dream.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/dreambass.mp3" length="935236" />
			<guid isPermaLink="false">dreambass</guid>
			<pubDate>Sun, 19 Mar 2006 21:32:48 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:02:35</itunes:duration>
			<itunes:keywords />
		</item>
		<item>
			<title>1024 Cellos For Nam</title>
			<itunes:author>mIEKAL aND</itunes:author>
			<description><![CDATA[mIEKAL aND]]></description>
			<itunes:subtitle>mIEKAL aND</itunes:subtitle>
			<itunes:summary />
			<enclosure type="video/x-m4v" url="http://homepage.mac.com/cianciusi/1024_cellos_for_nam.m4v" length="8560882" />
			<guid isPermaLink="false">1024-cellos-for-nam</guid>
			<pubDate>Sun, 19 Mar 2006 21:32:21 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:25</itunes:duration>
			<itunes:keywords />
		</item>
		<item>
			<title>Hypergraphic Love Poem</title>
			<itunes:author>mIEKAL aND</itunes:author>
			<description><![CDATA[mIEKAL aND]]></description>
			<itunes:subtitle>mIEKAL aND</itunes:subtitle>
			<itunes:summary />
			<enclosure type="video/x-m4v" url="http://homepage.mac.com/cianciusi/hypergraphic_love_poem.m4v" length="3726087" />
			<guid isPermaLink="false">hypergraphic-love-poem</guid>
			<pubDate>Sun, 19 Mar 2006 21:32:06 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:35</itunes:duration>
			<itunes:keywords />
		</item>
		<item>
			<title>Stapelia Ophelia</title>
			<itunes:author>mIEKAL aND</itunes:author>
			<description><![CDATA[mIEKAL aND]]></description>
			<itunes:subtitle>mIEKAL aND</itunes:subtitle>
			<itunes:summary />
			<enclosure type="video/x-m4v" url="http://homepage.mac.com/cianciusi/stapelia_ophelia.m4v" length="8373093" />
			<guid isPermaLink="false">stapelia-ophelia</guid>
			<pubDate>Sun, 19 Mar 2006 21:31:47 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:22</itunes:duration>
			<itunes:keywords />
		</item>
		<item>
			<title>White Water</title>
			<itunes:author>Joshua Manchester and Brian Trump</itunes:author>
			<description><![CDATA[This exhibit would consist of two television monitors facing a wall opposite the viewer while the sound of rushing water is heard. While both televisions will cast a blue tint on the wall facing them, a closer inspection will reveal that one is playing a video of rushing water, while the other is playing nothing but static (the sounds of which are virtually indistinguishable.) This exhibit reflects the difficulties of distinguishing between truth and fabrication when ones senses are overloaded with information.]]></description>
			<itunes:subtitle>This exhibit would consist of two television monitors facing a wall opposite the viewer while the sound of rushing water is heard. </itunes:subtitle>
			<itunes:summary>This exhibit would consist of two television monitors facing a wall opposite the viewer while the sound of rushing water is heard. While both televisions will cast a blue tint on the wall facing them, a closer inspection will reveal that one is playing a video of rushing water, while the other is playing nothing but static (the sounds of which are virtually indistinguishable.) This exhibit reflects the difficulties of distinguishing between truth and fabrication when ones senses are overloaded with information.</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/whitewater.mp3" length="3429441" />
			<guid isPermaLink="false">white-water</guid>
			<pubDate>Fri, 17 Mar 2006 21:41:38 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:03:00</itunes:duration>
			<itunes:keywords />
		</item>
		<item>
			<title>Bottom Of The Stairs</title>
			<itunes:author>Roger Stevens</itunes:author>
			<description><![CDATA[Part of the Fluxus Anthology 2005 CD.
Buy it now (http://www.cafepress.com/fluxstore) for $8,99!]]></description>
			<itunes:subtitle>Part of the Fluxus Anthology 2005 CD.</itunes:subtitle>
			<itunes:summary>Part of the Fluxus Anthology 2005 CD.
Buy it now (http://www.cafepress.com/fluxstore) for $8,99!</itunes:summary>
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/bottomofthestairs.mp3" length="4132154" />
			<guid isPermaLink="false">bottom-of-the-stairs</guid>
			<pubDate>Fri, 17 Mar 2006 07:42:24 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:02:52</itunes:duration>
			<itunes:keywords />
		</item>
		<item>
			<title>Kristall nr3</title>
			<itunes:author>Björn Eriksson</itunes:author>
			<description><![CDATA[The short moving image and sound is called Kristall nr3 and it includes sounds from the lamp, some snippets from a electronic piece by me called Tazmobiles. ]]></description>
			<itunes:subtitle>Björn Eriksson</itunes:subtitle>
			<itunes:summary>The short moving image and sound is called Kristall nr3 and it includes sounds from the lamp, some snippets from a electronic piece by me called Tazmobiles. </itunes:summary>
			<enclosure type="video/mp4" url="http://homepage.mac.com/cianciusi/kristallnr3_0002.mp4" length="4896159" />
			<guid isPermaLink="false">kristall-nr3</guid>
			<pubDate>Tue, 14 Mar 2006 07:45:09 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:46</itunes:duration>
			<itunes:keywords />
		</item>
		<item>
			<title>Haiku 0102</title>
			<itunes:author>Kiyotei</itunes:author>
			<description><![CDATA[Robotic Poetry: www.kiyotei.com ]]></description>
			<itunes:subtitle>Robotic Poetry: www.kiyotei.com </itunes:subtitle>
			<itunes:summary />
			<enclosure type="audio/mpeg" url="http://homepage.mac.com/cianciusi/haiku0102.mp3" length="441236" />
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			<pubDate>Tue, 14 Mar 2006 07:39:47 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:27</itunes:duration>
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			<title>This Is The End Of History</title>
			<itunes:author>Allan Revich</itunes:author>
			<description><![CDATA[Allan Revich]]></description>
			<itunes:subtitle>Allan Revich</itunes:subtitle>
			<itunes:summary />
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			<pubDate>Mon, 13 Mar 2006 19:13:45 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:02:00</itunes:duration>
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			<title>All Art Is Political</title>
			<itunes:author>Allan Revich</itunes:author>
			<description><![CDATA[Allan Revich]]></description>
			<itunes:subtitle>Allan Revich</itunes:subtitle>
			<itunes:summary />
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			<pubDate>Mon, 13 Mar 2006 19:11:57 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:01:00</itunes:duration>
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			<title>Composition #70</title>
			<itunes:author>Walter Cianciusi</itunes:author>
			<description><![CDATA[L'idea base è quella di riassumere in un unico timbro un brano musicale complesso.
Dato un file audio di lunghezza n (campioni) procedo dapprima alla realizzazione di una serie di FFT.
Con i dati messi a disposizione dalle varie FFT (tante quante il numero complessivo di campioni/lunghezza della frame)* effettuo le seguenti operazioni:
- getto via i risultati relativi alla fase;
- tengo conto di tutte le frequenze rintracciate nelle varie frame determinando l'ampiezza di ciascuna parziale come media dell'ampiezza che per quella frequenza è stata rintracciata in ciascuna frame;
- anti-trasformo e ottengo un file audio lungo tanti campioni quanti quelli della frame e contenente tutte le frequenze presenti nell'originario file, non importa quanto lungo.

Nel caso di specie (#70) la musica presa in analisi è la Serenata in mi bemolle maggiore per 13 strumenti a fiato op. 7 di Richard Strauss nella registrazione effettuata da I Fiati Di Parma. Al frammento di suono ottenuto dall'analisi si alterna un silenzio digitale anch'esso lungo esattamente quanto la frame d'analisi. Questo per dieci volte. L'ispirazione per questa struttura "a strisce" deriva da alcune opere di Daniel Buren.
 
Lo script che realizza le operazioni d'analisi, di media e l'anti-trasformata è stato scritto in collaborazione con Lorenzo Seno in sintassi Scilab.

Il brano # 70 è stato recentemente pubblicato nel CD Fluxus Anthology 2005.
E' possibile acquistarlo presso: 

http://www.cafepress.com/fluxstore




* nel caso di un numero di frame non intero si procede con la tecnica dello zero padding]]></description>
			<itunes:subtitle>Walter Cianciusi</itunes:subtitle>
			<itunes:summary>L&apos;idea base è quella di riassumere in un unico timbro un brano musicale complesso.
Dato un file audio di lunghezza n (campioni) procedo dapprima alla realizzazione di una serie di FFT.
Con i dati messi a disposizione dalle varie FFT (tante quante il numero complessivo di campioni/lunghezza della frame)* effettuo le seguenti operazioni:
- getto via i risultati relativi alla fase;
- tengo conto di tutte le frequenze rintracciate nelle varie frame determinando l&apos;ampiezza di ciascuna parziale come media dell&apos;ampiezza che per quella frequenza è stata rintracciata in ciascuna frame;
- anti-trasformo e ottengo un file audio lungo tanti campioni quanti quelli della frame e contenente tutte le frequenze presenti nell&apos;originario file, non importa quanto lungo.

Nel caso di specie (#70) la musica presa in analisi è la Serenata in mi bemolle maggiore per 13 strumenti a fiato op. 7 di Richard Strauss nella registrazione effettuata da I Fiati Di Parma. Al frammento di suono ottenuto dall&apos;analisi si alterna un silenzio digitale anch&apos;esso lungo esattamente quanto la frame d&apos;analisi. Questo per dieci volte. L&apos;ispirazione per questa struttura &quot;a strisce&quot; deriva da alcune opere di Daniel Buren.
 
Lo script che realizza le operazioni d&apos;analisi, di media e l&apos;anti-trasformata è stato scritto in collaborazione con Lorenzo Seno in sintassi Scilab.

Il brano # 70 è stato recentemente pubblicato nel CD Fluxus Anthology 2005.
E&apos; possibile acquistarlo presso: 

http://www.cafepress.com/fluxstore




* nel caso di un numero di frame non intero si procede con la tecnica dello zero padding</itunes:summary>
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			<pubDate>Mon, 13 Mar 2006 19:09:41 +0100</pubDate>
			<category>Performing Arts</category>
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			<itunes:duration>00:00:30</itunes:duration>
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			<title>A-15</title>
			<itunes:author>Buzz Kimball</itunes:author>
			<description><![CDATA[A guitar piece, on a homemade and specially fretted guitar.]]></description>
			<itunes:subtitle>A guitar piece, on a homemade and specially fretted guitar.</itunes:subtitle>
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			<pubDate>Mon, 13 Mar 2006 19:09:29 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:02:05</itunes:duration>
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			<title>Recital</title>
			<itunes:author>HarS</itunes:author>
			<description><![CDATA[http://www.harsmedia.com/VickysMosquitos/]]></description>
			<itunes:subtitle>HarS</itunes:subtitle>
			<itunes:summary>http://www.harsmedia.com/VickysMosquitos/</itunes:summary>
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			<pubDate>Mon, 13 Mar 2006 19:08:51 +0100</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:00:43</itunes:duration>
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