Library

Languages: English

Summary: I was so pleased to see this released on DVD. copies are inexpensive and should be purchased without prejudice. This is an absolute classic, certainly the type of film that would never be made today. a subway highjacking with all of the classic ethinc seterotypes on board. Walter Matthau is in charge of the case at New York transit headquarters. after putting his foot in his mouth a couple of times, Matthau's leadership come through in one of the best ending to a movie ever. Fantastic

Languages: English

Subtitles: Chinese, English, Korean, Portuguese, Spanish, Thai

Sound: Dolby Digital 2.0 Surround

Summary: "Taxi Driver" is the definitive cinematic portrait of loneliness and alienation manifested as violence. It is as if director Martin Scorsese and screenwriter Paul Schrader had tapped into precisely the same source of psychological inspiration ("I just knew I had to make this film," Scorsese would later say), combined with a perfectly timed post-Watergate expression of personal, political, and societal anxiety. Robert De Niro, as the tortured, ex-Marine cab driver Travis Bickle, made movie history with his chilling performance as one of the most memorably intense and vividly realized characters ever committed to film. Bickle is a self-appointed vigilante who views his urban beat as an intolerable cesspool of blighted humanity. He plays guardian angel for a young prostitute (Jodie Foster), but not without violently devastating consequences. This masterpiece, which is not for all tastes, is sure to horrify some viewers, but few could deny the film's lasting power and importance. "--Jeff Shannon"

Languages: English, French, Spanish

Subtitles: English, French, Spanish

Sound: Dolby Digital 5.1 EX

Summary: This is the film that cemented Schwarzenegger's spot in the action-brawn firmament, and it was well deserved. He's chilling as the futuristic cyborg who kills without fear, without love, without mercy. James Cameron's story and direction are pared to the bone and all the more creepy. But don't overlook the contributions of Linda Hamilton, who more than holds her own as the Terminator's would-be victim, Sarah Connor--thus creating, along with Sigourney Weaver in "Alien", a new generation of rugged, clear-thinking female action stars. It's surprising how well this film holds up, and how its minimalist, malevolent violence is actually way scarier than that of its far more expensive, more effects-laden sequel. "--Anne Hurley"

Languages: English

Subtitles: Spanish

Sound: Dolby Digital 5.1 EX

Summary: After he pushed the envelope of computer-generated special effects in "The Abyss", director James Cameron turned this hotly anticipated sequel to "Terminator" into a well-written, action-packed showcase for advanced special effects and for one of the most invincible villains ever imagined. "Terminator 2: Judgment Day" is a legitimate sequel: there's more story to tell about a hulking, leather-clad android (Arnold Schwarzenegger) who arrives from the future to protect a rebellious teenager and future leader (Edward Furlong) from being killed by the tenacious T-1000 robot (Robert Patrick), whose liquid-metal construction makes him seemingly unstoppable. The fate of the future lies in the balance, with Linda Hamilton (who would later marry her director) reprising her role as the rugged woman whose son will change the course of history. The digital video disc of this blockbuster hit is presented with a digitally mastered THX soundtrack. "--Jeff Shannon"

Languages: English, French

Subtitles: English, French, Spanish

Sound: Dolby Digital 5.1

Summary: With a reported budget of $172 million, "Terminator 3: Rise of the Machines" starts in high gear and never slows down. The apocalyptic "Judgment Day" of "T2" was never prevented, only postponed: John Connor (Nick Stahl, replacing "T2"'s Edward Furlong), now 22 and disconnected from society, is being pursued yet again, this time by the advanced T-X, a sleek "Terminatrix" (coldly expressionless Kristanna Loken) programmed to stop Connor from becoming the savior of humankind. Originally programmed as an assassin, a disadvantaged T-101 cyborg (Arnold Schwarzenegger, bidding fond farewell to his signature role) arrives from the future to join Connor and his old acquaintance Kate (Claire Danes) in thwarting the T-X's relentless pursuit. The plot presents a logical fulfillment of "T2" prophesy, disposing of Connor's mother (Linda Hamilton is sorely missed) while computer-driven machines assume control, launching a nuclear nightmare that Connor must survive. With "Breakdown" and "U-571" serving as worthy rehearsals for this cautionary epic of mass destruction, director Jonathan Mostow wisely avoids any stylistic connection to James Cameron's "Terminator" classics; instead he's crafted a fun, exciting popcorn thriller, humorous and yet still effectively nihilistic, and comparable to "Jurassic Park III" in returning the "Terminator" franchise to its potent B-movie roots. "--Jeff Shannon"

Languages: English, French

Subtitles: English

Sound: Dolby Digital 2.0 Mono

Summary: Larry McMurtry's novel becomes a somewhat lumpy film as directed by James L. Brooks ("As Good As It Gets"). Nevertheless, it is entirely winning, with Shirley MacLaine and Debra Winger playing a combative mother and daughter who see each other through various ups and downs in love and loss, and most especially through a terminal illness endured by Winger's character. Jack Nicholson deservedly won an Oscar for his supporting role as a free-spirited astronaut who backs away from a romance with MacLaine and then returns in the clutch. As he always does, Brooks keeps things from getting too soapy with his intense concentration on the soulful evolution of his characters. "--Tom Keogh"

Languages: English

Sound: Dolby

Summary: ONE OF THE SCARIEST MOVIES OF ALL TIME Even More Terrifying 30 Years Later!
- Entertainment Weekly


The Ultimate Two-Disc Edition Of The Original Classic Now Remastered in High-Definition And Loaded With All-New Extras.

It has been called grisly, sick, and perverse as well as raw, unshakeable, and the movie that redefined horror. It was attacked by churches, banned by governments, and acclaimed by only the bravest of critics. It stunned audiences worldwide and set a new standard in movie terror forever. In 1974, writer-producer-director Tobe Hooper unleashed this dark, visionary tale about a group of five young friends who face a nightmare of torment at the hands of a depraved Texas clan. Today it remains unequaled as a landmark of outlaw filmmaking and unparalleled in its impact as perhaps the most frightening motion picture ever made.

Dark Sky Films presents this masterpiece like you ve never seen or heard it before, newly transferred in High Definition from the 16mm camera originals, remixed in 5.1 and 2.0 Stereo Surround, and featuring never-before-seen Bonus Materials produced exclusively for this definitive collection.

System Requirements:
Running Time: 84 minutes

Format: DVD MOVIE

Languages: English, French

Subtitles: French, Spanish

Sound: Dolby Digital 2.0 Surround

Summary: Director John Carpenter and special makeup effects master Rob Bottin teamed up for this 1982 remake of the 1951 science fiction classic "The Thing from Another World", and the result is a mixed blessing. It's got moments of highly effective terror and spine-tingling suspense, but it's mostly a showcase for some of the goriest and most horrifically grotesque makeup effects ever created for a movie. With such highlights as a dog that splits open and blossoms into something indescribably gruesome, this is the kind of movie for die-hard horror fans and anyone who slows down to stare at fatal traffic accidents. On those terms, however, it's hard not to be impressed by the movie's wild and wacky freak show. It all begins when scientists at an arctic research station discover an alien spacecraft under the thick ice, and thaw out the alien body found aboard. What they don't know is that the alien can assume any human form, and before long the scientists can't tell who's real and who's a deadly alien threat. Kurt Russell leads the battle against the terrifying intruder, and the supporting cast includes Richard Masur, Richard Dysart, Donald Moffat, and Wilford Brimley. They're all playing standard characters who are neglected by the mechanistic screenplay (based on the classic sci-fi story "Who Goes There?" by John W. Campbell), but Carpenter's emphasis is clearly on the gross-out effects and escalating tension. If you've got the stomach for it (and let's face it, there's a big audience for eerie gore), this is a thrill ride you won't want to miss. "--Jeff Shannon"

Languages: English

Sound: Dolby

Summary: I was a high school student when this was new and the hype machine was out in full force. I'm glad I didn't watch it then. I watched it now. I enjoyed it a lot. The other reviewers can tell you why.

Languages: English, French

Subtitles: English, Spanish

Sound: Dolby

Summary: When the theatrical release of James Cameron's "Titanic" was delayed from July to December of 1997, media pundits speculated that Cameron's $200 million disaster epic would cause the director's downfall, signal the end of the blockbuster era, and sink Paramount Studios as quickly as the ill-fated luxury liner had sunk on that fateful night of April 14, 1912. Some studio executives were confident, others horrified, but the clarity of hindsight turned Cameron into an Oscar-winning genius, a shrewd businessman, and one of the most successful directors in the history of motion pictures. "Titanic" would surpass the $1 billion mark in global box-office receipts (largely due to multiple viewings, the majority by teenage girls), win 11 Academy Awards including best picture and director, produce the best-selling movie soundtrack of all time, and make a global superstar of Leonardo DiCaprio. A bona fide pop-cultural phenomenon, the film has all the ingredients of a blockbuster (romance, passion, luxury, grand scale, a snidely villain, and an epic, life-threatening crisis), but Cameron's alchemy of these ingredients proved more popular than anyone could have predicted. His stroke of genius was to combine absolute authenticity with a pair of fictional lovers whose tragic fate would draw viewers into the heart-wrenching reality of the "Titanic" disaster. As starving artist Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the hearts of viewers around the world, and their brief but never-forgotten love affair provides the humanity that Cameron needed to turn "Titanic" into an emotional experience. Present-day framing scenes (featuring Gloria Stuart as the 101-year-old Rose) add additional resonance to the story, and although some viewers proved vehemently immune to Cameron's manipulations, few can deny the production's impressive achievements. Although some of the computer-generated visual effects look artificial, others--such as the sunset silhouette of "Titanic" during its first evening at sea, or the climactic splitting of the ship's sinking hull--are state-of-the-art marvels. In terms of sets and costumes alone, the film is never less than astounding. More than anything else, however, the film's overwhelming popularity speaks for itself. "Titanic" is an event film and a monument to Cameron's risk-taking audacity, blending the tragic irony of the "Titanic" disaster with just enough narrative invention to give the historical event its fullest and most timeless dramatic impact. "Titanic" is an epic love story on par with "Gone with the Wind", and like that earlier box-office phenomenon, it's a film for the ages. "--Jeff Shannon"

Languages: English

Subtitles: English, French, Spanish

Summary: The 1973 version of "Tom Sawyer" features Mark Twain's young hero in a rousing musical adventure. Much to the exasperation of his Aunt Polly (Celeste Holm), Tom (Johnny Whitaker) likes nothing better than going fishing with Huck Finn (Jeff East, who reprised the role a year later in "Huckleberry Finn"), spinning a tall tale, or convincing the other boys to whitewash a fence for him. But life gets complicated when a pretty girl moves in to town (a 10-year-old Jodie Foster), and then a friend runs into serious trouble and only Tom can bail him out. It's not a letter-for-letter adaptation of Twain, but it's entertaining, and the music (songs by Richard M. Sherman and Robert B. Sherman, score by John Williams) is fun, with such songs as "Tom Sawyer," "Gratisfaction," and "Free Bootin'." It's less lavish than 1970's "Oliver!", but should appeal to the same audience. Like "Oliver!", however, some parental discretion is advised due to a sinister villain (Kunu Hank's Injun Joe), implied violence, and scary situations. "--David Horiuchi"

Languages: English, French, Spanish

Subtitles: Spanish

Sound: Dolby

Summary: This Western has become a modest cult favorite since its release in 1993, when the film was met with mixed reviews but the performances of Kurt Russell (as Wyatt Earp) and especially Val Kilmer, for his memorably eccentric performance as the dying gunslinger Doc Holliday, garnered high praise. The movie opens with Wyatt Earp trying to put his violent past behind him, living happily in Tombstone with his brothers and the woman (Dana Delany) who puts his soul at ease. But a murderous gang called the Cowboys has burst on the scene, and Earp can't keep his gun belt off any longer. The plot sounds routine, and in many ways it is, but Western buffs won't mind a bit thanks to a fine cast and some well-handled action on the part of "Rambo" director George P. Cosmatos, who has yet to make a better film than this. "--Jeff Shannon"

Languages: English

Subtitles: English, French, Spanish

Sound: Dolby Digital 2.0 Surround

Summary: If you've ever wanted to hear Jack Nicholson sing (or try to) or marvel at the sight of Ann-Margret drunkenly cavorting in a cascade of baked beans, "Tommy" is the movie you've been waiting for. As it turns out, the Who's brilliant rock opera is sublimely matched to director Ken Russell's penchant for cinematic excess, and this 1975 production finds Russell at the peak of his filmmaking audacity. It's a fever-dream of musical bombast, custom-fit to the thematic ambition of Pete Townshend's epic rock drama, revolving around the titular "deaf, dumb, and blind kid" (played by Who vocalist Roger Daltrey) who survives the childhood trauma that stole his senses to become a Pinball Wizard messiah in Townshend's grandiose attack on the hypocrisy of organized religion.
The story is remarkably coherent considering the hypnotic dream-state induced by Russell's visuals. Tommy's odyssey is rendered through wall-to-wall music, each song representing a pivotal chapter in Tommy's chronology, from the bloodstream shock of "The Acid Queen" (performed to the hilt by Tina Turner) to Nicholson's turn as a well-intentioned physician, Elton John's towering rendition of "Pinball Wizard," and Daltrey's epiphanous rendition of "I'm Free." Other performers include Eric Clapton and (most outrageously) the Who's drummer Keith Moon, and through it all Russell is almost religiously faithful to Townshend's artistic vision. Although it divided critics when first released, "Tommy" now looks likes a minor classic of gonzo cinema, worthy of the musical genius that fueled its creation. "--Jeff Shannon"

Languages: English

Summary: "Sir, there's a large formation of planes coming in from the north, 140 miles, 3 degrees east." "Yeah? Don't worry about it." This is just one of the many mishaps chronicled in "Tora! Tora! Tora!" The epic film shows the bombing of Pearl Harbor from both sides in the historic first American-Japanese coproduction: American director Richard Fleischer oversaw the complicated production (the Japanese sequences were directed by Toshio Masuda and Kinji Fukasaku, after Akira Kurosawa withdrew from the film), wrestling a sprawling story with dozens of characters into a manageable, fairly easy-to-follow film. The first half maps out the collapse of diplomacy between the nations and the military blunders that left naval and air forces sitting ducks for the impending attack, while the second half is an amazing re-creation of the devastating battle. While "Tora! Tora! Tora!" lacks the strong central characters that anchor the best war movies, the real star of the film is the climactic 30-minute battle, a massive feat of cinematic engineering that expertly conveys the surprise, the chaos, and the immense destruction of the only attack by a foreign power on American soil since the Revolutionary War. The special effects won a well-deserved Oscar, but the film was shut out of every other category by, ironically, the other epic war picture of the year, "Patton". "--Sean Axmaker"

Languages: English

Subtitles: Spanish

Summary: This Special Edition DVD allows you to experience TOTAL RECALL the way it was meant to be seen & heard. 16:9 Newly remastered Widescreen Version will immerse you in the action. 5.1 Newly remastered Dolby Surround with Nearfield performance. Audio mix delivers optimum home theater audio performance. Arnold Schwarzenegger provides a rare audio commentary along with Director Paul Verhoeven.

Languages: English

Sound: Dolby Digital 5.1 EX

Summary: "Toy Story"
There is greatness in film that can be discussed, dissected, and talked about late into the night. Then there is genius that is right in front of our faces--we smile at the spell it puts us into and are refreshed, and nary a word needs to be spoken. This kind of entertainment is what they used to call "movie magic," and there is loads of it in this irresistible computer animation feature. Just a picture of these bright toys on the cover of "Toy Story" looks intriguing, reawakening the kid in us. Filmmaker John Lasseter's shorts (namely "Knickknack" and "Tin Toy", which can be found on the Pixar video "Tiny Toy Stories") illustrate not only a technical brilliance but also a great sense of humor--one in which the pun is always intended. Lasseter thinks of himself as a storyteller first and an animator second, much like another film innovator, Walt Disney.
Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Bright and cheerful, "Toy Story" is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. "--Doug Thomas"
"Toy Story 2"
John Lasseter and his gang of high-tech creators at Pixar create another entertainment for the ages. Like the few great movie sequels, "Toy Story 2" comments on why the first one was so wonderful while finding a fresh angle worthy of a new film. The craze of toy collecting becomes the focus here, as we find out Woody (voiced by Tom Hanks) is not only a beloved toy to Andy but also a rare doll from a popular '60s children's show. When a greedy collector takes Woody, Buzz Lightyear (Tim Allen) launches a rescue mission with Andy's other toys. To say more would be a crime because this is one of the most creative and smile-inducing films since, well, the first "Toy Story".
Although the toys look the same as in the 1994 feature, Pixar shows how much technology has advanced: the human characters look more human, backgrounds are superior, and two action sequences that book-end the film are dazzling. And it's a hoot for kids and adults. The film is packed with spoofs, easily accessible in-jokes, and inspired voice casting (with newcomer Joan Cusack especially a delight as Cowgirl Jessie). But as the Pixar canon of films illustrates, the filmmakers are storytellers first. Woody's heart-tugging predicament can easily be translated into the eternal debate of living a good life versus living forever. "Toy Story 2" also achieved something in the U.S. two other outstanding 1999 animated features ("The Iron Giant", "Princess Mononoke") could not: it became a huge box-office hit. "--Doug Thomas"

Languages: English

Sound: Dolby

Summary: "I bought a car. Turned out to be an alien robot. Who knew?" deadpans Sam Witwicky, hero and human heart of Michael Bay's rollicking robot-smackdown fest, "Transformers". Witwicky (the sweetly nerdy Shia LaBeouf, channeling a young John Cusack) is the perfect counterpoint to the nearly nonstop exhilarating action. The plot is simple: an alien civil war (the Autobots vs. the evil Decepticons) has spilled onto Earth, and young Sam is caught in the fray by his newly purchased souped-up Camaro. Which has a mind--and identity, as a noble-warrior robot named Bumblebee--of its own. The effects, especially the mind-blowing transformations of the robots into their earthly forms and back again, are stellar.
Fans of the earlier film and TV series will be thrilled at this cutting-edge incarnation, but this version should please all fans of high-adrenaline action. Director Bay gleefully salts the movie with homages to pop-culture touchstones like "Raiders of the Lost Ark", "King Kong", and the early technothriller "WarGames". The actors, though clearly all supporting those kickass robots, are uniformly on-target, including the dashing Josh Duhamel as a U.S. Army sergeant fighting an enemy he never anticipated; Jon Voight, as a tough yet sympathetic Secretary of Defense in over his head; and John Turturro, whose special agent manages to be confidently unctuous, even stripped to his undies. But the film belongs to Bumblebee, Optimus Prime, and the dastardly Megatron--and the wicked stunts they collide in all over the globe. Long live Transformers! -"-A.T. Hurley"

More Than Meets the Eye
The Original Movie
Transformers Mania
The Soundtrack
"Transformers" Image Gallery (click for larger image)

Languages: English

Subtitles: French, Spanish

Sound: Dolby Digital 5.1

Summary: The surprising truth about Disney's 1982 computer-game fantasy is that it's still visually impressive (though technologically quaint by later high-definition standards) and a lot of fun. It's about a computer wizard named Flynn (Jeff Bridges) who is digitally broken down into a data stream by a villainous software pirate (David Warner) and reconstituted into the internal, 3-D graphical world of computers. It is there, in the blazingly colorful, geometrically intense landscapes of cyberspace, that Flynn joins forces with Tron (Bruce Boxleitner) to outmaneuver the Master Control program that holds them captive in the equivalent of a gigantic, infinitely challenging computer game. Disney's wizards used a variety of cinematic techniques and early-'80s state-of-the-art computer-generated graphics to accomplish their dynamic visual goals, and the result was a milestone in cyberentertainment, catering to technogeeks while providing a dazzling adventure for hackers and nonhackers alike. Appearing just in time to celebrate the nascent cyberpunk movement in science fiction, "Tron" received a decidedly mixed reaction when originally released, but has since become a high-tech favorite and a landmark in special effects, with a loyal following of fans. DVD is a perfect format for the movie's neon-glow color scheme, and the musical score by synthesizer pioneer Wendy Carlos is faithfully preserved on the digitally remastered soundtrack. "--Jeff Shannon"

Languages: English, French

Subtitles: English

Sound: Dolby

Summary: This is a by-the-numbers tale of political chicanery and fallen idealism, but it works because of several strong performances. James Spader and John Cusack play law-school pals whose college idealism quickly falls away once they reach the real world. Playing against type, Spader is the straight arrow who goes on to work for the Justice Department. Cusack is the slippery conniver who parlays a job as an aide to an aging senator (Richard Widmark) into a springboard to elective office, all the while cutting corners, compromising his integrity, and breaking rules. For good measure, there's also romantic backstabbing. The film tends to get a shade heavy on the moralizing as Cusack slides further down the slope to outright corruption; Spader practically carries a sign saying, "I have the moral high ground." Still, both actors give their characters an interesting spin, and it's always good to see Widmark back in action. "--Marshall Fine"

Languages: English, French

Summary: A wonderful/rueful running gag in "El Dorado" involves the Edgar Allan Poe line "Ride, boldly ride" being mangled by toupee-wearer Wayne into "Ride, baldy, ride." Two years later, in "True Grit", Wayne put the joke in italics by donning an eyepatch and several inches of girth to play cantankerous territorial marshal Rooster Cogburn. Critics belatedly noticed that he could be a marvelously entertaining actor, and Hollywood finally gave him the Oscar they'd failed to nominate him for in "Red River", "She Wore a Yellow Ribbon", "The Quiet Man", "The Searchers", et al. But make no mistake: "True Grit" is a splendid movie, with lovingly textured storytelling and sturdy characters, Henry Hathaway's finest high-country action set-pieces, intoxicatingly ornate frontier language, and a couple of formidable bad guys (Jeff Corey's Tom Cheney and Robert Duvall's "Lucky" Ned Pepper). It's a compliment to say that, from a technical standpoint, the movie could have been made any time in Hathaway's 40-year career, yet its feeling for the reality of violence ceded no ground to "The Wild Bunch", released around the same time. Still, the film's most sublime passage falls between bursts of gunplay: Rooster sitting on a hilltop at night recounting his life story, as John Wayne metamorphoses ineluctably into W.C. Fields. "--Richard T. Jameson"

Languages: English, French

Subtitles: English, Spanish

Sound: Dolby

Summary: The whole world is watching--literally--every time Truman Burbank makes the slightest move. Unbeknownst to him, in this hauntingly funny film by Peter Weir, his entire life has been an unending soap opera for consumption by the rest of the world. And everyone he knows--including his mother, his wife, and his best friend--is really an actor, paid to be part of his life. In this intriguing and surprisingly touching 1998 film, writer Andrew Niccol imagines an ultimate kind of celebrity, then sees it brought to life with comic intensity and emotional honesty by Jim Carrey in what may be the performance of his career. Carrey has exceptional support from Laura Linney and Ed Harris, but it's his show, in a portrayal that demonstrates just what kind of range Carrey is capable of. "--Marshall Fine"

Languages: English

Sound: Dolby Digital 2.0 Mono

Summary: Rod Serling's classic TV exploration of the uncanny, the unknown, and the unforgettable takes you beyond the deepest realms of imagination! Filled with twists, turns, and compelling characters, this legendary series has remained continuously on the air since its initial run and remains as fascinating, frightening, and thoroughly entertaining for viewers today. Each set contains nine DVDs; Collection #1 features Volumes 1-9, 35 episodes including such fan favorites as "Time Enough at Last," "The Monsters Are Due on Maple Street," "The Invaders" and "To Serve Man." So pull up a seat and brace yourself for a fantastic voyage into...The Twilight Zone!