Library

Languages: English

Subtitles: English, French, Spanish

Sound: Dolby

Summary: The American Girl collection of books, dolls, and accessories makes its film debut in this inaugural title featuring bestselling character Samantha, in a live-action holiday story set in 1904. AnnaSophia Robb plays Samantha Parkington, a poised yet playful 9-year-old who lives with her wealthy grandmother (Mia Farrow) in a country estate after the untimely death of her parents. Still grieving her loss, Samantha takes comfort in her friendships with new pal Nellie, a servant girl, and her dashing Uncle Gard (Jordan Bridges), a successful businessman. When Uncle Gard marries Cornelia (Rebecca Mader), Samantha is reluctant to embrace this female "intruder" until she spends three months with the newlyweds in New York City. In time, Samantha grows to trust and admire Cornelia, a spirited suffragette. Emboldened by Cornelia's example, Samantha takes her own courageous risks to improve the plight of some young orphans. This superbly produced film provides a glimpse into America during the Industrial Revolution, while showcasing the promising talents of young Robb. (Ages 8 and older) "--Lynn Gibson"

Languages: English

Summary: Like many of the clips that make up the bulk of its content, the "Saturday Night Live 25th Anniversary" special suffers from that malady specific to almost every "SNL" sketch: it starts out brilliantly, loses steam about halfway through, then slowly but gamely limps to the finish line with occasional spurts of humor. This special (which actually marks the show's 24th anniversary, but never you mind about those small details!) gathered almost all of the "Saturday Night Live" alumni--well, the funny ones, anyway--for a celebration of the show's entrenchment in the cultural landscape. It's basically an occasion to show a "lot" of clips, ranging in time from the Coneheads to Mary Katherine Gallagher, put together in a sprightly, rapid-pace manner and interspersed with occasional live audience-interaction bits. An hysterically funny Bill Murray kicks things off as a lounge singer at an Indian reservation casino who hobnobs with the celebrity audience members; Tom Hanks, a fave guest host, offers up a lively Q&A session (with a dryly funny Christopher Walken, among others); and Billy Crystal revives his Fernando persona to great effect. Dan Aykroyd, Laraine Newman, and Steve Martin provide the best cast tribute, warmly remembering John Belushi while wryly offering up memorabilia for online auction, and Jan Hooks introduces a heartfelt short film featuring her and the late Phil Hartman. Other cast members, with the notable absence of Eddie Murphy and the surprise appearance of Norm MacDonald, pop up for various intros of clips--some are funny (Dennis Miller), some are not (Adam Sandler), some are obviously uncomfortable (David Spade), but at about the halfway mark it all starts to wear on you, like most tribute shows. Still, the stable of classic skits (including a surprisingly strong showing from the current cast) make this worth sticking around for. And at least this time, unlike during the live broadcasts, you can fast-forward through the unfunny parts. "--Mark Englehart"

Languages: English

Subtitles: English

Sound: Dolby Digital 2.0 Surround

Summary: When Steven Spielberg was an adolescent, his first home movie was a backyard war film. When he toured Europe with "Duel" in his 20s, he saw old men crumble in front of headstones at Omaha Beach. That image became the opening scene of "Saving Private Ryan", his film of a mission following the D-day invasion that many have called the most realistic--and maybe the best--war film ever. With 1998 production standards, Spielberg has been able to create a stunning, unparalleled view of war as hell. We are at Omaha Beach as troops are slaughtered by Germans yet overcome the almost insurmountable odds.
A stalwart Tom Hanks plays Captain Miller, a soldier's soldier, who takes a small band of troops behind enemy lines to retrieve a private whose three brothers have recently been killed in action. It's a public relations move for the Army, but it has historical precedent dating back to the Civil War. Some critics of the film have labeled the central characters stereotypes. If that is so, this movie gives stereotypes a good name: Tom Sizemore as the deft sergeant, Edward Burns as the hotheaded Private Reiben, Barry Pepper as the religious sniper, Adam Goldberg as the lone Jew, Vin Diesel as the oversize Private Caparzo, Giovanni Ribisi as the soulful medic, and Jeremy Davies, who as a meek corporal gives the film its most memorable performance.
The movie is as heavy and realistic as Spielberg's Oscar-winning "Schindler's List", but it's more kinetic. Spielberg and his ace technicians (the film won five Oscars: editing (Michael Kahn), cinematography (Janusz Kaminski), sound, sound effects, and directing) deliver battle sequences that wash over the eyes and hit the gut. The violence is extreme but never gratuitous. The final battle, a dizzying display of gusto, empathy, and chaos, leads to a profound repose. "Saving Private Ryan" touches us deeper than "Schindler" because it succinctly links the past with how we should feel today. It's the film Spielberg was destined to make. "--Doug Thomas"

Languages: English

Subtitles: English, Spanish

Sound: Dolby Digital 2.0 Surround

Summary: To know Lloyd Dobler is to love him. Diane Court is about to know Lloyd Dobler.

In this charming, critically acclaimed tale of first love, Lloyd (John Cusack), an eternal optimist, seeks to capture the heart of Diane, an unattainable high school beauty and straight-A student (Ione Skye). He surprises just about everyone - including himself - when she returns the sentiment. But Diane's over-possessive, divorced dad (John Mahoney) doesn't approve and it's going to take more than just the power of love to conquer all.

System Requirements:
Starring John Cusack, John Mahoney, Ione Skye Directed by Cameron Crowe Running time: 113 minutes Copyright Twentieth Century Fox

Format: DVD MOVIE

Languages: English

Summary: When the Children's Theater Workshop's "Sesame Street" first aired on television in 1969, it was a revolutionary new show aimed specifically at preschool children--an audience previously untargeted by television programming. Exhaustively-researched and tested on real audiences of preschoolers, this "experiment in kid programming" aimed to teach preschoolers the alphabet, numbers, body parts, rhyming, and basic reasoning skills while thoroughly entertaining them. Through the use of humor, the amazing puppetry of Frank Oz and Jim Henson, animation, the incredibly catchy music of Joe Raposo and Jeffrey Moss, and a fast-action pace borrowed from the television commercial format, "Sesame Street" was, and still is, more successful at educating and entertaining children than anyone initially imagined. What's more, the lessons learned by generations of preschoolers went far beyond simple school-readiness skills to include values like acceptance, cooperation, and inclusiveness because the urban Sesame Street was a place populated by people and monsters young viewers could identify with, where anything could happen, and where every ethnicity, generation, and species co-existed and interacted harmoniously.
"Sesame Street: Old School Volume 1 1969-1974" offers a sampling of the first five seasons of "Sesame Street" and includes the first episode of each season in its entirety as well as a large selection of classic segments from each season highlighting some of the most memorable sketches ("Bein' Green," "Rubber Duckie," "Whistle a Happy Tune," and Super-Grover in "Telephone Booth"), favorite human characters like Bob and Mr. Hooper, and guest appearances by celebrities like Bill Cosby, Lena Horne, Jackie Robinson, Carol Burnett, and Jesse Jackson. Adult viewers will be transported back in time as they witness Bert's frustration with his ever-noisy roommate Ernie, chuckle at the antics of Grover and his demanding customer in Grover's Restaurant, and wonder if Snuffleupagus will ever show himself to someone besides Big Bird. Other well-remembered moments include pinball number count, the baker who inevitably tumbles down the stairway with a handful of cream pies, the ever-munching Cookie Monster, "Here is Your Life" segments, Bert "Doin' the Pigeon," and the inevitably grumpy Oscar the Grouch. Post-Elmo preschoolers and their parents will laugh, learn, grow, and connect with one another as they share this classic compilation of "Sesame Street" moments. Bonus features include the original sales pitch reel (introduced by Joan Ganz Cooney and hosted by Kermit the Frog and Rowlf the Dog) and a thick booklet rich with history, trivia, and a pullout activity section for children. (Ages 2 and older) "--Tami Horiuchi"

Languages: English, French

Subtitles: English, French, Spanish

Sound: Dolby Digital 2.0 Surround

Summary: The most viscerally frightening and disturbing homicidal maniac picture since "The Silence of the Lambs", "Seven" is based on an idea that's both gruesome and ingenious. A serial killer forces each of his victims to die by acting out one of the seven deadly sins. The murder scene is then artfully arranged into a grotesque tableau, a graphic illustration of each mortal vice. From the jittery opening credits to the horrifying (and seemingly inescapable) concluding twist, director David Fancher immerses us in a murky urban twilight where everything seems to be rotting, rusting, or molding; the air is cold and heavy with dread. Morgan Freeman and Brad Pitt are the detectives who skillfully track down the killer--all the while unaware that he has been closing in on them, as well. Gwyneth Paltrow and Kevin Spacey are also featured, but it is director Fancher and the ominous, overwhelmingly oppressive atmosphere of doom that he creates that are the real stars of the film. It's a terrific date movie--for vampires. "--Jim Emerson"

Languages: English

Subtitles: English

Sound: AC-3

Summary: One of the most endearing and intelligent romantic comedies of the '90s, the Oscar-winning "Shakespeare in Love" is filled with such good will, sunny romance, snappy one-liners, and devilish cleverness that it's absolutely irresistible. With tongue placed firmly in cheek, at its outset the film tracks young Will Shakespeare's overwrought battle with writer's block and the efforts of theater owner Philip Henslowe (Geoffrey Rush, in rare form) to stage Will's latest comedy, "Romeo and Ethel, the Pirate's Daughter". Jokey comedy, though, soon takes a backseat to ravishing romance when the beautiful Viola De Lesseps (Gwyneth Paltrow) disguises herself as a young man to wangle herself an audition in the all-male cast, and wins both the part of Romeo and, after much misunderstanding, the playwright's heart. Soon enough, Will's pirate comedy becomes the beautiful, tragic "Romeo and Juliet", reflecting the agony and ecstasy of Will and Viola's romance--he's married and she's set to marry the slimy Lord Wessex (Colin Firth) in the near future.
The way that Oscar-winning screenwriters Marc Norman and Tom Stoppard enfold their story within the parameters of "Romeo and Juliet" (and even "Twelfth Night") is nothing short of brilliant--it would take a Shakespearean scholar to dissect the innumerable parallels, oft-quoted lines, plot developments, and thematic borrowings. And most amazingly, Norman and Stoppard haven't forgotten to entertain their audience in addition to riding a Shakespearean roller coaster, with director John Madden ("Mrs. Brown") reigning in his huge ensemble with rollicking energy. Along the way there are small gems to be found, including Judi Dench's eight-minute, Oscar-winning turn as a "truly" regal Queen Elizabeth, but the key element of "Shakespeare in Love"'s success rests on the milky-white shoulders of its two stars. Fiennes, inexplicably overlooked at Oscar time, is a dashing, heartfelt Will, and as for Best Actress winner Paltrow, well, nothing she'd done before could have prepared viewers for how amazing she is here. Breathtakingly beautiful, fiercely intelligent, strong-willed, and lovestruck--it's a performance worthy of Shakespeare in more ways than one. By the film's end, you'll be thoroughly won over--and brushing up your Shakespeare with newfound ardor. "--Mark Englehart"

Languages: English, French, Spanish

Subtitles: English, French, Spanish

Sound: Dolby

Summary: British horror/comedy "Shaun of the Dead" is a scream in all senses of the word. Brain-hungry zombies shamble through the streets of London, but all unambitious electronics salesman Shaun (Simon Pegg) cares about is his girlfriend Liz (Kate Ashfield), who just dumped him. With the help of his slacker roommate Ed (Nick Frost), Shaun fights his way across town to rescue Liz, but the petty concerns of life keep getting in the way: When they're trying to use vinyl records to decapitate a pair of zombies, Shaun and Ed bicker about which bands deserve preservation--New Order they keep, but Sade becomes a lethal frisbee. Many zombie movies are comedies by accident, but "Shaun of the Dead" is deliberately and brilliantly funny, while still delivering a few delicious jolts of fear. Also featuring the stealthy comic presence of Bill Nighy ("Love Actually") and some familar faces from "The Office". "--Bret Fetzer"

Languages: English, French

Subtitles: English

Sound: Dolby Digital 5.1

Summary: William Steig's delightfully fractured fairy tale is the right stuff for this computer-animated adaptation full of verve and wit. Our title character (voiced by Mike Myers) is an agreeable enough ogre who wants to live his days in peace. When the diminutive Lord Farquaad (John Lithgow) evicts local fairy-tale creatures (including the now-famous Seven Dwarfs, Pinocchio, and the Gingerbread Man), they settle in the ogre's swamp and Shrek wants answers from Farquaad. A quest of sorts starts for Shrek and his new pal, a talking donkey (Eddie Murphy), where battles have to be won and a princess (Cameron Diaz) must be rescued from a dragon lair in a thrilling action sequence. The story is stronger than most animated fare, but it's the humor that makes "Shrek" a winner. The PG rating is stretched when Murphy and Myers hit their strides. The mild potty humor is fun enough for 10-year-olds but will never embarrass their parents. "Shrek" is never as warm and inspired as the "Toy Story" films, but the realistic computer animation and a rollicking soundtrack keep the entertainment in fine form. Produced by DreamWorks, the film also takes several delicious stabs at its crosstown rival, Disney. "--Doug Thomas"

Languages: English, Spanish, French

Subtitles: Spanish, French

Summary: In the third installment of the wildly popular SHREK series of computer-animated movies, everyone's favorite hygienically challenged green ogre (voiced by Mike Myers) faces both parental and royal responsibility when his wife, Princess Fiona (Cameron Diaz), finds out that she is pregnant and that her father, King Harold (John Cleese), is on his death bed. The shock of these revelations leads Shrek on a journey with his loyal companions Donkey (Eddie Murphy) and Puss in Boots (Antonio Banderas) to seek out another heir to the throne--an awkward young boy named Artie Pendragon (Justin Timberlake). Waiting in the wings is the scheming Prince Charming (Rupert Everett), who sees the perfect opportunity to make his own bid for power and rallies a villainous crew to attack the castle.



Taking over the reins from director Andrew Adamson, Raman Hui and Chris Miller fill the land of Far, Far Away with even more fairy-tale characters in SHREK THE THIRD. Although this takes away from Shrek's own screen time, it introduces the highly amusing Princess Squad--which includes Snow White (Amy Poehler) and Cinderella (Amy Sedaris)--and the bullying Lancelot (John Krasinski), among others. And, as always, this SHREK outing features many pop-culture references, even managing to nod to two horror films (THE EXORCIST and ROSEMARY?S BABY) in a single shot. The movie also allows for more hilarious interplay between Donkey and Puss in Boots, resulting in a comedic adventure tale that, while over-populated, is still undeniably entertaining.




"SHREK THE THIRD seems at once more energetic and more relaxed...[and] to some extent smarter....It helps that the animation looks better than ever." - A. O., Scott (New York Times Critic), New York Times, 05/18/2007
"[E]xecuted with efficiency and a few new supporting-character flourishes....SHREK THE THIRD sticks to the swamp it knows best..." -- Grade: B- - Lisa, Schwarzbaum (Entertainment Weekly Critic), Entertainment Weekly, 05/25/2007
3 stars out of 5 -- "From a visual standpoint, this is the most accomplished SHREK to date....The score is pretty ace too..." - Neil, Smith (Total Film Critic), Total Film, 07/01/2007
"[With] gorgeously rendered digital animation....The film is studded with impressive set pieces....There is clearly great fun being had by the animators and voice artists..." - Lisa, Mullen (Sight and Sound Critic), Sight and Sound, 07/01/2007

Languages: English

Sound: Dolby Digital 5.1

Summary: This B movie with noble aspirations is the work of a gifted filmmaker whose storytelling falls short of his considerable stylistic flair. While addressing crises of faith in the framework of an alien-invasion thriller, M. Night Shyamalan (in his follow-up to "The Sixth Sense" and "Unbreakable") favors atmospheric tension over explanatory plotting. He injects subtle humor into expertly spooky scenes, but the story suffers from too many lapses in logic. The film's faults are greatly compensated by the performance of Mel Gibson as a widower whose own crisis of faith coincides with the appearance of mysterious crop circles in his Pennsylvania cornfield... and hundreds of UFOs around the globe. With his brother (Joaquin Phoenix) and two young children (Rory Culkin, Abigail Breslin), the lapsed minister perceives this phenomenal occurrence as a series of signs and portents, while Shyamalan pursues a spookfest with "War of the Worlds" overtones. It's effective to a point, but vaguely hollow at its core. "--Jeff Shannon"

Languages: English, French

Subtitles: Chinese, English, French, Korean, Portuguese, Spanish

Sound: AC-3

Summary: Director Lawrence Kasdan ("The Big Chill") clearly set out to make an old-fashioned Western, but he couldn't help bringing a hip, self-conscious attitude to the proceedings. "Silverado" thus finds its own funky tone--sometimes rousing, sometimes winking. Four cowpokes converge on a little Western burg called Silverado; they're played by Kevin Kline (a distinctly modern kind of Western hero), Scott Glenn, Danny Glover, and the rowdy young Kevin Costner. Kasdan peppers the somewhat generic action with smart dialogue and a parade of quirky supporting players, including John Cleese as a sheriff who seems to have stepped straight from a Monty Python sketch into an Old West saloon. Bruce Broughton supplies the music, a real throwback to the glory days of thundering Western themes. One thing's for sure: "Silverado"'s a lot more fun than the later Kasdan-Costner Western, "Wyatt Earp". "--Robert Horton"

Languages: English, French

Subtitles: English

Sound: Dolby Digital 5.1

Summary: "I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked 9-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole.
This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of "The Sixth Sense", but its craftsmanship and atmosphere will stay with you for days. "--Mark Englehart"

Languages: English

Subtitles: Chinese, English, Korean, Thai

Sound: Dolby Digital 2.0 Surround

Summary: The director and stars of 1998's "You've Got Mail" scored a breakthrough hit with this hugely popular romantic comedy from 1993, about a recently engaged woman (Meg Ryan) who hears the sad story of a grieving widower (Tom Hanks) on the radio and believes that they're destined to be together. She's single in New York, he lives in Seattle with a young son, but the cross-country attraction proves irresistible, and pretty soon Meg's on a westbound flight. What happens from there is ... well, you must have been living in a cave to have let this sweet-hearted comedy slip below your pop-cultural radar. There's little complexity or depth to writer-director Nora Ephron's cheesy tale of a romantic fait accompli, and more than a little contrivance to the subplots that threaten to keep Hanks and Ryan from actually meeting. But the purity of star chemistry here is hard to deny, and this may be the first film to indicate the more serious and sympathetic side of Hanks that is revealed in later roles. With its clever jokes about "chick movies" and repeated homage to the classic weeper "An Affair to Remember", this may not be everybody's brand of amorous entertainment, but it's got an old-Hollywood charm that appeals to many a movie fan. "--Jeff Shannon"

Languages: English, French

Subtitles: English

Sound: Dolby

Summary: The films of Tim Burton shine through the muck like a jack-o-lantern on a foggy October night. After such successes as "The Nightmare Before Christmas" and "Edward Scissorhands", it should come as no surprise that "Sleepy Hollow" is a dazzling film, a delicious reworking of Washington Irving's "The Legend of Sleepy Hollow". Dark and moody, the film is a thrilling ride back to the turn of the 19th century. Johnny Depp stars as Ichabod Crane, a seemingly hapless constable from New York City who is sent to the small town of Sleepy Hollow to solve the mystery of the decapitations that are plaguing the town. Crane is a bumbling sort, with a tremendous faith in science over mysticism, and he comes up against town secrets, bewitching women, and a number of bodies missing heads. Christina Ricci, as beautiful as ever, is Katrina Van Tassel, the offbeat love interest who alternately charms and frightens Crane.
The film, while occasionally gory (as one should expect from a movie about a headless horseman), is not terribly frightening, although it is suspenseful. Both Depp and Ricci are convincing, and the art direction and production values give the village its harsh feel. Toward the end, once the secrets are revealed, the film does slow down; however, this stylistic horror film provides many tricks and even more treats. "--Jenny Brown"

Languages: English, French, Spanish

Subtitles: French, Spanish

Sound: Dolby

Summary: This enjoyable thriller, written and directed by Phil Alden Robinson (the screenwriter of "Field of Dreams"), follows a raggedy group of corporate security experts who get in over their heads when they accept an assignment poaching some hot hardware for the National Security Agency. Robert Redford plays the group's guru, an aging techno-anarchist who has been hiding from the feds since the early 1970s; his companionable gang of freaks includes Dan Aykroyd, David Strathairn, Mary McDonnell, the late River Phoenix, and Sidney Poitier, as a veteran CIA operative turned "sneaker." The technological black box that everybody is after, an array of computer chips that can decode any encrypted message, isn't a very plausible invention, but it's a serviceable McGuffin, and the megalomania of the master plotter played by Ben Kingsley has more resonance than most. Modest inferences can be drawn about the very latest high-tech threats to civil liberties. "--David Chute"

Languages: English

Sound: Dolby Digital 5.1

Summary: One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. "--Tom Keogh"

Languages: English, French, Spanish

Subtitles: English, French, Spanish

Sound: Dolby

Summary: When Julie Andrews sang "The hills are alive with the sound of music" from an Austrian mountaintop in 1965, the most beloved movie musical was born. To be sure, the adaptation of Richard Rodgers and Oscar Hammerstein II's Broadway hit has never been as universally acclaimed as, say, "Singin' in the Rain". Critics argue that the songs are saccharine (even the songwriters regretted the line "To sing through the night like a lark who is learning to pray") and that the characters and plot lack the complexity that could make them more interesting. It's not hard to know whom to root for when your choice is between cute kids and Nazis.

Read our interview with
Charmian Carr, who played
Liesl von Trapp in "The
Sound of Music". It doesn't matter. Audiences fell in love with the struggling novice Maria (Andrews), the dashing Captain von Trapp (Christopher Plummer), and, yes, the cute kids, all based on a real-life World War II Austrian family. Such songs as "My Favorite Things," "Do Re Mi," "Climb Every Mountain," and the title tune became part of the 20th century Zeitgeist. In addition, "The Sound of Music" officially became a cult hit when audiences in London began giving it the "Rocky Horror Picture Show" treatment, attending showings dressed as their favorite characters and delivering choreographed comments and gestures along with the movie. So why resist, especially when the 40th Anniversary Edition is the best DVD yet.
The DVDs
As if the direct involvement of Julie Andrews weren't enough, the 40th Anniversary Edition of "The Sound of Music" is a must-have for fans because of the fond sense of nostalgia that will touch all but the worst cynic's heart. Andrews introduces both discs and contributes a commentary track on the film. It's a joy to hear her speak about the film (for example, she explains how she solved her dislike for the lyrics of "I Have Confidence"), and also heard are remarks by Christopher Plummer (who at one point refers to his being 48, which if true would mean his comments were made in about 1975), Charmian Carr (Liesl), choreographer Dee Dee Wood, and Johannes Von Trapp (the real-life Maria Von Trapp's youngest son, who admits that his father did have a whistle but claims that he was not as stern as portrayed in the film). Even with all those people involved, there are still significant gaps of silence, however. Retained from the previous two-disc editions is the commentary track by director Robert Wise, which during the musical numbers becomes an isolated score with no vocals. Also new are sing-along subtitles in English, Spanish, and French, which allow you to have your own sing-along at home. In addition, the film's remastering shows off a truer and much warmer sense of color.
On the second disc, Andrews participates in a new 63-minute documentary "My Favorite Things: Julie Andrews Remembers." But it's really a general making-of documentary with contributions from a number of principals, including director Robert Wise, who died in mid-2005 (not surprisingly, some stories are repeated from the commentary track and from the 87-minute documentary on the previous DVD). Andrews also shares a warm 19-minute sit-down with Christopher Plummer. Carr, who over the years has become the film's biggest advocate, narrates a new 22-minute documentary, "On Location with "The Sound of Music"," in which she revisits the places in Salzburg where the movie was filmed, and even joins one of the ""Sound of Music" tours" that have become a booming industry. And acknowledging another big industry, there's a 12-minute featurette on the sing-along phenomenon, focusing specifically on the audience, costumed and otherwise, that attended a sold-out Hollywood Bowl sing-along in 2005. Making special appearances at the event are four von Trapp great-grandchildren and all seven of the actors who played the children. Thankfully, those actors also appear in a 33-minute documentary "From Liesl to Gretl: A 40th Anniversary Reunion," in which they explain what they do now (many are still in show business) and share stories about the film, who was afraid of Christopher Plummer, and what they feel is their responsibility to the film's passionate fans. What's touching is how the group still considers themselves a family so many years later. Other material includes an A&E documentary on the von Trapps, Mia Farrow's screen test for the Liesl role, and a restoration comparison.
What's Missing?
If you already own the previous two-disc editions, you'll want this 40th Anniversary Edition as well, but you might not want to toss those versions. Probably the most significant omission from this edition is the original 14-minute documentary Charmian Carr made in 1967, "Salzburg Sight and Sound." Carr's new documentary includes only a couple clips from the vintage piece. It's not a great work of art, but it's a notable loss and would have made a good contrast with the new documentary. In addition, the new making-of documentary is about 24 minutes shorter than the old one. Also missing are the audio-only features--the interviews, the radio programs, the Ernest Lehman spotlight--and the historical still gallery examining the history of Salzburg and the film. Granted, this material probably got the least play of any of the old features, but completists might want to hold onto their old discs for it. It would have also been nice to have screen tests other than Farrow's. Tests for all the children and for Christopher Plummer (including singing in his own voice before he was dubbed for the film) were included on Hollywood something and Rodgers and Hammerstein: The Sound of the Movies. Again, they're not critical but it would have been nice to have them all in one place. So maybe the 40th Anniversary Edition isn't the complete package on "The Sound of Music", but it's the most satisfying edition yet, with enough new material to please even the veteran "SoM" DVD watcher. "--David Horiuchi"

Languages: English

Summary: Mr. Hankey the Christmas Poo and Charlie Manson host two touching holiday episodes: with them and your favorite "South Park" characters you'll rediscover what Christmas is really all about. First, sing along with "Mr. Hankey's Christmas Classic," a hilarious collection of carols--including Kyle and his family doing a particularly irreverent, a cappella version of "Dreidl Dreidl Dreidl," and there's nothing like Satan's "Christmastime in Hell"--surprising who you'll see down there. And Mr. Hankey definitely leaves his mark on his finale, too. The next episode is "Merry Christmas, Charlie Manson": Stan joins a trip to Cartman's grandma's house where the Cartmans are happily surprised that Uncle Howard is able to show up, having broken out of jail with his cellmate Charlie Manson.
The tape has a bonus third program: the "outrageous British documentary" "Goin' Down to South Park", a half-serious, half-tongue-in-cheek look at the creators and production crew who animate "South Park". Trey Parker and Matt Stone, from their hot tub, discuss the origin of "South Park" and how the merchandising, money, and fame have made their lives so much easier. "--Erik Macki"

Languages: English, French, Spanish

Subtitles: French, Spanish

Sound: Dolby Digital 2.0 Stereo

Summary: Mel Brooks's 1987 parody of the Star Wars trilogy is a jumble of jokes rather than a comic feature, and, predictably, some of those jokes work better than others. The cast, including Brooks in two roles, more or less mimics the principal characters from George Lucas's famous story line, and the director certainly gets a boost from new allies ("SCTV" graduates Rick Moranis and John Candy) as well as old ones (Dick Van Patten, Dom DeLuise). Watch this and wait for the sporadic inspiration--but don't be surprised if you find yourself yearning for those years when Brooks was a more complete filmmaker ("Young Frankenstein"). "--Tom Keogh"

Languages: English, French, Spanish

Subtitles: English, French, Spanish

Sound: Dolby Digital 5.1

Summary: There's a kind of perverse marketing genius at work in this cheesy sci-fi hit from 1995 in which scientists create a half-human, half-alien woman named Sil (Natasha Henstridge) who's capable of morphing from a slimy, tentacled creature into a blonde babe with the body of a "Playboy" centerfold. This makes it easy for Sil to lure gullible guys who are only too willing to indulge her voracious mating urge, realizing too late that sex with Sil is anything but safe. As the body count rises, a handpicked team of specialists tracks the alien's killing spree, but their diverse expertise is barely a match for the ever-morphing Sil. Borrowing elements of the "Alien" movies (including bizarre alien designs by Swedish artist H.R. Giger) and spicing them up with some tantalizing nudity, "Species" is a wet dream for creature-feature fans--kind of like watching a sci-fi vampire fantasy while browsing through the "Sports Illustrated" swimsuit issue. "--Jeff Shannon"

Languages: English

Subtitles: English, Spanish

Sound: Dolby Digital 5.1

Summary: Carmen and Juni Cortez will soon find out that their favorite bedtime story, "The Spies Who Fell in Love," is really the story of their parents. So begins this affable fantasy, a James Bond adventure for wee ones with all the trimmings. When Dad and Mom (Antonio Banderas and Carla Gugino) mess up their first mission after coming out of retirement, their kids must come to the rescue, equipped with some cool gadgets. The Cortez family gets involved in a bizarre plot hatched by a Pee-wee Herman-type entertainer named Fegan Floop (a wonderfully hammy Alan Cumming) that's as giddy as it is ridiculous. Needless to say there is plenty of derring-do concerning long-lost uncles, goofy monsters, double agents, evil robots, look-alikes, and energized chases. Did we mention the gadgets? Although Banderas and Gugino make terrific impressions, the movie is carried (as it should be) by the younger Cortezes, winningly played by Alexa Vega and Daryl Sabara. Who would have thought an action/horror studio (Dimension) and writer-director Robert Rodriguez had this pleasing family film up their sleeves? Rodriquez (who produced with his wife Elizabeth Avellán) seemed to be mired in cheesy horror films but here breaks out by capitalizing on the talent that gave him instant status with his debut, "El Mariachi" (1992). "Spy Kids" has plenty of verve but never swerves into potty humor (OK, there is one good potty joke) or wicked gunplay. All 7-year-olds should have a film as fun as this in their movie-going lives. "--Doug Thomas"

Languages: English, French, Spanish

Subtitles: English

Sound: Dolby

Summary: The Star Wars saga is now complete on DVD with Episode III REVENGE OF THE SITH. Torn between loyalty to his mentor, Obi-Wan Kenobi, and the seductive powers of the Sith, Anakin Skywalker ultimately turns his back on the Jedi, thus completing his journey to the dark side and his transformation into Darth Vader. Experience the breathtaking scope of the final chapter in spectacular clarity and relive all the epic battles including the final climactic lightsaber duel between Anakin and Obi-Wan.

System Requirements:
Starring: Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Samuel L. Jackson, Christopher Lee
Directed By: George Lucas
Running Time: 140 Min.

Format: DVD MOVIE

Languages: German, English

Subtitles: English, German

Sound: Dolby Digital 5.1 EX

Summary:

Languages: German, English

Subtitles: English, German

Sound: Dolby Digital 5.1 EX

Summary: If "The Phantom Menace" was the setup, then "Attack of the Clones" is the plot-progressing payoff, and devoted "Star Wars" fans are sure to be enthralled. Ten years after "Episode I", Padmé Amidala (Natalie Portman), now a senator, resists the creation of a Republic Army to combat an evil separatist movement. The brooding Anakin Skywalker (Hayden Christensen) is resentful of his stern Jedi mentor, Obi-Wan Kenobi (Ewan McGregor), tormented by personal loss, and showing his emerging "dark side" while protecting his new love, Amidala, from would-be assassins. Youthful romance and solemn portent foreshadow the events of the original "Star Wars" as Count Dooku (a.k.a. Darth Tyranus, played by Christopher Lee) forges an alliance with the Dark Lord of the Sith, while lavish set pieces showcase George Lucas's supreme command of all-digital filmmaking. All of this makes "Episode II" a technological milestone, savaged by some critics as a bloated, storyless spectacle, but still qualifying as a fan-approved precursor to the pivotal events of "Episode III". "--Jeff Shannon"

Languages: English, Spanish, French

Subtitles: English

Sound: Dolby Digital 2.0 Surround

Summary: Episode IV A New Hope Eighteen years later, Luke Skywalker, a young farm boy on Tatooine, is thrust into the struggle of the Rebel Alliance when he meets Obi-Wan Kenobi, who has lived for years in seclusion on the desert planet. Obi-Wan begins Luke's Jedi training as Luke joins him on a daring mission to rescue the beautiful Rebel leader Princess Leia from the clutches of the evil Empire. Although Obi-Wan sacrifices himself in a lightsabre duel with Darth Vader, his former apprentice, Luke proves that the Force is with him by destroying the Empire's dreaded Death Star. Episode V The Empire Strikes Back Three years later Imperial forces continue to pursue the Rebels. After the Rebellion's defeat on the ice planet Hoth, Luke journeys to the planet Dagobah to train with Jedi Master Yoda, who has lived in hiding since the fall of the Republic. In an attempt to convert Luke to the dark side, Darth Vader lures young Skywalker into a trap in the Cloud City of Bespin. In the midst of a fierce lightsaber duel with the Sith Lord, Luke faces the startling revelation that the evil Vader is in fact his father, Anakin Skywalker. Episode VI Return of the Jedi In the epic conclusion of the saga, the Empire prepares to crush the Rebellion with a more powerful Death Star while the Rebel fleet mounts a massive attack on the space station. Luke Skywalker confronts his father Darth Vader in a final climactic duel before the evil Emperor. In the last second, Vader makes a momentous choice: he destroys the Emperor and saves his son. The Empire is finally defeated, the Sith are destroyed, and Anakin Skywalker is thus redeemed. At long last, freedom is restored to the galaxy.

System Requirements:
Running Time 387 Min.

Format: DVD MOVIE

Languages: English, French

Sound: Dolby

Summary: "Stardust" settles over the viewer like a twinkly cloak. The film, which captures the magic and vision of author Neil Gaiman's fantasy graphic fable, is a transportive journey into a world of true enchantment, which fans of the "Harry Potter" books will enjoy as well as will adults looking for the perfect date movie. The tale is a not-so-simple love story and adventure, set in 19th century England--and an alternate universe of witches, spells and stars that turn human--and hold the key to eternal life.
Young Tristan (played with wide-eyed vigor by Charlie Cox) vows to retrieve a fallen star for the most beautiful girl in the village, the shallow Victoria (Sienna Miller), and in his quest, finds his true love--in a true "meet-cute" moment (by Babylon-candle-speeding into the just-crashed human incarnation of the star, Claire Danes). Much of the film involves the duo's journey back home--though home for Tristan is his village, and home for the celestial Yvaine is, of course, in the heavens. There are villains, notably Michelle Pfeiffer as the vain witch who seeks the fountain of youth a fallen star can give, and the seven venal sons of the dying king of the mythical realm, backstabbing, grasping, and hilarious--even in death as a ghostly Greek chorus.
While the sparks of love between Tristan and Yvaine are resonant and touching, "Stardust" truly succeeds as a brilliant fantasy yarn--and as a comedy with more than its share of belly laughs. Much of the humor belongs to Robert De Niro, who plays a notoriously wicked air pirate, who is secretly a bit light in his swashbucklers. Ricky Gervais has a small but memorable role essentially channeling his character from "Extras", including his catchphrase, "Are you having a laugh?!" The special effects are all that any fan of Gaiman would wish for. Catch a bit of "Stardust" and you'll feel enchanted for a good long while. "--A.T. Hurley"

Languages: English, French

Subtitles: English, French, Spanish

Sound: Dolby Digital 2.0 Surround

Summary: In the first and finest "RoboCop" movie, director Paul Verhoeven combined near-future science fiction with a keen sense of social satire--not to mention enough high-velocity violence to satisfy even the most voracious bloodlust. In "Starship Troopers", Verhoeven and "RoboCop" cowriter Ed Neumeier take inspired cues from Robert Heinlein's classic sci-fi novel to create a special-effects extravaganza that functions on multiple levels of entertainment. The film might be called "Melrose Place in Space," with its youthful cast of handsome guys and gorgeous women who look like they've been recruited (and in some cases they were) from the cast of "Beverly Hills 90210". Viewers might focus on the incredible, graphically intense action sequences (definitely "not" for children) in which heavily armed forces from Earth go to off-world battle against vast hordes of alien "bugs" bent on planetary conquest. The attacking bugs are marvels of state-of-the-art special-effects technology, and the space battles are nothing short of spectacular. But "Starship Troopers" is more than a showcase for high-tech hardware and gigantic, flesh-ripping insects. Recalling his childhood in Holland during the Nazi occupation, Verhoeven turns this epic adventure into a scathingly funny satire of fascist propaganda, emphasizing Heinlein's underlying warning against the hazards of military conformity and the sickening realities of war. It's an action-packed joy ride if that's all you're looking for, but Verhoeven has a provocative agenda that makes "Starship Troopers" as smart as it is exciting. The DVD includes an above-average commentary by the director and Neumeier, several deleted scenes, a behind-the-scenes documentary and promotional featurette, cast bios, production notes, and more. "--Jeff Shannon"

Languages: English

Sound: Dolby

Summary: Directors Chris Hegedus ("The War Room") and Jehane Noujaim couldn't have imagined the drama that awaited when they began documenting the creation of the pioneering e-commerce site govWorks.com. For over a year they followed the company, the brainchild of childhood-friends-turned-business-partners software geek and doting single dad Tom Herman, and ambitious young business-school-grad-turned-company-CEO Kaleil Isaza Tuzman. During the rise of the Internet investment frenzy and the subsequent crash of the dot-economy, the cameras remain keyed into the human dynamic: the lifestyle compromises, the personal sacrifices, and the clash of philosophies and personalities that ultimately tear boyhood buddies Tom and Kaleil apart...almost. "Startup.com"'s portrait of the cutthroat nature of American business culture and the choices one makes (or doesn't) to succeed poses the one question most documentaries ignore: Is it worth it? "--Sean Axmaker"

Languages: English, Spanish, French

Subtitles: Spanish

Sound: Dolby Digital 2.0 Mono

Summary: Winner of seven Academy Awards including Best Picture, Director, and Screenplay, this critical and box-office hit from 1973 provided a perfect reunion for director George Roy Hill and stars Paul Newman and Robert Redford, who previously delighted audiences with "Butch Cassidy and the Sundance Kid". Set in 1936, the movie's about a pair of Chicago con artists (Newman and Redford) who find themselves in a high-stakes game against the master of all cheating mobsters (Robert Shaw) when they set out to avenge the murder of a mutual friend and partner. Using a bogus bookie joint as a front for their con of all cons, the two feel the heat from the Chicago Mob on one side and encroaching police on the other. But in a plot that contains more twists than a treacherous mountain road, the ultimate scam is pulled off with consummate style and panache. It's an added bonus that Newman and Redford were box-office kings at the top of their game, and while Shaw broods intensely as the Runyonesque villain, "The Sting" is further blessed by a host of great supporting players including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Thanks to the flavorful music score by Marvin Hamlisch, this was also the movie that sparked a nationwide revival of Scott Joplin's ragtime jazz, which is featured prominently on the soundtrack. One of the most entertaining movies of the early 1970s, "The Sting" is a welcome throwback to Hollywood's golden age of the '30s that hasn't lost any of its popular charm. "--Jeff Shannon"

Languages: English

Subtitles: Spanish

Sound: Dolby Digital 5.1 EX

Summary: The only real problem with "Stir of Echoes" has nothing to do with the movie itself, but with unlucky coincidence. Adapted from a Richard Matheson novel, this film arrived around the same time as "The Sixth Sense", and surface similarities made it suffer by cursory comparison and the competing film's phenomenal success. It's a pity, because this one features one of Kevin Bacon's best performances, in a psychological thriller that makes a lot more right moves than wrong ones. Bacon plays a blue-collar guy who laments his ordinary life, only to learn, when his sister-in-law (Ileanna Douglas) hypnotizes him, that he is a "receiver" capable of seeing spirits and split-second glimpses of past and future events. It's a torturous gift to have--especially since his friendly Chicago neighborhood possesses a dark secret--and Bacon plays the role with an appropriate mixture of obsession and internalized torment.
Similarity to "The Sixth Sense" applies only to the basic premise and the character of Bacon's young son. Otherwise, this is more of a hard-edged journey of self-discovery, marital crisis, and recovery, with Bacon's wife (played by the highly underrated Kathryn Erbe) involved in an underdeveloped subplot about a group of people who share Bacon's gift as paranormal "receivers." Furthering his career as a writer-director of intelligent thrillers, David Koepp makes a few missteps in pacing and thematic overkill, but overall "Stir of Echoes" is a sharp, sensitive thriller that unfolds to reveal a dramatically satisfying solution to its mystery. "--Jeff Shannon"

Languages: English, French

Subtitles: English, French, Spanish

Sound: Dolby Digital 2.0 Surround

Summary: Dave Thomas and Rick Moranis created their popular toque-wearing, beer-swigging "Great White North" hosers Bob and Doug McKenzie on the great TV comedy show "SCTV" to fulfill a Canadian broadcasting regulation that required Canadian shows to have a certain amount of "Canadian content." Bob and Doug became so popular that they made a hit record ("Take Off", with Geddy Lee, nasalist with the Canadian rock band Rush) and this Major Motion Picture--filmed in "Hoserama." Bob and Doug are the Cheech and Chong of beer, so the plot involves the boys's attempt to scam a free case of Elsinore beer from the brewery, which is run by a mad scientist Brewmeister Smith (Max von Sydow), who wants to rule the world, like all mad scientists do. "Strange Brew"'s intoxicating blend of hops and malt--er ... cleverness and silliness--earned it a loyal and well-deserved cult following. "--Jim Emerson"

Languages: English, French

Subtitles: Chinese, English, French, Portuguese, Spanish

Sound: Dolby

Summary: Bill Murray was heading toward a career peak on the back of comedies such as this one from 1981, the second film in his ongoing collaboration with director Ivan Reitman (the two went on to make "Ghostbusters"). Murray plays a chronic loser who joins the army and fails to find a fan for his ironic sensibilities in his by-the-book sergeant (Warren Oates). When push comes to shove, however, the smirking hero takes charge of his ragtag unit and turns them into fighting machines, albeit to the rhythm of hit songs by Manfred Mann and Sly Stone. The film is occasionally funny, but it mostly plays like any one of a dozen underachieving comedies featuring players from "Saturday Night Live" and "SCTV". "--Tom Keogh"

Languages: English, Spanish

Subtitles: English

Sound: Dolby Digital 2.0 Surround

Summary: This live-action version of E.B. White's novel doesn't have quite the magic of, say, "Toy Story". Instead of entertainment the whole family can be enthralled with, "Stuart Little" is squarely aimed, and successfully so, at the 4- to 10-year-old watcher. Does this make it a bad family film? Not in the slightest. The gee-whiz visual effects (created by original "Star Wars" wizard John Dykstra) and the film's ebullient wholesomeness make this a welcome addition to the home library.
In E.B. White's world, it's hardly surprising that human parents would adopt "outside their species." The smooth-talking mouse Stuart (voiced by Michael J. Fox) seems the perfect new child for parents Geena Davis and Hugh Laurie, especially with an adorable wardrobe of very small sweaters and pants. Harder is fitting in with the Little's family cat, Snowbell (voiced by Nathan Lane, who also deftly voiced Timon in director Rob Minkoff's last feature, "The Lion King"). The simple story deals with Stuart trying to fit in with his new life, including big brother George ("Jerry Maguire"'s scene-stealing Jonathan Lipnicki). And of course there's an adventure when Snowbell's schemes lead Stuart into true danger, in the form of the devious plans of an alley cat named Smokey (voiced by Chazz Palminteri). Brisk--85 minutes--amusing, and tolerably cute, "Stuart Little" stands tall. Two curios: The effects are so cleanly done that we could call Stuart the first successfully computer-animated actor, and the screenplay was cowritten by M. Night Shyamalan, who made bigger waves in 1999 writing and directing "The Sixth Sense". "--Doug Thomas"

Languages: English

Sound: Dolby Digital 2.0 Surround

Summary: America has spoken. "Survivor" was one of the rare lightning-in-a-bottle television events that became an instant pop culture phenomenon, like "Roots", the first season of "Twin Peaks", "Who Wants to Be a Millionaire", and "Suddenly Susan" (just kidding). Sixteen contestants were left to fend for themselves on the most famous tropical isle since Gilligan's. What begins as a happy and healthy competition inexorably turns, in contestant Jenna's words, "malicious and evil." And the whole world was watching.
For devotees of the show who yearn to go back to the island, this two-and-a-half-hour video souvenir replays the most memorable moments of season 1, including all the tribal councils that sealed the castaways' fates. What makes this video collectible are the never-before-broadcast audition tapes (Susan's is a jaw-dropping hoot), as well as each castaway's parting words after being voted off the island (Stacey is particularly bitter). There is gratuitous rodent skinning, uncensored profanity (from Susan and B.B.), and nudity (unfortunately, all Richard). Thankfully, we are spared Sonja's ukulele playing.
The one mystery that remains is why the castaways didn't pull a "Lord of the Flies" on hokey host Jeff Probst. Even those who originally avoided the show like a rat dinner will have to admit: from Jenna's heartbreak at learning that her video greeting from home did not arrive to Susan's classic what-goes-around-comes-around "snakes and rats" speech, "Survivor" is compelling television. "--Donald Liebenson"