Library

Languages: English

Sound: Dolby

Summary: First Blood
He never fought a battle he couldn t win. Academy Award© nominee Sylvester Stallone stars as war hero, ex-Green Beret John Rambo in the one that started it all! FIRST BLOOD is an explosive action-thriller that will keep you on the edge of your seat until the final powerful frame

Rambo: First Blood Part II
Sylvester Stallone in this explosive Oscar©-nominated sequel to FIRST BLOOD is back as John Rambo, the perfect fighting machine. Rambo s survival skills are tested with a vengeance on a top-secret mission that takes him back to the jungles of Vietnam in search of American POWs.

Rambo - III
When Col. Sam Trautman (Richard Crenna) is captured during a top-secret mission in Afghanistan , Rambo erupts into a one-man firestorm to rescue his former commanding officer and decimate the enemy. This intense, heart-pounding adventure boasts unrelenting action and suspense from start to finish.

Special Features
MetaVision: Survival Mode
MetaPlot: Military Training Featurettes
MetaVision Equipment Upgrades
MetaPoint
MetaMap
First Blood includes a never-before-seen suicide ending
The first ever Rambo commentary by Sylvester Stallone
Rambo III contains deleted scenes
5.1 Dolby Digital Audio
16:9 Widescreen


System Requirements:
Running Time: 293 Min., Color.

Format: DVD MOVIE

Languages: English, French

Subtitles: English, French, Spanish

Sound: Dolby Digital 2.0

Summary: The Ronald Reagan 1980s were all about going back to the future--rewriting the past to better suit Reagan's upbeat vision of the present. So, Sylvester Stallone's John Rambo (a psychotic, shell-shocked Vietnam vet in the original film, transformed into a flag-waving hero in the sequel) was able to go back to Southeast Asia and "correct" history by decisively (and single-handedly) winning that messy ol' war on behalf of America. "Red Dawn" is a paranoid cold-war cautionary tale that presents us not with a rosy alternative past, but with an ominous vision of the future, metaphorically plopping a piece of Russian-occupied Afghanistan into America's back yard. In this celebration of the Second Amendment, storm troopers from the Evil Empire descend upon the inadequately defended United States and hold America hostage. Stealthily avoiding the invaders, a motley group of red-blooded, small-town, gun-toting teenagers go underground to form the Wolverines, a guerilla resistance squad dedicated to making those Russkies rue the day they parachuted onto U.S. soil. It's a darn good thing those kids had the right to keep and bear arms, huh! Written and directed by macho filmmaker John Milius, the self-described "Zen fascist" who also cowrote "Apocalypse Now", as well as the horrifying shark story Robert Shaw tells in "Jaws". The cast includes Patrick Swayze, C. Thomas Howell, Lea Thompson, Jennifer Grey (a few years before she and Swayze took up "Dirty Dancing"), Charlie Sheen, Powers Boothe, Harry Dean Stanton, and Ben Johnson. "Red Dawn" was a commercial success, although audiences invariably split into two camps, finding it either patriotic or appalling. Whatever your verdict, the film remains a telling reflection of its era. "--Jim Emerson"

Languages: English

Summary: A volatile, toxic potion of satire and nihilism, road movie and science fiction, violence and comedy, the unclassifiable sensibility of Alex Cox's "Repo Man" is the model and inspiration for a potent strain of post-punk American comedy that includes not only Quentin Tarantino ("Pulp Fiction"), but also early Coen brothers ("Raising Arizona", in particular), "Men in Black", and even (in a weird way) "The X-Files". Otto, a baby-face punk played by Emilio Estevez, becomes an apprentice to Bud (Harry Dean Stanton), a coke-snorting, veteran repo-man-of-honor prowling the streets of a Los Angeles wasteland populated by hoods, wackos, burnouts, conspiracy theorists, and aliens of every stripe. It may seem chaotic at first glance, but there's a "latticework of coincidence" (as Tracey Walter puts it) underlying everything. "Repo Man" is a key American movie of the 1980s--just as "Taxi Driver", "Nashville", and "Chinatown" are key American movies of the '70s. With a scorching soundtrack that features Iggy Pop, Fear, Black Flag, Circle Jerks, and Suicidal Tendencies. "--Jim Emerson"

Languages: English

Subtitles: English, Spanish

Sound: Dolby

Summary: Quentin Tarantino came out of nowhere (i.e., a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, "Reservoir Dogs". Like Tarantino's mainstream breakthrough "Pulp Fiction", "Reservoir Dogs" has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them color-coded aliases (Mr. Orange, Mr. Pink, Mr. White) to conceal their identities from being known even to each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception, and betrayal. As many critics have observed, it is a movie about "honor among thieves" (just as "Pulp Fiction" is about redemption, and "Jackie Brown" is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn, and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. "Reservoir Dogs" is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful, and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) "Reservoir Dogs" deserves just as much acclaim and attention as its follow-up, "Pulp Fiction", would receive two years later. "--Jim Emerson"

Languages: English

Summary: "Do ya wanna party?" challenges the soundtrack to this freaky and funny reworking of George Romero's "Night of the Living Dead". Paced to the beat of a pounding rock score, this comic flesh feast delivers both laughs and outlandish gore. No longer lumbering, moaning creatures, these lithe, feral, and cunning undead claw their way out of the cemetery and into the skulls of a human smorgasbord. They even master the art of home delivery: "Send more cops," croaks a corpse into a patrol car radio. Director Dan O'Bannon even takes pains to explain their motivation between the tributes to the granddaddy of zombie horrors ("Well, it worked in the movie!" screams James Karen when a pickax to the skull hardly phases a lively cadaver). Not that it really matters amid the gore and gallows humor, but it does add a kick to the cynically sinister climax. "--Sean Axmaker"

Languages: English, French

Subtitles: English, French, Spanish

Sound: Dolby Digital 2.0 Surround

Summary: Philip Kaufman's intimate epic about the "Mercury" astronauts (based on Tom Wolfe's book) was one of the most ambitious and spectacularly exciting movies of the 1980s. It surprised almost everybody by not becoming a smash hit. By all rights, the film should have been every bit the success that "Apollo 13" would later become; "The Right Stuff" is not only just as thrilling, but it is also a bigger and better movie. Combining history (both established and revisionist), grand mythmaking (and myth puncturing), adventure, melodrama, behind-the-scenes dish, spectacular visuals, and a down-to-earth sense of humor, "The Right Stuff" chronicles NASA's efforts to put a man in orbit. Such an achievement would be the first step toward President Kennedy's goal of reaching the moon, and, perhaps most important of all, would win a crucial public relations/morale victory over the Soviets, who had delivered a stunning blow to American pride by launching "Sputnik", the first satellite. The movie contrasts the daring feats of the unsung test pilots--one of whom, Chuck Yeager, embodied more than anyone else the skill and spirit of Wolfe's title--against the heavily publicized (and sanitized) accomplishments of the "Mercury" astronauts. Through no fault of their own, the spacemen became prisoners of the heroic images the government created for them in order to capture the public's imagination. The casting is inspired; the film features Sam Shepard as the legendary Yeager, Ed Harris as John Glenn, Dennis Quaid as "Gordo" Cooper, Scott Glenn as Alan Shepard, Fred Ward as Gus Grissom, Scott Wilson as Scott Crossfield, and Pamela Reed and Veronica Cartwright are superb in their thankless roles as astronauts' wives. "--Jim Emerson"

Languages: English, French

Subtitles: English, Spanish

Sound: Dolby Digital 2.0 Stereo

Summary: A strong candidate for the designation of most thrilling action movie ever made (the turbo-charged exhilaration of its full-throttle highway chases has never been equaled), the second part of George Miller's post-apocalyptic trilogy is also a magnificently imagined movie myth. Like the "Star Wars" trilogy (by that other George) the "Mad Max" films draw their inspiration from the works of mythologist Joseph Campbell. In the 1979 original, Max (Mel Gibson) is a policeman, the last guardian of civilization and order in a devastated world reduced to chaos. But when a leather-clad gang of sadomasochistic speed demons mows down Max's family, his remaining connections to humanity are also permanently severed. After brutally exacting his revenge, Max wanders off into the wasteland alone, "a burned out shell of a man" who (to paraphrase "The Searchers") is destined to wander forever between the winds. In "The Road Warrior", Max rediscovers a sliver of his shattered humanity, and a spark of redemption, when he helps an embattled colony of pioneers fight off the savages who are after that most precious of all commodities: "guzzline." Max is transformed into a legendary hero, just as Mel Gibson was catapulted to international movie stardom. With its final stirring images, "The Road Warrior" transcends its genre (whatever that may be--science fiction? Western? action adventure?) and becomes something timeless. It's a great movie. "--Jim Emerson"

Languages: English, French, Spanish

Subtitles: English, French, Spanish

Sound: Dolby

Summary: The first "Robocop" was thrilling, hilarious, and totally original--none of which has as much to do with the film's spawning two sequels (plus two separate television shows) as its $50 million-plus take at the box office. Though the Law of Diminishing Returns inevitably applies to the theatrical trilogy, the central premise is so strong that each of the lesser sequels has at least a few moments worth catching. That's because the original (wherein Detroit cop Peter Weller, killed in the line of duty, gets transformed into a crime-fighting cyborg) set up an entire world. Director Paul Verhoeven spends as much time lampooning television news, commercial products, and big business as he does on the story; however violent or gory things get (and they get quite icky), the tone throughout is comic, even giddy. "Robocop 2", helmed by Irvin Kershner of "The Empire Strikes Back" fame, sobers up considerably. The film is rather underrated; sure, there are fewer ads and newsbreaks this time around, but there are several inventive touches--Robocop is briefly reprogrammed into a homily-spouting Dudley Do-Right; drug dealers step in to bail out the financially strapped city--and the villains (including the most foul-mouthed, amoral 12-year-old in movie history) are less outrageous than in the first installment. "Robocop 3", however, is profit-driven hash. Having Robocop (now acted by Robert John Burke) join a citizens' uprising is a nice idea, and even the ninja android could have been fun, but the movie tries too often to be heartwarming, an emotion thoroughly out of place in this wickedly satirical series. "--Bruce Reid"

Languages: English

Subtitles: English, French, Spanish

Sound: Dolby

Summary: Disc 1: **ROCKY 1976 Rating: PG Rating: Cdn: TBC / Que: G Run Time : 120 min Hi-Def Transfer Anamorphic Widescreen 1.85:1 English Audio: 5.1 DTS Surround, 5.1 Dolby Surround, & Original Mono French Audio: 5.1 Surround Spanish Audio: Mono Subtitles: English, French & Spanish
Disc 2: **ROCKY II 1979 Rating: PG Rating: Cdn: TBC / Que: G Run Time : 119 min Hi-Def Transfer Anamorphic Widescreen 1.85:1 English Audio: 5.1 Dolby Surround French Audio: Mono Spanish Audio: Mono Subtitles: English, French & Spanish
Disc 3: **ROCKY III 1982 Rating: PG Rating: Cdn: TBC / Que: G Run Time : 100 min Hi-Def Transfer Anamorphic Widescreen 1.85:1 English Audio: 5.1 Dolby Surround French Audio: Mono Spanish Audio: Mono Subtitles: English, French & Spanish
Disc 4: **ROCKY IV 1985 Rating: PG Rating: Cdn: TBC / Que: G Run Time : 91 min Hi-Def Transfer Anamorphic Widescreen 1.85:1 English Audio: 5.1 Dolby Surround French Audio: Mono Spanish Audio: Mono Subtitles: English, French & Spanish
Disc 5: **ROCKY V 1990 Rating: PG-13 Rating: Cdn: TBC / Que: G Run Time : 111 min Hi-Def Transfer Anamorphic Widescreen 1.85:1 English Audio: 5.1 Dolby Surround French Audio: Stereo Surround Spanish Audio: Mono Subtitles: English, French & Spanish

Languages: English, French, Spanish

Subtitles: English, French, Spanish

Sound: Dolby

Summary: Beginning precisely where "Rocky" left off, this surprisingly effective 1979 sequel takes the saga of Rocky Balboa to its logical next step, as the palooka turned public idol and media darling returns to his "normal" life in Philadelphia with his bride, Adrian (Talia Shire), and some degree of material comfort. He needs to find a job, but boxing champ Apollo Creed (Carl Weathers) is challenging Rocky to a lucrative rematch, and despite his doctor's warning against future boxing, Rocky can't resist. Defying the odds that most sequels can't live up to their originals, this one doesn't pack all the punch that "Rocky" did, but it takes us further into the lives of its now familiar and beloved characters, and Stallone (as director and star) gives us another rousing finale in the ring. Do you really need to know who wins? "--Jeff Shannon"

Languages: English, French, Spanish

Subtitles: English, French, Spanish

Sound: Dolby

Summary:
"Rocky III": The third installment in the "Rocky" saga is the last one to matter, and in this case only marginally. The now rich and famous Rocky (Sylvester Stallone) triumphantly pummels a succession of boxing challengers until he encounters Clubber Lang (Mr. T), a human wall of brick who wants a piece of Rocky's action. The Rock's loyal trainer Mickey (Burgess Meredith) has taken ill and dies, so Rocky recruits retired opponent Apollo Creed (Carl Weathers) to whip him into fighting shape after his embarrassing defeat to Clubber. Time for another rematch, mixed in with some family matters involving Rocky's brother-in-law Paulie (Burt Young), who's feeling neglected amid all the hoopla. Not bad as sequels go, boosted by Mr. T.'s taunting presence and yet another rousing finale. For those with a bad case of '80s nostalgia, the hit theme song "Eye of the Tiger" is sure to bring back memories. --"Jeff Shannon"

Languages: English, French

Subtitles: English, French, Spanish

Sound: Dolby Digital 2.0

Summary: In the year 2018, violence and crime have been totally eliminated from society and given outlet in the brutal blood sport of rollerball, a high-velocity blend of football, hockey, and motor-cross racing sponsored by the multinational corporations that now control the world following the collapse of traditional politics. James Caan plays Jonathan E., the reigning superstar of rollerball, whose corporate controllers fear that Jonathan's popularity has endowed him with too much power. They begin to pressure him according to their own ruthless set of rules, but Jonathan has rules of his own--the rules of a man determined to retain his soul in a world gone mad. As directed by Norman Jewison (who was enjoying a peak of success during the early and mid-1970s), "Rollerball" creates a believable society that's been rendered passive and compliant by the homogenization of corporate dictatorships, where the control and flow of information is the only currency of any importance. It's a world in which natural human aggressions have been sublimated and vented through the religious fervor toward rollerball and its players. "Rollerball" now looks like one of those 1970s science fiction films (another example being "Logan's Run") that seems a bit dated and quaint, but its ideas are still provocative and fascinating, and the production is visually impressive. The DVD includes full-screen and widescreen versions of the film, audio commentary by director Norman Jewison, a behind-the-scenes featurette, an interactive "rollergame," trivia, and production notes. "--Jeff Shannon"

Languages: English, French

Subtitles: English

Sound: Dolby Digital 2.0 Surround

Summary: The Rugrats family vacation takes an exotic detour when their boat capsizes and they become shipwrecked on a deserted tropical island. With the jungle as their new backyard, the babies reace wildly from one dangerous adventure to the next…soon to discover that someone else is on the island. It's The Wild Thornberrys...on an island adventure of their own! When these two families get together, the excitement really starts!