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Renderings
Into the Woods
By Stephen Sondheim and James Lapine
Masters Thesis

By going back to the original gruesome stories recorded by the Brother's grimm, this design for Into the Woods attempts to connect the audience with the events of the second act, after happily-ever-after, and detach them from the preconceived notions of what fairytales should be.
                           
                   
 
The Caucasian Chalk Circle
By Bretolt Brecht
Directed by Keith Langsdale

Eclectic is the only work that can describe this uncommon production, combining Asian inspired costumes; Russian and American folk music; scant, post-disaster sets, stylized fight choreography and puppets. These costumes emphasize the divide between the social classes through style and use of color.
           
                   
                               
               
The Reincarnation of Jaime Brown
By Lynne Alvarex
Directed by Sheila Siragusa

In this play about learning to live life to the fullest, dark, layered clothing transistions into bright colors and flowing lines as characters who are defensive and guarded become trusting and open.
   
                         
                             
Romeo and Juliet
By William Shakespeare
Directed by Jeannie-Marie Brown

This production of Romeo and Juliet, intended for local high schoolers, took its inspiration in both direction and design from popular video games including Final Fantasy and Fire Emblem: Path of Radiance.
                 
                             
                     
             
Gum
By Karen Hartman
Directed by Maryann Lombardi

Set in a fantastical world somewhere in the Middle East and produced in a controversial setting for an audience who opposed the play before seeing it, Gum's challenging design combined organic and beautiful elements with restraint, rebellion, and death.
 
                   
The Lower Depths
By Maxim Gorky
Paper Project

The Lower Depths was a project selected to improve lower class and period research skills, and develop creative rendering styles. The process included background and texture experiments, and research came from unique sources, such as folk art.
     
                 
              Life is a Dream
By Pedro Calderon de la Barca
Directed by Kara-Lynn Vaeni

In this new translation of the well-known Calderon play, my co-designer, June Gaeke, and I chose to highlight the transistions of power from old to new by combining 17th C. apparel and modern high fashion. This distinctive production also involved flashbacks, a Greek-style chorus dressed in black, kabuki battle scenes and a mountain-inspired jungle gym.
   
The Last Five Years
By Jason Robert Brown
Directec by Keith Langsdale

As their relationship falls apart, the two characters in this touching musical cross each other in time, one traveling from the beginning to end and the other from end to beginning. In this production, I used ombre dyeing techniques to make the clothing follow the journey of the actors.
           
                   
            Other Production Renderings
Click here to view renderings from smaller productions and undergraduate design work.
 
                 
                             
Other Paper Projects
Click here to view selected renderings from a variety of other paper projects and class work.
 
Pencil Sketches
Click here for some examples of preliminary sketches and colorless renderings.
               
                                 
                               
     
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