| | Welcom to Clay, Color and Fire | |
| | | 7 ceramists from Cint's 7 sister cities join forces with Jan and Kirk | |
| | | Welcome party. Prof. He on the far right with Beth Tu, Chair and interpreters | |
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| | Day 1: select clay and slip colors | |
| | | L-R: Kirk (DAAP): Phillip (Fr.); He (Liuzhou) | |
| | | Day 2: Preparing for Master's Class introducing own ceramics art works | |
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| | Betty Hao reads Prof. He's paper on his ceramic art | |
| | | Modern ceramic technique is used to make antique looking traditional Chinese art | |
| | | A gate symbolizes a "match in heaven," as is Cincinnati and Liuzhou | |
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| | Line drawings for the tile design | |
| | | Next, artist's conception using water color | |
| | | Steve Lin's water color conception from Taipei Hsien | |
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| | | Taipei Hsien, Liuzhou, Nancy all hard at work | |
| | | Retracing the line drawings that were enlarged to life size | |
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| | (L) Yan Yang, (R) Betty Hao were interpreters for Prof. He for day 1 & 2 | |
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