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site includes private photos taken in December 2002 and January 2003.
If you want to use one of these photos, please ask first via email. |
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Sri
Meenakshi Temple
-General
view
-Street
view
Gopuram Photos
-Detail,
holding hands
-Detail,
Nandi
-Detail,
base sculpture
-Detail,
red diety
-Detail, top
-Full,
outter courtyard
-Full, inner
courtyard
-Full, inner
courtyard 2
-Full, general
view
-Full, general
view 2
-Full,
from Lotus tank
Temple
-Sculpture
detail
-Column
detail
-Column
detail 2
-Sculpture
hall
-Wall sculpture
-Large Nandi
-Column sculpture,
blue
-Inside
view 1
-Inside
ceiling 1
-Inside
ceiling 2
-Inside,
Shiva lignam
-Garland
vendors
Courtyard
-Ganesh
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The
temple IS the town
Talk
about massive, the Sri Meenakshi Temple complex in Madurai is practically
half the city. Well, at least it seemed that way. It dominates the
skyline and happens to be a large, cavernous place. Outside the temple,
the city was an obnoxious mix of dust, curiously strong malicious
odors, street vendors, and auto rickshaw exhaust. Inside the temple,
despite all the crowds, it was serene and unhurried. The place emptied
out completely during the lunch hours, so Ajay and I rushed back before
the temple doors closed to wander and photograph the courtyards, museum
spaces, and and most non-sanctum places. At Madurai, we learned why
non-Hindu foreigners are disallowed entry into the sanctums. It was,
to our surprise, more because they were afraid of our ignorance of
the proper customs. Western women were espeically derided as the cause
of policy change. Apparently, western women would unknowingly present
themselves to the temple dieties in the innter sanctum during the
'unclean period,' thus possibly offending the gods. (The correspondence
is notably similar to Old Testament culture-based law.) Thus, all
foreigners were banned. However, I was told that I could enter since
I was a guest of a Hindu family, but I decided to save that for the
next time.
So, after hours of wandering throughout the temple and staring at
gopurams, I came out with about five rolls of film. The ones here
are the most representative and clear. What's so interesting is the
striking differences in construction between this temple any many
of the others that I had already seen. Rather than have actual stone
carvings, Meenakshi appeared to have a stone and wood inner framework
that supported an external array of plaster sculpture. They were all
brightly painted and depicted various dieties from the Hindu Pantheon.
There were many of the common images described in books I read to
prepare for the trip, and plenty of others that were skillfully crafted
and painted; a tribute to the artisans who labored in this temple.
As for Madurai, the hotel I chose was well positioned within the city
but was not what I had expected. (I was also a bit embarassed and
instantly knew I should have just gone for the five-star Taj about
15-20 mintues from town. I mean, I was traveling with Ajay's parents
and felt the need to impress them.) The food in Madurai wasn't what
I would call great. I did have a great breakfast of Pongal and Varda
at a place just down the street, but the food later that day was
apparently terrible. I'm glad we went though, not just for the temple,
but to just have time to hang with Ajay's sister Rachana (miss ya!). |
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