Instructor: Bret Mulligan

Syllabus
Course Description
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Week 9

Epicureanism on the Farm

Mar. 31

Primary Readings: Horace Odes 3.13 (O fons Bandusiae - 16v.), Horace Odes 1.11 (Tu ne quaesieris - 8v.)

Readings in Translation: Horace Odes 1.7, 2.13; you will want to consider Odes 1.11 in conjunction of Odes 1.4

Listening Assignment: Odes 1.11 and 3.13 on CD

Additional Resources: You can listen to Odes 2.13 online.

Questions: A) The sacrifice of the kid (baby goat) in Odes 3.13 has struck many commentators as a macabre turn unworthy of the beauty of the rest of the ode; how can you reconcile this passage with the rest of the ode? What does its presence add to the ode? What comment on Horace as a poet can you detect in the final stanza of Odes 3.31? B) Odes 1.11 is most famous for its line: carpe diem; how does Horace prepare the reader for this admonition? C) Odes 1.11 is explicitly addressed to an otherwise unknown Leucono‘; consider how the address to a particular person effects your relationship to the narrator and the poem. D) Odes 2.13 presents a dark reflection on mortality prompted by the quasi-comical near-death of Horace, who was nearly crushed by a tree. As so often, the inevitability of mortality prompts Horace to turn to thoughts of poetry. What poets does he mention and what effect of poetry does he relate? What is the link between the opening of this poem and the reflection on poetry? You may also wish to read Odes 3.8, which marks the anniversary of Horace's encounter with the tree. E) How would you characterize Horace's attitude towards his Sabine farm?

 

Apr. 2

Primary Readings: Horace Odes 2.3 (Aequam memento rebus in arduis - 28v.)

Readings in Translation: Horace Odes 2.14, 2.18; Alcaeus 38a

Listening Assignment: Odes 2.3 on CD

Additional Resources: Picture of a Pinus Pinea L.

Questions: A) Many of the themes present in Odes 2.3 are familiar from the other Epicurean Odes we have examined. What unusual tone, however, does the end of this poem strike? It may be possible to describe Horace's stance in other Odes as "smiling pessimism." Is that characterization relevant in this ode? B) Odes 2.3 and 2.14 are remarkably similar in imagery and theme. Do they present they same tone? Is the figure of the heir treated in the same manner? What effect does the inclusion of mythological figures have? C) Odes 2.3.13-16 is an amazing stanza around which the first three and final three stanzas pivot. Explain the effect of Horace's tricolon crescendos (vina.. unguentaÉ flores and resÉ aetasÉ fila) and polysyndeton.

 

Apr. 4

Primary Readings: Horace Odes 1.22 (Integer vitae - 24v.)

Readings in Translation: Re-read Catullus 11, 51 and Dioscorides 6.220; Shakespeare Titus Andronicus IV.ii.20f.

Listening Assignment: Listen to Odes 1.22 on-line and on CD

Questions: A) Odes 1.22 contains several allusions to Catullan poems we read earlier in the semester. What impact do the allusions to Catullus 11 (Odes 1.22.5-8) and 51 (Odes 1.22.23-24) have on your interpretation of the poem? B) Why is the second stanza (Odes 1.22.5-9) an odd introduction to silvaÉ in Sabina (Odes 1.22.9). Does the Catullan allusion impact your understanding of this disjunction? C) The allusion to Dioscorides 6.220 in Odes 1.22.9f. should remind you of another Catullan poem we read. What is that poem and what effect does its invocation here have on the seriousness of the ode and the efficacy of its opening statement?

Quiz: Vocabulary 551-600 & the basic tenets of Epicureanism and Stoicism

 

 

 

Updated on May 9, 2003 9:32

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