Bonds News Reports
28 May - 30 May 81 - updated 5 Jan 2009

30 mins of TV and Radio interviews, news and commentary.

******** WNEW FM Bonds Week

Intro to the Clash at Bonds week with a montage of old interviews and Clash tracks

****** News Reports TRACK 1

00:00 26th May - News4 -
Phillip Elizano - Preview (Everything is no good/Joe/Paul Pre Bonds Press Conf)
02:25 28th May - News4 -
Word of Caution Last Night Crowded Beyond Capacity
02:44 28th May - WNEW FM -
Lot of Problems last night - Solution is.../Ticket Holders/Additional dates
05:24 30th May - WNEW FM -
NEWS UPDATE - Mona/Word of that Cancellation/Overcrowding/Court battles/Angry Fans/1pm Matinee cancelled/bull horn/fans from Boston
08:13 30th May - WNEW FM
Clash battle becomes a battle/Carole Diaora down at Bonds/Matinee cancelled/ fans told to go home/billy clubs/Tonight cancelled too?/Buidling Dept now legal action/Security spokesperson 'will go on tonight'/8 shows
09:15 30th May - WNEW FM - Carole Diaora interviews upset fans/mounted police/'Vacate Order' Build Dept./"Annie Fifer" Clash spokesperson Tonights still unknown/know at 6pm/Stay Cool/Ticket updates
12:08 30th May - UNKNOWN -
Josh Howl - Gathered across the street/fans angry/fans interviews/13:19 Jo-anne/Riot/Screams
14:40 30th May - WNEW FM -
No show tonight?
20:00 30 May - UNKNOWN -
"Not sure what's happening..."

***** News Reports TRACK 2
00:00 30 May - UNKNOWN - cont..
"Not sure what's happening/Rock Club Rivalary
00:57 31 May - WNEW FM -
Meg 3;06pm - (John) Build Dept this morning/On/1700 only/Press conference due/vacate order lifted/which tickets?/Details confirmation/
02:39 31 May - WNEW FM -
Meg (john) Clash just completed Press Conference/Bernie Rhodes/Good News show tonight/John Ogle/10pm tonight fans let in/Clash on at midnight/1725people/Ticketron tickets go in/Bonds tickets extra show
09:12 31 May - UNKNOWN -
8 extra dates/Builds Dept shut it down/Buidls Dept interview/Build Dept open/100's poured into streets/extended to June 11th/
10:07 31 May - CHANNEL 2 NEWS -
Bob Marley Day in NYC/Randel Thinkson/Bonds is open/Mick quote/Thurs Fire/Fri Building/Sat shows cancelled/Commissioner Irvin Fruitman Builds Dept "Accepted a drink/precautionary look/exits/safe/8 extra dates/Joe interview/Commisoinaer other clubs no inspections/ no manpower


The Clash at a press conference for their performances
at Bond's, June 1981 Photo ©2002 Allan Tannenbaum

Italy to New York

When The Clash landed at JFK airport in New York on the night of the 25th May 1981 they had no idea that their residency at a Broadway nightclub would create such a furore and nationwide media coverage that it became a pivotal event in their assault on America, helping to propel them into the major league Stateside. As Kosmo Vinyl has succinctly put it, “People who didn’t have straight trousers and short hair suddenly knew who we were. It got out – it was big!”. The Bonds concerts became one of the most enduring aspects of the Clash legend.

As the band made their way through JFK airport though, the prospect of the band playing 8 concerts (including an under 18 matinee) in the city had generated only limited media interest; only 12 reporters turned up despite Bonds laying on a bus for the event. Photos were duly taken of the band (with their ghetto blasters) and before they and their entourage set off for the Gramercy Hotel, the Clash prophetically promised New York “something special”.

The Clash at JFK
picture copyright www.Corbis.com

It would be wrong to think that there was no excitement amongst the press at the bands visit (the New York Times had run a background piece a week before but it in no way compared to the excitement amongst the New York public. When tickets went on sale in early May, fans jammed the ticket office phones from the early hours.

Queues waited outside for 7 hours only to be told there were no tickets and to come back the next day! Bob Gruen’s book includes a photo of fans camping out overnight at Bonds in order to get tickets. For each of the 8 planned concerts 3,500 tickets were immediately sold.

Wall of Posters - Bonds ©1981 Bob Gruen -
http://www.starfileonline.com

Mountain to Mohammed

On Bernie’s return in February 81 the plan had been to tour European cities, then the USA and then the UK in autumn, Epic though refused to finance a US tour. Bernie came up with the idea of playing residencies in New York, Paris and London. Instead of the usual band travelling to the fans, it would be reversed or as Joe put it “It’s the mountain coming to Muhammad”

Joe recalled in 1996 for Mojo; “Bernie had this idea to do 7 nights in various cities, because it enables you to hang out and get in touch with the place. It makes it far more of an event, far more intimate…It was good fun, a real golden time”. Mick when back in New York in the 90’s with BAD said, “ We ran this town. We took Broadway. De Niro was bringing his kids to see us, and the city stopped. The Clash were in town”

picture copyright www.Corbis.com

Culture Clash

The Clash’s knowledge and growing interest in the emerging new black rap music was way ahead of the vast majority of their white fans. Their choice of support acts was typically daring; at Bernie’s insistence they had to be “culturally interesting and progressive”.

The seven-night stand at Bonds International Casino at Times Square (now the Virgin Megastore, if you're curious) figured a varied support. In one of those acts of passionately awkward idealism which characterized the Clash's career, they booked opening acts against punk type: rappers Grandmaster Flash and the Treacherous Three, The Sugerhill Gang, Funkapolitan, Lee Perry, Texan bard Joe Ely, and a forgotten horn-section-and-skinny-tie band called the Nitecaps. And, plucked fresh off the stage of CBGB's, Miller Miller Miller & Sloane and a KRAUT who had formed 3 weeks earlier with only 3 demo songs and who never played live. Plus bands that showed The Clash’s continuing identification and admiration for punk; The Dead Kennedys, The Fall, The Slits, and The Bloods (not to mention The Brattles!)

Futura 2000

Futura 2000, real name Lenny, a graffiti artist from Brooklyn was among the Bonds crowd (also including Gerb, Kiley Jenkins, Josh Cheuse) that befriended the Clash and introduced them to Fab Five Freddie and the local hip-hop world. Futura collaborated with the Clash first by spraying graffiti behind them (notably on the Tom Snyder show) and then by performing a rap on tour later in 81, which they later recorded together.

The Clash deserve greater recognition as the first white band to intertwine the new Black culture of hip hop, break dancing and graffiti into the group and their live shows. The Clash’s “musical distillery” was a catalyst for change. White rock fans at Bonds got their first taste of what was happening in the Bronx and Harlem.

Magnificent Dance, much to the band’s pleasure was getting repeated plays on black station WBLS. Pearl Harbour, now with Paul was DJ for the Bonds shows and got plenty of stick for playing a diverse range of music that reflected the band’s (if not the audiences) tastes.

Maybe not surprisingly many of those watching Grandmaster Flash & The Furious Five on this opening night at Bonds found this new culture clash too much to accept. TV news reports from this opening night show missiles being thrown at the stage and fans booing and shouting abuse. The Clash were embarrassed and angry at the reaction of their fans, and on the second night Mick dedicated Magnificent Seven to Grandmaster Flash “without them this song may not have existed”.

1


WNEW FM Bonds 'Clash Week' prior to the Bonds dates.
WNEW sponsored The Clash at Bonds.

46:21

2

Bonds News Reports

20:08

3

Bonds News Reports

11:53


...play on music: “6 Seconds To Watch” by Ennio Morricone, from For A Few Dollars More...Grandmaster Flash and The Furious Five are among the opening acts...after the first gig of the original seven-show run, the NYC fire marshall orders the club closed for safety reasons; eventually, the shows are rescheduled to accomodate all ticket-holders...

A strike in Britain had left 5 British bands in the UK and only 3 managed to make it with the Clash. Only the Slits, Funkapolitan and The Equators, who were slated for the matinee shows, made it. Left behind were the remains of Selector, The B-People , The Bell Stars, Aswad and most of all Theatre of Hate whom Mick had produced their debut album.

There were two opening acts each night: one British or Jamaican and one American. Hopefully the correct artists are listed by the correct dates. Support Acts included Grandmaster Flash and the Treacherous Three, The Sirens, The Sugerhill Gang, Funkapolitan, Lee Perry, Texan bard Joe Ely, and a forgotten horn-section-and-skinny-tie band called the Nitecaps. And, plucked fresh off the stage of CBGB's, Miller Miller Miller & Sloane and a KRAUT who had formed 3 weeks earlier with only 3 demo songs and who never played live. Plus bands that showed The Clash’s continuing identification and admiration for punk; The Dead Kennedys, Bad Brains, The Fall, The Slits, and The Bloods (not to mention The Brattles!). ESG a womans funk band from New York. The Rockets and the Equators were scheduled for the first matinee show which got cancelled.


May 28 Bonds Times Square, New York
Support The Sirens and Grandmaster Flash & The Furious Five

Thanks to Laura for the following info on the Sirens...

From: "Laura DJ" <dejesuslauraann-at-gmail.com>
Date: 22 October 2008

i noticed you have the sirens on the tour date list from 81 as playing with treacherous three, that's not true, I was one of the Sirens, the guitarist, and we played after Grand Master Flash, and before the Clash.

It was my idea to support the Clash. My manager charlie martin who built the sound system at CB's and Bonds was getting directions from the owners/managers who were in jail (studio 54 fame) and i had read an article in the nme or soho news or one of the music papers of the day and joe strummer said in the article they like all girl bands opening up for their shows. So i ran over to charlie showed him the article and suggested he get on the phone and reach out to his contacts and get the clash. The rest is history. He did it and we opened their first show at bonds. Grand Master Flash opened for us!

May 29 Bonds Times Square, New York

May 30

Bonds Times Square, New York

Matinee show cancelled by NYC Building Dept - Riots

May 30

Bonds Times Square, New York

Evening show cancelled by NYC Building Dept

May 31 Bonds Times Square, New York
Jun 1 Bonds Times Square, New York
Jun 2 Bonds Times Square, New York
Bad Brains and the Slits opened
Jun 3 Bonds Times Square, New York
The Treacherous Three
Jun 4 Bonds Times Square, New York
The Bloods opened the show f/b The Bush Tetras.
Jun 5 Bonds Times Square, New York
Four female singers singing accapella and Lee Perry opened
Jun 6a Bonds Times Square, New York
(afternoon) I was at the June 6th matinee show in 1981 in Bond's. The Dead Kennedys did NOT perform then. It was the Hi-School band The Brattles who opened the matinee show, followed by Funkopolitin. The "We love you clash" that is heard mid-show is caused by a mic that fell into the audience. Joe just watched kind of amused while these guys in the first rows yelled into the mic. After a while, the roadies got it back and set it up again.
Jun 6e Bonds Times Square, New York
(evening) The Dead Kennedys?
Jun 8 Bonds Times Square, New York
Jun 9 Bonds Times Square, New York
The Fall were the support act. This is the pro-recorded concert.
Jun 10 Bonds Times Square, New York
Allen Ginsberg makes an appearance
Jun 11 Bonds Times Square, New York
Jun 12 Bonds Times Square, New York
Jun 13a Bonds Times Square, New York
(afternoon) Hi-School band The Brattles opened the matinee show, plus The Rock-cats? who they had a slap bass and played Stray Cats-type music.
Jun 13e Bonds Times Square, New York
(evening) The Dead Kennedys