Pearl Harbour Tour supported by The Rentals & Bo Diddley
Last updated 8 March 2007
Last updated 7 July 2008 - link to photos by Cathrine Vanaria


www.cavanaria.zenfolio.com/
All photos are available as 16"x20" prints for $300US
C.A. Vanaria, 50 Hudson Drive, New Fairfield, Connecticut,
06812, United States
Daytime phone 203-791-1474 -
E-mail cathy@cavanaria.com - www.cavanaria.com

cdr 1 - unknown gen - Sound 3 - 68min - 20 tracks
cdr 2 - low gen - Sound 4 - 68min - upgrade - 20 tracks
cdr 3 - master - Sound 4 - 70min - upgrade - 20 tracks

Bob Gruen took his famous and brilliant live photos at this gig, capturing the excitement, drama and energy of The Clash, (see his recent excellent book and his website).
The seminal US Rock critic Robert Christgau reviewed this gig (and the Palladium gig the next night) in the Village Voice dated 5/3/79. Christgau was to be a highly influential supporter of The Clash stateside.
He describes how the 1800 seat venue was sold out in an hour for an English band that were getting airplay on only one Boston radio station.
The Coasters Riot in Cell Block No.9 faded out before Joe, denimy, still bezippered and fatigued, Paul slash necked red uniform and Mick in turquoise shirt unbuttoned, all with greased back hair. Christgau goes on accurately no one has ever made rocknroll as intense as The Clash is making right now, not Little Richard or Jerry Lee, not the early Beatles, or middle Stones or the inspired James Brown or pre-operatic Who, not Hendrix or Led Zep, not MC5 or The Stooges, or Pistols or Ramones.
Mick was playing a borrowed guitar having smashed his in Washington the night before. Christgau wrote that on our side of the PA this was an ecstatic experience but behind the fucked up monitors, the band felt they were putting out a lousy show.
Photos by Cathrine Vanaria
7 are from Harvard Square Theater, Cambridge MA, USA (16 Feb 1979)
1 is actually from Boston Orpheum (Sept 19th 1979)
3 from the Boston Orpheum - one of which wrongly attributed to Harvard (March 9 1980)







www.cavanaria.zenfolio.com/
All photos are available as 16"x20" prints for $300US
C.A. Vanaria, 50 Hudson Drive, New Fairfield, Connecticut,
06812, United States
Daytime phone 203-791-1474 -
E-mail cathy@cavanaria.com - www.cavanaria.com

The recording in circulation is a quite listenable audience recording. This one suffers some tape wear and better copies may exist, though this came from a good source.
Clearest part is the percussion, the vocals are reasonably clear as well and the lead is there as always, but the bass is buried as the sound edges toward the top end. There are also some distant problems resulting in some slight echo and some very faint noise/hiss. The atmosphere is captured well with the audience responding in loud appreciation to each song.

Guns On The Roof is now the second song, brought forward in the set list at Washington the night before, as the song was getting the bulk of limited airplay The Clash were getting on US radio.
The Clash are fired up throughout, delivering great intense performances. Joe has a few digs at the elitism of the nearby University We want to move the town to the Clash City Rockers
fat chance! and were gonna try a bit of funk a bit of blue beat, entitled White Man in Harvard University. Police & Thieves and Capital Radio are the usual highlights; the drama before Police & Thieves gets a new twist with mountains of echo filling the theatre and Joe includes revolution rock, it is the brand new rock demonstrating the popularity of this song in the Clash camp months before the London Calling sessions.
Capital Radio is introduced as Neil Diamonds latest and Joe ad libs at length at the end of the song about trains, tracks and dead heroes. Joe Strummer very rarely repeated his ad-libs throughout The Clash, just going with whatever inspiration came to him. There was none of the pre-planned show biz of other acts producing supposedly off the cuff moments night after night.
|
 |
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
|
I'm So Bored with the USA
Guns On the Roof
Jail Guitar Doors
Drug Stabbing Time
Tommy Gun
City Of the Dead
Hate and War
Clash City Rockers
White Man In Ham Palais
English Civil War
Safe European Home
Stay Free
Police and Thieves
Capital Radio
Janie Jones
Garageland
Julie's / Drug Squad
Complete Control
London's Burning
White Riot
|
 |
|

Janie Jones

A Riot of Our Own pg
New York Rocker Gig Review
Diamondz Fanzine (unknown)
... Cover ... Harvard Square Cambridge Review by Brian Goslaw

Best Magazine [French]
...page1 ...page2 ...page3 ...page4 ...page5 ...page6
Rough English Translation
Refused Visas
Q Magazine UK May 2001
Comments from the band and others on the Pearl Harbour Tour february 1979
Melody Maker
Tour Review
A3 Billboard Ad for the Tour
Sounds
Gary Bushells Tour Notes
Dolly Parton Impersonators
Sounds
Sylvia Simmonds Tour Notes
Village Voice
Tour Notes
Sounds
Strummer's Pearl Harbour Diary
Trouser Press
End of Tour Interview
Los Angeles Times January 20, 1979
Clash Crests on New Punk Wave
Time Magazine
5 March 1979
Jenny Lens (clash photographer)
Photos and Exhibition
Any further info / reviews appreciated
A3 ad (from poster) placed on page 105 of Billboard 3 March 1979

| Jan 31 |
 |
Commodore Ballroom, Vancover, Canada
|
| Feb 7 |
 |
Berkely Community Centre California
|
| Feb 8 |
 |
Geary Temple (Fillmore), San Francisco CA
|
| Feb 9 |
 |
Civic Auditorium, Santa Monica CA
|
| Feb 13 |
 |
Agora, Cleveland OH
|
| Feb 15 |
 |
Ontario Theatre, Washington DC
|
| Feb 16 |
 |
Harvard Square Theater, Cambridge MA
|
| Feb 17 |
 |
Palladium, New York NY
|
| Feb 20 |
 |
The Rex Danforth Theatre, Toronto, Canada
|
|
|
We were going to drive to Toronto from New York, but we were snowed in and except for the back-line vehicle, the rest of us flew direct to Cananda. Scratchy |
 |
|
 |
|
 |