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Support Surburban Studs
Last updated 7 July 2008 - page started

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The Clash: Barbarellas, Birmingham
Jonh Ingham, Sounds, 13 November 1976
WEDNESDAY HAD been booked as Punk Night at Barbarellas, an excuse, if nothing else, for the club deejay to fall in love with the sound of his mouth flapping. It was the brainchild of the local Suburban Studs, supported by their mentors the Clash. And here lies a story.
The Suburban Studs are the band initially thought to be called the Suburban Bolts. Now that was a great name, and I'm still hoping someone at least becomes the Bolts. But the Suburban Studs...How mundane, how archaic, how suburban. They supported the Pistols at the 100 Club during the summer, a laughable mixture of tacky jumpsuits, tacky makeup, tacky props and tacky music. More dinosaur rock.
They then supported the Runaways, billed as Birmingham's Glam Rock Band. They realised how recherche they were. Simultaneously, they were encouraged to check out the Clash, playing that night at the ICA. It was instant love; they even drove down to see the band the next week. Generally rockers at heart, they were said to have changed their music and dropped all the makeup and props. Their hair was getting shorter.
On Wednesday it took about five minutes to realise that this short haired geezer chatting to us was actually the formerly ultra-long haired Studs guitarist, Keef (sic). Such is progress.
After all this, they just stood there. Eddie Zippa wears a black vinyl suit called Julian? tastefully torn over one tit, singing songs the equal of the punk lyricists in our letters pages. E.G.: 'I don't care what life's about, I just want to jump and shout'. Well, Black Sabbath aren't exactly Bertrand Russels in their social commentary, either.
But their music matches the lyrical artlessness. Stolen riffs and rhythms abound, with a penchant for Bowie. The saxist can't really play; a pity, when you consider the spaces explored by Steven Mackay on the Stooges' Fun House as an example of where it could go, that he stuck to Glitter Band riffing all night.
It's a shame their music is so lacking, because they get full points for trying.
It was the Clash's finest 45 minutes. Due to PA problems only the voices were on it, the rest of the sound coming directly from the amps just like the old days. It made for amazingly clear vocals.
'White Riot' was superb. The Clash's anthem and view of the Notting Hill Riots, it contains all the Clash's best trademarks: great hooks and chorus, a storming rhythm, and a Clash trick of everything dropping out except for Mick Jones' guitar, dropping back in two bars later behind a thundering crack from Terry Chimes' baseball bat sized drumsticks.
'London's Burning' became 'Birmingham's Burning'. 'I'm So Bored With You' has changed to 'I'm So Bored With The USA'. Not once do the Clash falter. Every song is pared to the minimum required to get it across with maximum energy and zero flab. Which they do with such power, speed and explosion that one assumes the lack of response from first time audiences in London is due to shock no one young has seen such manic energy except from the Who or Quo in a stadium.
But in Birmingham, the audience began to applaud more and moe vigourously. 'Protex Blue', another rhythmic high point and Mick's vocal bid for the spotlight, exploded into guitar mania, but unfortunately some amps problems took the edge off the attack.
But it was the encore, 'I've Got A Crush On You', that clinched it. Joe sings about being handsome and does his visual best to look anything but pretty. This time, he excelled himself, and with Mick racing between mikes and Paul exploding and jerking, it had powerful effect.
© Jonh Ingham, 1976
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unkown

Sounds
gig review Jon Ingham

The birth of The Clash
The Independent
Friday, 10 October 2008
An epiphany at a Sex Pistols gig led to the formation of the most enduring of punk bands. Here, in an extract from a new book, The Clash reveal how they started in a London squat
The Clash: Down And Out And Proud
Caroline Coon, Melody Maker,
13 November 1976
following the ICA gig
The Clash: Eighteen Flight Rock...
Miles, NME, 11 December 1976
...AND THE SOUND OF THE WESTWAY
interview with The Clash
The Clash - Caroline Coon, '1988:
The New Wave Punk Rock Explosion', 1977
5th November 1976
Interview & review
Don Giovani
Finest post Pistols band
Nov 1976
The Clash & Polydor Demos
Rockscene Anarchy
Photo review 1 2 3
Greatness from Garageland
Peter Silverton, Trouser Press, February 1978
UNANNOUNCED, TO SAY the least, a kid in boots, suspenders and short-cropped hair clambers through the photographers' pit and up onto the stage of London's Rainbow Theatre. Benignly ignored by band, stage crew and security alike...

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Black Swan, Sheffield
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Last gang in Town p170
The birth of The Clash - The Independent - Fri 10 Oct 2008 - An epiphany at a Sex Pistols gig led to the formation of the most enduring of punk bands. Here, in an extract from a new book, The Clash reveal how they started in a London squat
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| Aug 13 |
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Rehearsal Rehearsals, Camden Town, London
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....private invite gig
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| Aug 29 |
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Screen On The Green, Islington, London
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Midnight Special Last gang in Town p180
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| Aug 31 |
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100 Club, London
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...supporting the Sex Pistols.Last gang in Town p190
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Sep 5
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The Roundhouse, Camden Town, London
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...Keith Levenes last gig with The Clash. journalists invited; 3 show up. Last gang in Town p190
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| Sep 20 |
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Club, London...100 Club Punk Festival
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with the Pistols, the Damned, the Buzzcocks, Subway Sect et al. Last gang in Town p195 |
| Oct 9 |
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Tiddenfoot Leisure Centre, Leyton Buzzard
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see ZigZag Aoril 77 'Konctere Clockwork' text version
or scans ... ZigZag Aoril 77 'Konctere Clockwork' .... pg1 ......pg2 .....pg3
supporting the Rockets... just a note on your gig list i saw them at tiddingfoot leisure centre and keith levene was still a member they were supported by a r n b band called the rockets.
the promoter a guy called chris france had also promoted gigs by the jam,the dammed and eddie and the hot rods all in leighton buzzard he also managed john otway and wild willy barrett at this time.the clash were superb sounding a lot like the mc5 at this gig.
i'd actually gone along to see the rockets who i'd seen locally several times in the previous couple of years and followed around a bit,but the clash blew them off stage and they split soon after.cheers glyn
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Guildford
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In an NBC 'Live at 5' Interview early 1982, Paul & Joe refer to this gig and the fact there was only 1 member in the audience. |
| Oct 15 |
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Acklam Hall, Ladbroke Grove, London
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supporting Spartacus and Sukuya.
Last gang in Town p210 (from Time Out mag).
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| Oct 16 |
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University of London, London
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supporting Shakin Stevens. Last gang in Town p211
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| Oct 23 |
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Institute of Contemporary Arts, London
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Last gang in Town p215
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| Oct 27 |
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Barbarellas, Birmingham
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Last gang in Town p217 |
| Oct 28 |
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I.C.A., London
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with Subway Sect
see ZigZag Aoril 77 'Konctere Clockwork' text version
or scans ... ZigZag Aoril 77 'Konctere Clockwork' .... pg1 ......pg2 .....pg3
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| Oct 29 |
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Town Hall, Fulham, London
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Last gang in Town p217. Supporting Roogalator |
| Nov 3 |
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Harlesden Coliseum |
| Nov 5 |
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Royal College of Art, London
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A Night Of Treason Last gang in Town p218.
...supported by thge Rockets
see ZigZag Aoril 77 'Konctere Clockwork' text version
or scans ... ZigZag Aoril 77 'Konctere Clockwork' .... pg1 ......pg2 .....pg3
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| Nov 6 |
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Lanchester Polytechnic, Coventry
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3 photos given as this date, though it is likely to be the 29th Nov |
| Nov 11 |
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Lacy Lady, Ilford
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Last gang in Town p222.
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| Nov 13 |
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Birmingham Barbarellas |
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Polydor Demos
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Harlesden Coliseum - Anarchy Tour Rehearsals
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When I spoke with Rob from Subway Sect yesterday he said the Clash only played Harlesden once - in early 1977. They rehearsed there for the anarchy tour. Vincent |
| Nov 18 |
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Nags Head, High Wycombe
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Last gang in Town p224.
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| Nov 29 |
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Lanchester Polytechnic, Coventry
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Last gang in Town p189
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