BRASILIEROS
  
Went back to Brazil for a spontaneous 2
week adventure. I flew into beautiful Rio and then headed back up to Bahia, this
time thankfully free from drugs, to visit Fiona and Stanley in Ilheus and then
up further north to Salvador, the capital of the state, to learn Portuguese for
a week. Despite the lack of time, I did a pretty good job. It was a great school
and I really had to speak Portuguese every day since no one really spoke
English. I listened to a lot of classic Brazilian pop armed with a dictionary.
Brazilian Portuguese is beautiful but fiendishly difficult to pronounce. Written
down in reads a lot like mutant Spanish but spoken it's a different planet.
Singing along with popsongs proved a good way to get my tongue round it.
  
I was sitting in bar in Ilheus with
Rose, one half of the husband-wife team curing Fiona with plants, when I
recognised the song the over-amplified bossanova singer (statutory in all
Brazilian restaurants) was singing. It was on a old cassette I had from my
University time, a compilation of Brazilians classics. Rose told me it was
called Leaozihno
by Caetano Veloso. She started translating the
text and I realized that it was about a boy. The one song I picked out was a gay
love song from Brazil's Paul McCartney (who incidentally has had 2 wives and 3
sons). This seemed to me to be deliciously symbolic of the freedom of affection
that I'd experience in Rio, where any desire, in any direction was seen as a
wonderful compliment. Anyway it's a beautiful song - and Caetano has the most
beautiful of singing voice and makes Portuguese sound like hummingbird honey.
Check out Peter Gast, Allegria Allegria,
Queixa which are all tracks by him.
Once I started listening there's a whole
cascade of greats: it's like discovering a whole parallel history of music in a
different language: there's Beatles, Stones, Dylan, Talking Heads but all from
Brazil. And all incredibly poetic. Chico Buarque, Gilberto Gil (now the Minister
of Culture in Lula's government), Caetano's sister Maria Bethania and Elis
Regina who were all singing in the Sixties and who mostly still going today
(apart from Elis who I think is dead). Or more recently is Maria Rita (who I
think is Elis' daughter - they're all related the Royalty of Brazilian Pop) and
Milton Nascimento who wrote the corking A
Festa on Rita's last album, a song which has the
sexy
chorus: Embrace
me, crush me, Wrap me up in
your legs Take me, force me,
flip me, bewitch me, Dress me
up in kisses.Which brings me to the
Brazilian love of sex. It's everywhere and not in the comodified way we see it
in the West - on billboards, on TV, in magazines - it's on people's bodies, in
their looks and and smiles. It's intoxicating and I have to say - for this
frosty Protestant princess, sometimes a little overwhelming. Rio was just too
much. Too much beach, too much flirting, too much fucking. I wondered if anyone
did anything but sit on the beach, drink in bars, dance, sing and screw. Of
course they do - but there is a definite hedonistic tone to most Brazilian
conversations. It doesn't take more than 4 minutes before the conversation comes
around to Carnaval - that consumation of Brazilian Hedonism. Be it Salvador or
Rio, Carnaval makes Brazilians glow and tremble with joy and pride.
    I
was sitting in Pelhourihno, the old UNESCO protected centre of Salvador with
some class mates eating icecream and around the corner came a 7 piece
brass-and-percussion samba band. It was about 6pm on a Wednesday, no particular
occasion but things were just warming up. There was another drum-school working
up a sweat 50 metres away. In the main square there was a big stage with various
bands. Every nook and cranny was filled with music makers. Music is exactly as
ubiquitous as sex. When I relaxed into it - a caipirihna helps - I allowed to
seep into the music, and just bounce around from place to place, from dance to
dance. But it went against all of my Northern European instincts. Dancing for no
reason? With strangers? without any obvious end in
sight?In the end all that flirtation and
spontaneity took its toll on my little English body. By the time I got back to
Rio I had been struck immobile by a crappy stomach and bone-deep fatigue.
Probably an ill-judged glass of tap water. Anyway it made me feel
distinctly
un-sexy - which as I mentioned, is a crime in
Rio. I was quite glad to get back to cold, grumpy grey but familiar England this
afternoon. Still I have a stack of CDs I can discretely practise being sexy
to...
Posted: Wed - December
8, 2004 at 10:23 PM
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Published On: Dec 31, 2004 12:12 PM
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